Asadova chexrangiz salim qizi maxmudova dildora olimbekovna 35 – O‘zbek theme: characteristic role of “beowulf” plan: introduction main party

Politics and warfare
Stanley B. Greenfield has suggested that references to the human body throughout Beowulf emphasise the relative position of thanes to their lord. He argues that the term "shoulder-companion" could refer to both a physical arm as well as a thane (Aeschere) who was very valuable to his lord (Hrothgar). With Aeschere's death, Hrothgar turns to Beowulf as his new "arm." Also, Greenfield argues the foot is used for the opposite effect, only appearing four times in the poem. It is used in conjunction with Unferð (a man described by Beowulf as weak, traitorous, and cowardly). Greenfield notes that Unferð is described as "at the king's feet" (line 499). Unferð is also a member of the foot troops, who, throughout the story, do nothing and "generally serve as backdrops for more heroic action."
Daniel Podgorski has argued that the work is best understood as an examination of inter-generational vengeance-based conflict, or feuding. In this context, the poem operates as an indictment of feuding conflicts as a function of its conspicuous, circuitous, and lengthy depiction of the Geatish-Swedish wars—coming into contrast with the poem's depiction of the protagonist Beowulf as being disassociated from the ongoing feuds in every way.

CONCLUSION
The oldest English poem that has come down to us preserves some traces of the remote period when tribes migrated from place to place in northern Europe. The manuscript of Beowulf dates from the tenth century, but the poem itself is probably three hundred years older. It has references to historical persons and events in the early sixth century, when a King of the Danes raided the lower Rhine and was defeated by the Franks. The story of Beowulf consists of incidents brought together by the unknown author from many sources. These sources, perhaps, were songs. Minstrels (scops) who made these songs were highly honoured. The poem Beowulf is very far from being a primitive poem; it has many of the characteristics of a literary art and the life which it records is one of dignity and beauty.
The first of the three "adventures" of the poem tells how the hero heard of a monster named Grendel that was ravaging the court of the Danish King Hrothgar. With a band of followers Beowulf sails to the Danish coast and makes his way to Heorot, the lofty hall of the King. The poet describes the beauty of this hall and the happiness of the noble King save for the terror caused by the monster. Beowulf is welcomed by the King, who invites him to the banquet. The meal is conducted in a very ceremonious fashion; minstrels sing of heroic deeds; the queen passes among the warriors. Unferth, the retainer, forces upon Beowulf a sort of wit combat. He mentions a swimming match in which Beowulf had been defeated. The prince replied that he had overcome many uncanny creatures of the sea and had won the race. At length the King and Queen retire and Beowulf and the warriors stay in the hall.
The monster came and seized one of the thanes and devoured him, then reached for Beowulf. But the hero was ready. A terrible combat began and at the end Beowulf triumphed, for he tore off the arm and shoulder of the monster, and sent him deadly marked to the marsh.
Next day the warriors rode out to the mere, where they saw the thick waters red with Grendel’s blood. On their return to Heorot, Hrothgar thanked the hero in stately words and Beowulf responded in the same fashion. Then they prepared for the evening’s banquet, when splendid gifts were presented to the hero and his men. Songs of heroic deeds were heard in the hall. After this the queen appeared and gave the hero a magnificent present, asking his favour for her sons. At length the revel ended and Heorot was still.
The happiness of the Danes was brief. The mother of Grendel, a monster, comes in the night and slays a retainer to avenge her offspring. Heorot was on a narrow strip of shore. On one side was the sea, on the other was the impenetrable forest, filled with marshes and evil spirits.
From this dark realm Grendel's mother came and challenged Beowulf.
Beowulf accepted the challenge and after a dreadful battle he won victory.
Then follows the episode of his life between his return from Hrothgar’s court and his last great adventure. For a time he was the trusted counselor of his King, defending him in battle. Later he served the young prince, then he became King and ruled long and wisely. When Beowulf was an old man, word was brought of the devastation caused by a fire-drake. The dragon flew over Beowulf’s realm, dropping fire that destroyed farm houses and villages. Now Beowulf had to save his subjects from the monster that brought terror at night. With eleven of his warriors he went to the hill in which dwelt the enemy. He reviewed his life, as folk-defender, and then went into the grim place alone. Against the fiery power of the drake he fought courageously. In the time of peril, Wiglaf, a thane, rushed bravely forward just in time to help his master give the final fatal blow to the monster, but Beowulf, mortally wounded, died by the hill.
Something in the structure of the epic, the art with which it is put together, is apparent even from this short summary. Despite the fact that only three major adventures are given and the remaining details of the hero’s life being introduced by indirect means, the final effect is that of a unified story. We do not have in "Beowulf", as in the Greek and Roman epics, the theme of the founder of a people. Beowulf is less important as a sovereign and law-giver than as a man who is afraid of no danger. But indirectly the poem tells much about the life of those who were to become the founders of England. Life at Hrothgar’s court is not primitive. There is good manner and dignity about the characters. The story of Grendel, a supernatural monster, is based on a folk legend but it seems no more of a tale than the witches in "Macbeth" or the ghost in "Hamlet". Pagan superstitious are found together with traces of Christian theology; nevertheless, the poem doesn't present the realm of mere superstition, but of an ordered conception of life and man’s destiny. Fate is the ruler of life; the happiness of man is to be found not in external possessions but in duty and service to others. The poem gives pictures which are symbols of a life stern, yet far removed from barbarism.