Faculty of philology department of english philology viktorija mi
CHAPTER 2. THE FEATURES OF MODERNIST LITERARY DISCOURSE
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- EXPERIENCE (social – physical dimension) 2.REFLECTION 3. LANGUAGE
CHAPTER 2. THE FEATURES OF MODERNIST LITERARY DISCOURSE
AND ISSUES OF PSYCHOLOGISM According to Sanders (1994:514), people have always been interested in the studies of mind. Ancient philosophers believed that there is a strong relationship between human experience, power of mind, and language as a means of social interaction. I suggest showing the mysterious and nevertheless stunning way these three notions are constantly influencing and complementing one another in the following figure: Figure 1. Dimensions of Human Social Interaction. 1.EXPERIENCE (social – physical dimension) 2.REFLECTION 3. LANGUAGE ( psychological dimension) (verbal – communicational dimension) Figure 1. Dimensions of Human Social Interaction. As can be seen from the figure above, first of all a human being gains some experience on the basis from the physical environment and social interaction with other humans he or she faces in the moments of success or failure, happiness or disappointment, hope or disillusionment. The experience gained is reflected and thoroughly reconsidered in the conscience, whereas the power of reason enables a person to discriminate between meaningful and unimportant moments, so that the later ones could be forgotten easily while the significant information is saved in the memory. Finally, the important information needs to be preserved and shared with other people, thus, as a socially intelligible creature a person expresses his or her thoughts verbally, via the system of linguistic sounds known as language. This linguistic activity, on its own behalf, causes new experience and requires a particular reaction of its addressees, and the influence these three dimensions of human social interaction have upon one another continues in a certain chain reaction, or endless circle. Thus, it seems certainly that it is possible to suggest the presence of clear important relationships between the three aforementioned phenomena, namely: experience, reflection, and language. 27 Indeed, my assertion provided above can be supported by modern philosophers such as Descartes, Locke, and Kant, who made collaborative effort in order to develop the studies of mind within their own philosophical frameworks. They claimed that every human being has to accomplish specific individual tasks in his or her life. Trudgill (2000: 125) maintains Sanders’ ideas about the influence that our mind has on our language and complements them by stating that the natural sciences, which had been based of the doctrines of philosophy, gradually developed as independent disciplines and influenced the rise of Psychologism as a separate field of scientific studies. Indeed, Psychologism can be treated as a branch of philosophy that was established on the basis of the methodological research that combined an empirical and naturalistic approach to the nature of man and extended existing knowledge about the unexplored possibilities of human mind. According to Trudgill, psychologists supported the view that the meanings of words are primarily shaped as certain concepts in the mind because of certain external influence, thus, human thoughts can be materialized and thoroughly expressed in the metaphysical reality by verbal or non–verbal means of communication. The difficulty of interpreting the powers of human mind with confidence was emphasized and indeed, this belief questioned the complexity of the mechanism of human thought and reasoning. In his study, Sanders argues convincingly (1994:516) that there is constant activity within the mind. Human beings are each in some way constantly thinking: they are analyzing problems or following a line of investigation, recalling some significant events or experience from the past, making important decisions, discriminating between significant and insignificant moments in their daily life, or simply dreaming and planning certain activities in the future. Thus, it seems certainly that there are ever changing feelings and emotions related to everything that people experience, and an endless variety of judgments and commentaries about the world they visually perceive. Actually, as Greenfield claims, for many modern humans, mind is “the seething morass of cell circuitry that has been configured by personal experiences and is constantly being updated as we live out each moment” (2000: 13). Greenfield argues that the mechanism of the mind goes on and on and never seems to stop. It is a constant source of images, memories, and ideas intruding themselves upon our awareness. This endless process is impossible to control and it is wise to accept this continual versatility of images and ideas appearing across the landscape of our mind as an inevitable mental process. Although human mind usually conceals painful experience and flashes of unpleasant memories, it is undesirable to ignore or deny the influence it has on people’s lives. (Bryson Gore 2005:20). According to Lee (1977:13), the majority of modernist pieces of literature are based on the belief that if the processes happening in the mind are constantly neglected, the character of 28 human nature becomes poorer as there appears a decrease in the power of creativity, self- determinism, responsibility, morality, reason, and a value of life itself. The linguist emphasizes the fact that the current decadent notion of man without a mind or inner personality, considered only as an animal or a biological organism has been institutionalized into the theories and practices of modern civilization in the spheres of media, sociology, education, economics, and psychology. As Lee claims (ibid.), “Modernism is usually described as a response to an era whose political and social developments invited nihilism, scepticism, and despair”. Therefore, modernist authors seek to explore the deepest levels of human mind and to visualize the feelings hidden there in order to represent the ambivalent modernist reality and the most important problems modernist people face, namely: the sense of loss and disillusionment. Is it so easy to depict the complexity of human mind and to portray it in the works of literature? Definitely, modernist writers have applied a number of innovative methods and techniques to disclose the essence of human psyche. Modernist fiction basically relies upon the subjective moments of experience, flashes and visions, dreams and hallucinations which seem to be illogical and absurd, but still conceal a deep value and meaning. Stevenson argues convincingly (1998 :24) that any possible interpretations and ways of analysing modernist novels derive not only from their subjects or topics under discussion but from the haziness and unreliability of their telling. The constant search for notional, cultural, and personal identity becomes the core question and task for the modern character, whereas the main task of the modernist writer can be worded in the following way : to explore unknown layers of the inside world existing in our minds with the help of deep psychological analysis. (Robert B. Pippin 1999:47) Download 0.71 Mb. Do'stlaringiz bilan baham: |
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