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Minding Their Own Business book
The Setting
This study takes place in two different countries. The participants lived in Jamaica or the USA during the years that I collected data from them. Rather than describe the country in which each of the business leaders lived during the three years that I conducted interviews with them, I prefer to describe the experience of being an immigrant from the per- spective of those who have shared their insights about living overseas. The focus will be on the attitudes and hard-won rewards that accrue if one is willing to climb up the treacherous side of the mountain called assimilation. To quote one participant in a story about immigration, there is a prevailing attitude of persistence that is the signature ethos of successful immigrants in new countries: “If they don’t let you in the front door, you go in the back door. And if you can’t get in the back door, go in the side door. And if you can’t get in through the side door, you go in through the window” (Suarez, 2013, p. 254). Queen Macoomeh (2007), an immigrant who published her work in 2007, stated that the book “fuh we who away from de Caribbean long time fuh we to remember de ole tings an appreciate de new.” The book is dedicated to those who are away from the Caribbean so that the group can remember their heritage and learn to love the land in which they have found themselves surrounded. Appropriately named Tales from Icebox Land , this series of stories helps readers to see how “even doh I born in Trinidad, ah claimin de whole an entire Caribbean as mines” and more importantly, Queen Macoomeh has written for “everybody back home so dey go know how we makin out up here” (p. xi). The writer makes clear the familiar immigrant’s theme of making oneself a bridge that connects the land of birth with the new home abroad. The Queen’s words, wrested from three decades of living in a cold northern country, ring true for the five female immigrants in this study. In Eintou Springer’s work (2005), she celebrates the spirit of the immigrant in “Survivor,” and marks out the ways in which African descendants have saved their souls in spite of the horrors of the Middle Passage and the cruelty of slavery: the businesswomen from trinidad 11 I survive through the strength a mih culture, beat out in the skin of the drum; beat out in the steel of the pan, sung in the calypsonian’s song. (p. 142) While the poem addresses the experience of the Africans who were dis- placed during slavery, it points to the inborn tendency of Trinidadian descendants of those formerly enslaved people to make a way out of “no way” and to celebrate life through art and oral history. Finally, Suarez (2013) makes a point that can be easily related to any immigrants in their new country. With each passing year “they are in our country, these immigrants become less a part of the place they came from” (p. xiii) and a great portion of their new home. More importantly, Suarez asserts, the new arrivals transform a place, as much as they are remolded by it. The immigrant experience is one that is filled with the possibility of gaining better living conditions and a prosperous future, as well as the fact of the painful rejection that is part and parcel of exclusion from the mainstream for years or maybe generations. For any country that accepts immigrants into its fold, it must appreciate the history that this new group brings with it and the way in which the future will be impressed by the disappointments and achievements that the new citi- zens forge in their adopted country. As time moves on, first-generation immigrants work and hope that they will one day say such things of their children as: “The world she and her friends grew up in is totally multicultural, so she can’t relate to the struggles she hears about from me and others about how difficult things were … in the past” (p. 254). Data Collection According to Merriam (1988), case study research is an investiga- tion of a bounded system, a description and analysis of a single unit. 12 minding their own business I have followed Patton’s (1990) advice and sought five women, whom I consider rich in information about the experience of being entre- preneurs, to help me understand the experiences of successful Black, female entrepreneurs in the early years of their business development. These women all run their businesses in countries outside their places of birth, that is, Jamaica and the northern states of the USA. They are immigrants functioning in their “second home.” The study developed inductively with categories and questions emerging from the data provided by Gina, Gee, Maria, Nadine, and Fona and the people whom they identified as their closest friends and colleagues. After every interview with each of the women, she was given a copy of an audio cassette with the interview and a transcript. Videotapes of two interviews, a total of six interviews, with Gina, Gee, and Nadine, were created by the researcher and copies were shared with them so that they could retain their own documents. The five women were asked to review the audiotapes and transcripts to ensure that no words were omitted and that the spelling of specialized vocab- ulary was correct. They were also told that they could choose to remove any information they did not want to have reported in the final publi- cation. The participants were also encouraged to add any information that they felt was important to the story that they were telling in the interview. Also, each woman could clarify a point that did not seem to have an obvious meaning in the interview when she reviewed the audiotape and the transcript. None of the transcripts were returned with corrections or elaborations on points that were discussed during each of the interviews conducted. No video recordings were edited for any reason. The Interview Protocol The first interview with the businesswomen was based on three broad questions based on Seidman’s protocol (1991). The first questions posed in each initial interview included: “Tell me some stuff about your life that will help me know who I am talking with?” I followed up with a prompt like: “Tell me in as much detail as you can muster how you came to be the businesswomen from trinidad 13 a [businesswoman] to get to this point in your journey, stopping at any point and going through any series of events in detail.” My intention was to unpack the history of the woman’s life up to the point of opening the business. The businesses included catering, floral arranging, public rela- tions, book selling, and book publishing. Next, I asked each entrepreneur about the details of a day in her life as a business owner. I added prompts such as: “If you had to train an actor to portray you, what would be the menu that they would have to become familiar with?” I wanted to find out about the kinds of activities that would fill each woman’s business day. Finally, I asked about her experience as a Black, immigrant woman with a career in a foreign country and what it meant to her. Prompts included, for example, “When you look back on your book of life, this journey called businesswoman … is a chapter, tell me what it means to you in the context of all the other chapters?” The second year when I interviewed each entrepreneur the initial prompt was: “ So, you have to fill me in on what’s happened since we last talked. ” I referenced the first interview from the previous year to frame the next question: “ When I spoke with you last time you talked about …. Tell me about that. How has it evolved?” I also prompted more discussion by continuing the conversation with “ What other highlights have taken place along the journey to this point since a year … [has passed]?” The next move in my questioning was made to elicit reflec- tion by the businesswoman by asking “When you compare yourself at the beginning of this journey as an independent business owner and yourself now, what is the difference?” This helped each of the ladies to clarify the way in which their first interview laid the groundwork for my understanding of the continued evolution of their business plans. Through their reflection I was able to better see the way in which their company’s dreams were evolving . I ended the interview with a request: “ Any last thoughts or feelings about this journey” called running my own business, so that we could get to their emotional take on their jour- ney after the recounting of the facts and dates to that point. In the final year of interviews with each woman in my business cohort I wanted them to fill me in on their experiences over the previ- ous year. Questions included: (a) “what have been the highlights this 14 minding their own business year … from June last year to June this year?” (b) “Talk about your highlights as a businesswoman,” (c) “If I came back in a year, what would we reflect on as some goal posts that were dreamt up while you were on your mountain meditating?” (d) “How do you see your being a woman, an educated woman, facilitating or causing challenges in this role that you play as head of your company?” and (e) “Would you have done anything differently, knowing what you now know?” This line of questioning, done in the context of a deeper relationship with each woman, elicited more personal reflections on the choices that they made in the environment of maintaining their families and social rela- tionships and building the company’s reputation as a quality outfit on which clients could depend for good service. Interviews with Family, Friends, and Colleagues Table 2. 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