Full Text Archive

Full Text Archive
https://www.fulltextarchive.com
Street that in addition to having failed for so large an amount as to have further unsettled the
already panicky financial situation induced by the Chicago fire, Cowperwood and Stener, or
Stener working with Cowperwood, or the other way round, had involved the city treasury to the
extent of five hundred thousand dollars. And the question was how was the matter to be kept
quiet until after election, which was still three weeks away. Bankers and brokers were
communicating odd rumors to each other about a check that had been taken from the city
treasury after Cowperwood knew he was to fail, and without Stener's consent. Also that there
was danger that it would come to the ears of that very uncomfortable political organization
known as the Citizens' Municipal Reform Association, of which a well-known iron-manufacturer
of great probity and moral rectitude, one Skelton C. Wheat, was president. Wheat had for years
been following on the trail of the dominant Republican administration in a vain attempt to bring it
to a sense of some of its political iniquities. He was a serious and austere man---one of those
solemn, self-righteous souls who see life through a peculiar veil of duty, and who, undisturbed
by notable animal passions of any kind, go their way of upholding the theory of the Ten
Commandments over the order of things as they are.
The committee in question had originally been organized to protest against some abuses in the
tax department; but since then, from election to election, it had been drifting from one subject to
another, finding an occasional evidence of its worthwhileness in some newspaper comment and
the frightened reformation of some minor political official who ended, usually, by taking refuge
behind the skirts of some higher political power--in the last reaches, Messrs. Butler,
Mollenhauer, and Simpson. Just now it was without important fuel or ammunition; and this
assignment of Cowperwood, with its attendant crime, so far as the city treasury was concerned,
threatened, as some politicians and bankers saw it, to give it just the club it was looking for.
However, the decisive conference took place between Cowperwood and the reigning political
powers some five days after Cowperwood's failure, at the home of Senator Simpson, which was
located in Rittenhouse Square--a region central for the older order of wealth in Philadelphia.
Simpson was a man of no little refinement artistically, of Quaker extraction, and of great wealth-
breeding judgment which he used largely to satisfy his craving for political predominance. He
was most liberal where money would bring him a powerful or necessary political adherent. He
fairly showered offices--commissionerships, trusteeships, judgeships, political nominations, and
executive positions generally--on those who did his bidding faithfully and without question.
Compared with Butler and Mollenhauer he was more powerful than either, for he represented
the State and the nation. When the political authorities who were trying to swing a national
election were anxious to discover what the State of Pennsylvania would do, so far as the
Republican party was concerned, it was to Senator Simpson that they appealed. In the literal
sense of the word, he knew. The Senator had long since graduated from State to national
politics, and was an interesting figure in the United States Senate at Washington, where his
voice in all the conservative and moneyed councils of the nation was of great weight.
The house that he occupied, of Venetian design, and four stories in height, bore many
architectural marks of distinction, such as the floriated window, the door with the semipointed
arch, and medallions of colored marble set in the walls. The Senator was a great admirer of
Venice. He had been there often, as he had to Athens and Rome, and had brought back many
artistic objects representative of the civilizations and refinements of older days. He was fond, for
one thing, of the stern, sculptured heads of the Roman emperors, and the fragments of gods
and goddesses which are the best testimony of the artistic aspirations of Greece. In the entresol
of this house was one of his finest treasures--a carved and floriated base bearing a tapering
158 / 312

---