Afrasiab
Ornamental art is characteristic of Central Asia Forms derive from typical local features (desert vegetation, rams’ horns, shapes of nomadic yurta (tents), moon and sun. Forms are stylized and abstracted. Prohibition of representation of living organisms by Islam reinforced ornamental tendency.
Issyk Kurgan (burial mound) near Almaty, Kazakstan where “Golden Warrior” was discovered Issyk Kurgan (burial mound) near Almaty, Kazakstan where “Golden Warrior” was discovered
Scythian (Saki) Scythian (Saki) 5th Century BC Gold warrior’s burial costume from Issyk Kurgan (near Almaty in Kazakstan) Replica in UN (New York)
Sythian warrior’s burial costume Gold detail of ram’s heads from headress
Runic inscription on ancient silver chalice (Almaty, Kazakstan) Runic inscription on ancient silver chalice (Almaty, Kazakstan) Indicates existence of indigenous alphabet of Turkic peoples residing in Central Asia before advent of Islam
Karakhanid mausoleum (10th-11th Centuries) Karakhanid mausoleum (10th-11th Centuries) Near Osh, Kirgizstan
Left doors to Karakhanid mausoleum near Osh
Turkestan, Kazakstan: Mausoleum of Khodja Akhmet Yasavi Turkestan, Kazakstan: Mausoleum of Khodja Akhmet Yasavi XIV Century
Turkestan,Kazakstan: Mausoleum of Khadji Akhmet Yasavi Turkestan,Kazakstan: Mausoleum of Khadji Akhmet Yasavi 1405 Pilgrimage site of Muslim cult
Mikhrab: 10th-11th Century Asht (Tadjikistan) Mikhrab: 10th-11th Century Asht (Tadjikistan) Mausoleum of Abrulla ibn Bureida: 11th Century Grand Bazar (Turkmenistan)
Turbat Turbat Mausoleum of Ismail-ata 19th Century
Mausoleum of Babadnen-Khatun Mausoleum of Babadnen-Khatun 10th-11th Centuries
Gur Emir
Samarkand: Tillia Kari Medressa Samarkand: Tillia Kari Medressa Constructed in 1647-1666 in reign of Ulug Beg, grandson on Timur Medressa is a seminary or college
Samarkand: Tillia Kari Medressa Samarkand: Tillia Kari Medressa
Registan
Khiva: Arzkhona aivan Khiva: Arzkhona aivan Carved and painted wooden structure and ornaments Aivan (or aywan) is an open summer terrace with canopy on a raised platform
Khiva: Carved wooden doors Khiva: Carved wooden doors Juma Masjid (masjid means mosque in Turkic)
Ceramic tile work from Shakhrizabz (birthplace of Amir Timur) Ceramic tile work from Shakhrizabz (birthplace of Amir Timur)
Seamstresses in Samarkand sewing gold thread embroidery onto camisole (kamzol) or vest Seamstresses in Samarkand sewing gold thread embroidery onto camisole (kamzol) or vest
Nauryz celebration (pan-Turkic New Year) in Almaty, Kazakstan Nauryz celebration (pan-Turkic New Year) in Almaty, Kazakstan
Crafts shop Crafts shop Handcrafted brass ware and knives
Silk carpet Silk carpet Caucasian Kazak design Handmade in Samarkand
Carpet Factory
“The Battle” “The Battle” Painting by contemporary artist Shamil Guliev Incorporates elements of traditional Central Asian art into modern view of the world
“66 Lions” “66 Lions” Contemporary artist Shamil Guliev
Characterized by improvisation It is the vehicle which preserved literature for centuries (all poetry was sung to musical accompaniment) The earliest musicians of Central Asia were the shamans who healed through magic
The dombra or dombira is a pear-shaped wooden instrument with three or more gut strings. The dombra or dombira is common to most of Central Asia
Kiu = wordless melody played on dombira Kiu can tell a story or depict a scene
This kiu depicts horsemen galloping across the steppe. This kiu depicts horsemen galloping across the steppe.
Akyn or bard performs songs or tales accompanying himself on the dombira
Rakmanqul Berdibai (Kazak Academy of Sciences, Folklore Department) plays kiu on dombra Rakmanqul Berdibai (Kazak Academy of Sciences, Folklore Department) plays kiu on dombra
Folk Instrument Orchestra of Kurmangazy Conservatory (Almaty, Kazakstan) Folk Instrument Orchestra of Kurmangazy Conservatory (Almaty, Kazakstan)
Kobyz is an ancient bowed instrument made of wood, camel skin and horsehair strings. Kobyz is an ancient bowed instrument made of wood, camel skin and horsehair strings. The most famous composition for the kobyz depicts the death of a swan shot by a hunter’s arrow.
Central Asian literature was long preserved by oral tradition Until recently prejudice has endorsed written literature and devaluated oral literature. Oral tradition emphasizes improvisation. Akyn or bards with extraordinary memory chanted epic poetry and demonstrated skill at improvisation.
Manas Manas Kirgiz national epic poem At least 1000 years old Blends mythology with tale of migration of Kirgiz people from Enisei basin
Yusuf Khass Khadjib Balasaguni, “The Knowledge of Royal Happiness” (1069) Yusuf Khass Khadjib Balasaguni, “The Knowledge of Royal Happiness” (1069)
Alisher Navoi (1441-1501) Alisher Navoi (1441-1501) Divan or Khamsa (a collection of five narrative poems) Illuminated manuscript in Beruni Institute of Oriental Studies (Tashkent)
Majlis or feast at home of Alisher Navoi Miniature from manuscript of “Majnun and Laili” 16th Century
Alisher Navoi Alisher Navoi Miniature from illuminated manuscript of narrative poem entitled “Seven Planets”
Abai Kunanbai (1845-1904) Poet and teacher Father of written literature in Kazak
Mukhtar Auezov Mukhtar Auezov (1897-1961) His novel “The Path of Abai” (1949) won the Lenin Prize for literature
Auezov’s drama “Enlik and Kebek” (a Kazak Romeo and Juliet) first performed in this yourta in 1917 marked the beginning of Kazak theater.
SUMMARY Central Asian music is characterized by improvisation. Central Asian literature place a high priority on oral tradition. The epic poetry of Central Asia embodies the moral aspirations and values of its people and constitutes a record of the history of Central Asia
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