Gothic novels in english literature plan introduction the Rise of Gothic Fiction in England

GOTHIC NOVELS IN ENGLISH LITERATURE


PLAN


INTRODUCTION
1. The Rise of Gothic Fiction in England
2. The tradition of the gothic novel in English literature
3. Gothic Novels and Novelists
CONCLUSION
REFERENCES

Introduction

What do you think of when you hear the word ‘Gothic’? Perhaps, the images that come to mind include dark, dramatic makeup, medieval cathedrals, veiled apparitions, and stormy nights.
The term 'Gothic' is also the name for a genre of literature that evolved in the 18th century, drifted in and out of fashion during the 19th century, and has now taken off again. Over the course of the Gothic Novel's development, it has also influenced horror, supernatural and mystery literature. So, what makes up a Gothic novel? Some mystery? A ghost or two? A bit of gore? All of these? Let's find out!
The Setting in the Gothic novel is of utmost importance, as it sets the atmosphere for the story. Often, the castle, manor or estate seems to take a life of its own as it plays tricks with the minds of its inhabitants.Possible elements of Gothic novels (that you may have already come across!) include ghosts, mysterious aristocrats who can change into bats, paintings that come alive and invite you to step in, walking statues, shadows that have a will of their own, or objects that move by themselves. There may also be secret passages, underground labyrinths, and locked rooms that nobody may enter – or, if they do, they may never be heard of again.
What was the first Gothic Novel?
Horace Walpole is largely credited with writing the first Gothic novel: The Castle of Otranto (1764). It is set during the Crusades in Italy in a medieval castle that is home to Prince Manfred of Otranto. The story contains phantoms, visions, a family curse, and secret passages. Fittingly, Walpole wrote it as the result of a vivid dream he had.
In the story, Prince Manfred is desperate for an heir to continue the family line. His son is killed by a giant helmet falling from the sky, crushing him on the day of his wedding. Manfred decides to marry his son’s bride, Isabella, in his place. As he attempts to seize Isabella, however, the ghost of his father appears, distracting him. Isabella escapes with the help of a local peasant called Theodore who turns out to be the true heir of Otranto.
Although Walpole called his tale a Gothic tale in its second edition, he did not use the term again; the word ‘Gothic’ in this context came into use largely during the 19th century.