Atlas Shrugged

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was no entity such as herself, she was not a person, only a function, the function of seeing him, and the
sight was its own meaning and purpose, with no further end to reach.
Her face buried in the pillow, she recalled dimly, as a faint sensation, the moment of her take-off from
the floodlighted strip of the Kansas airfield. She felt the beat of the engine, the streak of accelerating
motion gathering power in a straight-line run to a single goal—and in the moment when the wheels left the
ground, she was asleep.
The floor of the valley was like a pool still reflecting the glow of the sky, but the light was thickening from
gold to copper, the shores were fading and the peaks were smoke-blue—when they drove to Mulligan's
house.
There was no trace of exhaustion left in her bearing and no remnant of violence. She had awakened at
sundown; stepping out of her room, she had found Galt waiting, sitting idly motionless in the light of a
lamp. He had glanced up at her; she had stood in the doorway, her face composed, her hair smooth, her
posture relaxed and confident —she had looked as she would have looked on the threshold of her office
in the Taggart Building, but for the slight angle of her body leaning on a cane. He had sat looking at her
for a moment, and she had wondered why she had felt certain that this was the image he was seeing—he
was seeing the doorway of her office, as if it were a sight long-imagined and long-forbidden.
She sat beside him in the car, feeling no desire to speak, knowing that neither of them could conceal the
meaning of their silence. She watched a few lights come up in the distant homes of the valley, then the
lighted windows of Mulligan's house on the ledge ahead. She asked, "Who will be there?"
"Some of your last friends," he answered, "and some of my first."
Midas Mulligan met them at the door. She noticed that his grim, square face was not as harshly
expressionless as she had thought: he had a look of satisfaction, but satisfaction could not soften his
features, it merely struck them like flint and sent sparks of humor to glitter faintly in the corners of his
eyes, a humor that was shrewder, more demanding, yet warmer than a smile.
He opened the door of his house, moving his arm a shade more slowly than normal, giving an
imperceptibly solemn emphasis to his gesture.
Walking into the living room, she faced seven men who rose to their feet at her entrance.
"Gentlemen—Taggart Transcontinental," said Midas Mulligan.
He said it smiling, but only half-jesting; some quality in his voice made the name of the railroad sound as
it would have sounded in the days of Nat Taggart, as a sonorous title of honor.
She inclined her head, slowly, in acknowledgment to the men before her, knowing that these were the
men whose standards of value and honor were the same as her own, the men who recognized the glory
of that title as she recognized it, knowing with a sudden stab of wistfulness how much she had longed for
that recognition through all her years.
Her eyes moved slowly, in greeting, from face to face: Ellis Wyatt—Ken Danagger—Hugh
Akston—Dr. Hendricks—Quentin Daniels—Mulligan's voice pronounced the names of the two others:
"Richard Halley—Judge Narragansett."
The faint smile on Richard Halley's face seemed to tell her that they had known each other for