8 Time Out Melbourne February 2014


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8 Time Out Melbourne February 2014

T

 



he band crammed on stage at Bombay Rock are 

for the most part dressed in identical boiler suits. 

Little details mark them apart: guitarist Kirk 

Pengilly has just had his hair dyed black by the 

band’s manager and it drips down his face under 

the stage lights; singer Michael Hutchence goes bare-

chested, all the better to make the girls at the front squeal 

when he drops to his knees and arches his back. They may 

be playing a small dive – they often play two a day, in fact 

– but they move with a cocksure confidence. 

As well they should. It’s 1979 and INXS are fast 

becoming a tight live act, writing tracks like ‘Just Keep 

Walking’, which will appear on their self-titled debut 

album. They are soon to catch the eye of  their long-term 

manager Chris ‘CM’ Murphy, but tonight, as Michael 

emotes through ‘To Look at You’, it’s teenager Michelle 

Bennett he locks eyes with. She will go on to become his 

lover and then a lifelong friend – the last person to speak  

to him, in fact, as depicted in the hotel scene that winds up 

this two-part drama.



Time Out is on set of  Seven’s Never Tear Us Apart at the 

Espy’s Gershwin Room, which is standing in for Sydney 

N E V E R

T E A R


U S

A P A R T

The two-part INXS telemovie 

hits Channel Seven this month. 

Will it be a new sensation, or  

is it taking the Michael?

BY JENNY VALENTISH


February 2014 Time Out Melbourne 9

Road’s now defunct venue Bombay Rock. Artful 

lighting picks out Jane Harber as Bennett in the 

crowd, while a couple of  dozen extras gyrate and 

bop around her.

It’s a surreal experience. For anyone who’s ever 

mourned missing a seminal band live in their 

heyday, being on set with the six actors playing 

INXS comes a convincing second. Drummer Ido 

Drent as Jon Farriss is always fidgeting on the 

kit in authentic sticksman style – in fact, Farriss 

and manager CM Murphy were insistent on 

finding an actor who could drum for real. 

Equally real is the camaraderie between the 

band members: Drent (

OffspringShortland 

Street); Luke Arnold as Michael Hutchence; 

Andy Ryan (



Tomorrow When the War Began

Underbelly: Squizzy) as Andrew Farriss; Hugh 

Sheridan (



Packed to the RaftersI Will Survive

as Garry Gary Beers; Alex Williams 

(

UndergroundThe Reckoning) as Kirk Pengilly 

and stage actor Nicholas Masters as Tim Farriss.

The actors have been living in the same hotel 

apartment for nine weeks, going on excursions 

to the football and the flicks together between  

set times – not to mention getting perms and 

hair weaves together.

“When I was young, all I picked up on was 

Michael Hutchence,” admits Andy Ryan, who, 

like most of  the other actors is in his mid-

twenties, “but we discovered people have a really 

strong affiliation with the individual members  

of  the band; they have their own recollections 

and stories about them.”

He recalls, “I went to a guitar shop when I 

found out I got the role, to get some picks. I was 

playing a bit of  the INXS back catalogue, a bit of  

funk strumming, and a guy said, ‘Oh yeah, I was 

a roadie for INXS all across Australia.’ He 

showed me all of  Andrew Farriss’ guitars and 

what Tim Farriss used, and he had a bunch of  

stories about it. So we’d pick up little nuggets 

here and there about all sorts of  people.”

Seven’s art department have been equally 

diligent, harvesting old instruments, road cases 

and clothes that belonged to the band, but even 

with that and the on-set input of  Tim Farriss, the 

cast and crew know they’ll have to contend with 

the general public’s sense of  ownership of  this 

iconic Australian band.

“I’m not happy with the disparaging way 

Michael is portrayed in the [Channel Seven] 

trailer,” says one disgruntled fan commenting on 

YouTube. “I feel extremely dismayed that INXS 

would do this, especially given that Michael is 

“People have a really 

strong affiliation with 

individual members  

of the band”

 INXS 


TRIVIA

On the Friday 

before Listen Like 

Thieves was to be 

sent to their record 

company, producer 

Chris Thomas 

insisted that it 

lacked a killer single 

and gave the band 

a day to come up 

with one. The band 

wrote and recorded 

‘What You Need’ in 

two days. It became 

their breakthrough 

US hit.


not here to defend himself.”

