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More-complex times, such as the quintuple, 5/4, usually fall into groups of 3 + 2, as in “Mars” from Gustav Holst’s suite The Planets and in the second movement of Tchaikovsky’s Sixth Symphony. Rimsky-Korsakov, in Sadko, and Stravinsky, in Le Sacre du printemps, use 11 as a unit. Ravel’s piano trio opens with a signature of 8/8 with the internal organization 3 + 2 + 3. Folk song and folk dance, particularly from eastern Europe, influenced the use of asymmetrical time measures, as in the “Bulgarian Rhythm” pieces in 7/8 and 5/8 in Bartók’s Mikrokosmos.

• More-complex times, such as the quintuple, 5/4, usually fall into groups of 3 + 2, as in “Mars” from Gustav Holst’s suite The Planets and in the second movement of Tchaikovsky’s Sixth Symphony. Rimsky-Korsakov, in Sadko, and Stravinsky, in Le Sacre du printemps, use 11 as a unit. Ravel’s piano trio opens with a signature of 8/8 with the internal organization 3 + 2 + 3. Folk song and folk dance, particularly from eastern Europe, influenced the use of asymmetrical time measures, as in the “Bulgarian Rhythm” pieces in 7/8 and 5/8 in Bartók’s Mikrokosmos.