2. Publishers, Prizes and Marketing
Even by the turbulent standards of publishing, the past decade has seen
enormous changes to the structure of the industry, with clear knock-on
effects for the support of literary writers. The question is, what do the
changes mean? Are they good or bad?
The most obvious change has been consolidation at the top of the
market. From a diversified group of major- and middle-ranking publishers
has emerged a clear Big Two: Penguin Random House (PRH) and
the Hachette Group. Trailing them are HarperCollins, with publishers
including Simon & Schuster, Pan Macmillan and Bloomsbury some
way behind. PRH are a billion-dollar behemoth (global revenues of
€3.7bn/£3.29bn and profits of €557m/£498m in 2015
10
) with a reported
250 imprints across the US and UK and an unrivalled backlist – such is
the scale of their holdings that even if they were never to publish a new
book they would remain an enormous company.
Publisher consolidation has to be seen in the context of the sales
picture presented above and the digital change below; it is a logical
reaction to a shrinking market and the increasing power of online
platforms. As with everything, it has positive and negative impacts for
10
https://www.publishersweekly.com/pw/by-topic/industry-news/financial-reporting/article/69731-penguin-random-house-re-
ports-record-profits-in-2015.html
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