“There will be the same views people had on 

Oliver Stone’s Doors flick – we will never be 

happy,” reasons another. 

And there are other works in production. 

Dogs 

in Space director Richard Lowenstein was a close 

friend of  Hutchence and is soon to commence 

work on a feature film that focuses on the 

singer’s formative years. American producer 

Robert Galinsky will base his biopic 

Two Worlds 

Colliding on the biography written by 

Hutchence’s mother and sister.



Never Tear Us Apart keeps its focus on the 

band as a whole, rather than Hutchence. Part one 

is a joyride: a flash forward of  playing Wembley 

in 1991, then back to performing on 



Countdown

supporting Adam Ant in the States, touring the 

world, and famous girlfriends in Kylie (played by 

Samantha Jade) and Helena Christensen (Mallory 

Jansen). In part two, things start to fall apart, 

with in-band fighting, Michael’s head injury  

and his fateful relationship with Paula Yates 

(Georgina Haig).

One thing’s for sure: when the makers of  

larger-than-life primetime TV dramas take on the 

truly surreal life of  bona fide rock stars, the 

results are sure to be excessive. 

 

Their original band name was the Farriss 



Brothers. Midnight Oil’s manager, Gary Morris, 

suggested INXS after seeing the boldness 

of the IXL strawberry jam label and trying to 

come up with a punny name, as per British 

new wavers XTC.


10 Time Out Melbourne February 2014

 

JANE HARBER



 

AS MICHELE 

BENNETT

Kerrie, why INXS, and why now?



 It was 

Mark Fennessy’s idea – the CEO of Shine 

Australia. He said to me, “I am going to 

do INXS, would you come along for the 

ride?” And so I joined Shine Australia.  

It was very close to my heart. I am a 

Northern Beaches girl and I grew up 

where all the boys grew up. I went to see 

them as a teenager. My girlfriends and  

I used to go out dancing to them and now 

I am making a show on them.

Despite INXS being a Sydney band, you’ve 

largely shot in Melbourne.

 

As much as it’s 



a Sydney icon show, there’s no way we 

could have shot this there. The locations 

and architecture that you get in 

Melbourne is just amazing. 

What a find in Luke Arnold, who bears an 

uncanny likeness to Michael.

 It’s quite 

bizarre how we got Luke. He heard about 

the project and before there was even  

a script or casting, he did a self-tape, 

saying it was a role he’d always wanted.

 

So how is this the untold story?



 Prior to 

going to script, we spent a day at [INXS 

manager] Chris Murphy’s property, 

interviewing him. Then we filmed 

interviews with all the original band 

members, because with the early half  

of the story, there’s no archive or any 

information on them. If we’d given the 

script to every single band member, we 

wouldn’t have made this show because 

they would’ve all had their two cents 

worth. So Chris nominated Tim Farriss  

to be in charge. Tim would say, “We 

wouldn’t have spoken that way…” and  

it was especially important when were 

recreating Wembley or the club scenes.

A few years ago Chris outlined his game 

plan for INXS, with the idea that they’d be 

back in stadiums around now. Do you 

think he’d see this series as useful 

promotion?

 I hope so. I hope they go  

back on the road, but they will have to  

find themselves a singer. As a songwriter, 

Andrew Farriss has got to be a genius.

 You know that INXS did well in the US, 

but you may not know just how insanely 

well that was. Five of their 12 studio 

albums did platinum or better – The Swing

Listen Like ThievesKickX and Welcome 

to Wherever You Are.

 INXS invented the Australian touring 

festival model with Australian Made in 

1986, when they, Jimmy Barnes, Divinyls, 

Models, the Triffids and several others 

toured the entire nation doing day-long 

outdoor shows. They also invented the 

Australian festival financial model by 

losing a lot of money in the process.

 Beck recorded a track-by-track  

cover of the entire Kick album in 2010, 

which he made available through his 

website. 

The Offspring actress plays Michael’s 

first love, who he called to his hotel just 

before his suicide

Jane, how difficult is it playing a character 

who has kept out of the public eye?

 

There 


isn’t a lot out there. There are a couple of photos 

that I’ve got, and obviously her production 

company [Cherub Pictures, who were behind 

Chopper] is pretty successful. There is a luxury  

to that, because there is this blank slate – more so 

than with Kylie and [actress] Kym Wilson. 

