Course work theme: the role of russian poetry in the upbringing of children

CHAPTER I CONCLUSION 
Outside of music, the consumption of poetry is mainly by romantically 
inclined girls and boys, who are experiencing either a love drama or, on the 
contrary, successful relationships. These people often search the Internet for 
rhyming quatrains to send to their lovers via SMS, and this has become so trendy 
that there are many online resourcesoffering this service. Thus, poems have entered 
mass culture and are consumed by people in a manner similar to watching TV 
shows: of course, going to the theater (or reading a volume of Pushkin) gives off 
more spirituality, but in principle a soap opera (the text of a modern rhymer) will 
do just fine. 

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CHAPTER 2 
2.1 MAINSTREAMS OF POETRY 
1. Conceptualism - a system of linguistic gestures related to the material of 
the Soviet ideology, the mass consciousness of a socialist society. Official slogans 
and clichés are brought to the point of absurdity, exposing the gap between the 
sign, which leaves a bare concept, the conceptual core, and its existential filler - the 
signified. Poetry devastated ideologues, close to what is called " Sots Art " in 
painting. 
Chicken from the balcony - 
Like a little firework... 
And somewhere, there, at the Don, 
my grandfather and young and fierce 
rushing to growth, carelessly, 
on the Ghoul Hans ... 
Only "death of the brave " is possible. 
But you can’t be captured ... a Jew. 
L. Rubinstein 
outstanding hero 
He goes forward without fear 
And our usual hero - 
Almost no fear 
But first wait: 
Maybe everything will work out 
Well, no - so it goes 
And everything remains for the people. 
D. Prigov 
2. Post-conceptualism , or "new sincerity" - the experience of using "fallen", 
dead languages with love for them, with pure enthusiasm, as if overcoming a strip 
of alienation. If conceptualism is dominated by absurdism , then postconceptualism 

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is dominated by a nostalgic setting: the lyrical task is restored on anti-lyrical 
material - the scum of the ideological kitchen, wandering colloquial clichés, 
elements of foreign vocabulary. 
"Is it far from trouble?" - "Not far! 
So straight ahead, my dear , and go. 
Well, come on! Goodbye, see you soon! 
And then never be again!" 
And crumbled into a blizzard in the eyes, 
and the cunning little man disappeared . 
Time to night. The road is shorter. 
A wolf's eye flashed a light. 
T. Kibirov 
Second by second 
frame by frame, 
moment by moment 
fingers squeezing and squeezing 
below, below, 
through the drain grate 
getting closer 
to the only clue 
lighter. 
M. Sukhotin 
3. Zero style, or "great defeat" - the reproduction of ready-made language 
models, for example, Russian classics of the 19th century, in an extremely 
transparent context, as if devoid of signs of the author's individuality - in the mode 
of quoted texts of other people's works 
floats through the blue sky 
past in me 
path passed . n nobody knows 
what happens in 

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winter path not only schubert 
winter path - no flies 
run for a new coat 
ghosts of old women 
A. Monastyrsky 
I'm not a steppe wolf, not a dashing eagle 
I am a simple man, I am a sick old man. 
I am a worker of nights, I am a poet of the soul 
Come to me 
Don't rush, don't rush. 
I'm a baby of years, I'm a madman of days 
I am fifteen posts and thirteen stumps 
P. Pepperstein 
4. Ironic, caricatured and grotesque poetry, playing on the clichés of 
everyday life, the absurdity of the existence of a "typical" person in an 
"exemplary" society. Unlike conceptualism, which works with language models, 
ironic poetry works with reality itself - at the level not of a grammatical description 
of an ideological language , but of specific messages produced on it. Therefore, the 
explicit author's poetry, which is absent in conceptualism, is preserved here: 
laughter, irony, sarcasm, humor. 
I go over the past in my mind. 
I read it, but I don't see the point in it. 
The same day changes numbers 
and summer is approaching winter, 
passing autumn... 
V. Korkia 
There is a bus going down the street 
A lot of people ride in it. 
Everyone has their own worries 
Everyone has their own destiny. 