Has it affected you, being involved in this 

role?

 Absolutely – we’re shooting in hotel rooms 



and places that they’ve played, constantly feeling 

like there’s that presence.

In your scene today, you clap eyes on 

‘Michael’ for the first time.

 It’s definitely love 

at first sight. The scene afterwards is their first 

proper meeting, because he spotted her once and 

then she comes back to the next gig. They’re 

nervous teenagers and there’s that excitement 

about hooking up with someone for the first time. 

She had a lot of balls going to the gig by herself 

and essentially hooking up with him.

Did Michael’s death have an impact on you 

in real life?

 I was in Year 7 so I remember it as 

in there being this iconic rock star dying.  

I remember more Paula Yates and that story – her 

children and the aftermath of it. 

 

Paula would be a very different character 



to play.

 

My take on it is that my character would 



have known him really well and would have 

known that his relationship with Paula probably 

wasn’t that healthy. Michele was such a big part 

of his life; they were friends for 20 years and she 

was the last person he spoke to. Hopefully he felt 

he had a touchstone with Michele that he could go 

back to. She was out of the scene, she was in 

Sydney… just a good friend and an anchor.  

You’d never met Luke Arnold before, so  

how are you going to create that similar 

chemistry that Micahel and Michele had?

 

He’s a beautiful man. I mean who’s not going to 



fall in love with him?

“Michael’s 

relationship with  

Paula probably  

wasn’t that healthy”

 KERRIE


 MAINWARING

PRODUCER


Having overseen production of 

dramas including RushPuberty 



BluesPaper Giants and Howzat, this 

INXS fan has one speed: fast



February 2014 Time Out Melbourne 11

 ’Original Sin’ 

was recorded 

in one take by 

producer Nile 

Rodgers. The 

band thought 

they were just 

running through 

a rehearsal. 

Also, that’s Daryl 

Hall on backing 

vocals.

 There have been three official 



replacement lead singers since 

Hutchence’s death: Jon Stevens; Rock 



Star: INXS winner JD Fortune; and most 

recently Ciaran Gribbin. Terence Trent 

D’Arby, Russell Hitchcock, Jimmy Barnes 

and Dan Sultan have also fronted the 

band for performances at various times.

 You haven’t heard their debut single: 

it was released in 1980, it was called 

‘Simple Simon’, and it was so lame they 

didn’t even put it on their self-titled album 

later that year.

He’s starred as Lachie Clarke in 

Winners and Losers and as John Silver 

in forthcoming pirate series Black 



Sails. But can this skilled swordsman 

take on the ultimate pantsman?

Luke, what are some of Michael’s 

physical tics or mannerisms that you 

picked up on?

 

It’s all in the walk. The way 



Michael carried himself was individual, 

iconic, confident and sexy. It takes balls to 

move like that on a daily basis. Most of us 

Australians try not to draw attention to 

ourselves but you can’t ignore a gait like 

that. It took a lot of work to make it my own 

but once I did, it was hard to let go of. I’d 

catch myself on the weekend heading down 

Chapel Street and realise I was strutting.

 

How do you feel about the 1980s now? 



Less laughable?

 Music from the ’80s has 

always made up a huge part of my playlist. 

Some of the greatest bands of all time 

reached their heights in the ’80s. The 

fashion does let the decade down, but I 

have to say, after dancing round in the 70 

or so costumes I got to wear on the show,  

I can see the appeal. I did take my pair of 

leather pants home once we finished.

 

What was the toughest scene to act?



Every day had its own challenges but the 

closer we got to the end of the story, the 

heavier the responsibility of the role 

became. It’s one thing to play an icon in 

his heyday; there is obvious pressure to 

live up to people’s fond memories. But the 

greater responsibility is how you handle the 

darker times and the events that are still 

emotionally affecting people today. We 

present the end of Michael’s story with 

truth and respect but there is no denying 

he had his share of troubles. The lead-up 

to the end, that last night, was the most 

intense thing I have ever done as an actor. 

I was very relieved after we had captured 

those scenes and I was able to move on.

Never Tear Us Apart screens on the Seven 

Network in February. Exact dates were 

unavailable at the time of going to press. 

au.tv.yahoo.com. 

 LUKE ARNOLD 

AS MICHAEL

HUTCHENCE



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