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Here is a dash builder engineer. 
He builds houses for people 
And in every house that they built, 
He invested a part of his soul. 
I. Irteniev 
5. Metarealism - the poetry of the higher layers of reality, figurative 
universals that permeate all European classics. The system of accepting and 
sanctifying gestures, turned from modernity to high culture and cult poetry of past 
eras - from antiquity to baroque, from the Bible to the symbolists. The archetypes 
of "wind", "water", "mirrors", "books" are images gravitating toward the 
absoluteness and supertemporality of mythologems. [3] 
The torments of my spectators, 
Guardian angel, 
You're tired. 
How much confusion 
How much doubt 
Tears flood - 
You counted them. 
E. Schwartz 
Autumn on the leaves 
truths arrive. 
Yellow, red - 
different-different. 
Falling at my feet 
I will collect a bouquet of them. 
O. Denisova 
6. Continualism . Poetry of blurred semantic fields, abolishing the meaning 
of each specific word, designed for a fading, disappearing understanding. The 
technique of deconstruction , desemantization of the text, used in modern literary 
studies / post-structuralism /, here becomes a method of creativity. The word is 

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placed in such a context that its meaning becomes as indefinite as possible, 
"wavy", loses discreteness, stretches out into a continuous, continual series with 
the meanings of all other words. The burden of meaning is lifted and a holiday of 
solid, undivided significance begins. 
... You say softly - goodbye. 
Bridge over the rapids of summer, over the shower. 
Farewell, - you say to the poplar shoots, 
mulberry behind a white fence 
and the street 
And you don't really know 
To whom is this whisper directed? 
A. Dragomoshchenko 
How did you choose the sacred leaves, 
Wrapped in musical veins? 
There are the right sounds of this world, 
you took them out of the world, 
And the place has grown, as it never happened ... 
V. Aristov 
7. Presentalism - correlated with futurism, but turned not to the future, but to 
the present, the technical aesthetics of things, the magic of their weighty, visible 
presence in human life. Phenomenological approach: the world of phenomena is 
fixed as such, in its givenness, without reference to a "different" entity. An 
emphatically dehumanized look, taken directly from the retina of the eye, to the 
point of any psychological refractions. Orientation to the systems of signs adopted 
in modern science and technological production is a metaphorical use of special 
words. Nature is rethought in terms of modern civilization. 
Knee-deep in the mud, we wander for centuries without looking back, 
and this abyss sucks, and its death grips live. 
Here the lines cannot be drawn , and bag races are amusing, 
like the trumpets of the Lord, multiplied by the slurry of the funnel. 

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As before, my angel, your gloomy rustle is intimate, 
as before, I will bring you skins and heather, 
only all this is a whim, and wound up with a long estuary, 
in the morning - golden, at night - like a flute, wooden. 
A. Parshchikov 
8. Polystylistics . Multi-code poetry that connects different languages 
according to the collage principle. Philistine-grassroots and heroic-official 
language, the vocabulary of the traditional landscape and technical instructions, 
"metallurgical forests" in which real "chlorophyll" ripens. Unlike presentism , 
which seeks the organic fusion of different codes in a holistic, "encyclopedic" 
description of things, collage poetry plays on their incompatibility, the catastrophic 
decay of reality.. 
Hunting to live 
like any hunt 
resembles a shot from the bushes 
The habit of waiting 
like any habit 
harmful until you tell yourself out loud 
clear and unambiguous - that's enough 
N. Iskrenko 
Idiocy brought to automatism. 
Or the last cloud of the scattered storm. 
Automatism, brought to idiocy , 
boy-winter, smoking dope in the morning . 
How many more active blockages in the subconscious, 
secret torpedo to the first bottle of hemmed . 
How it drags you: from Zen, the Beatles - to metal 
and from the Tregubov cases to human rights cases. 
A. Eremenko 

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9. Lyrical archive, or poetry of the disappearing "I". The most traditional of 
all new poetry, which retains a certain lyrical "I" as its center, but already given in 
the mode of elusive objectivity, impossibility, elegiac longing for the individual in 
a world of hardening and hardening structures. Realism in the description of 
modern life, but not quite alive, revealed as a layer in the area of future 
archaeological excavations / "Moscow culture of the 80s of the XX century" /. 
Nostalgic / in feeling / and archaeological / in objectivity / realism 
Speak. What do you want to say? Isn't it about how it went 
City river barge on the sunset trail, 
Like two-thirds of June, until the twenty-second, 
Standing on tiptoe, summer diligently reaches for the light, 
Like the breath of a linden tree seeps through the stuffiness of the squares, 
How did it thunder from all four corners of the world in July? 
And that speech is desperately needed for the background of ideas 
And a serious reason - so you were deceived. 
S. Gandlevsky 
Speak - speak like pain, 
mutter without looking back, be patient. 
The sunset glow is fading, 
and the holy fool sleeps on a chain. 
It was salty, windy, young. 
Across the river is a state-owned plant 
strong aroma of hops and malt 
envelops the red-eyed haze 
B. Kenzheev 

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