Ioxann Sebastyan Bax

Transkripsiyalar

Bax musiqasi ko'plab bastakorlarni o'z mavzulariga asoslanib musiqa yaratish yoki asarlarini boshqa asboblar uchun transkripsiya qilishga ilhomlantirgan. U eng tartiblangan va transkriptlangan klassik bastakor. Uning arpsixord uchun to'liq asarlari Ferruccio Busoni tomonidan tahrirlangan yoki yozilgan va Frants Lists ikkalasini ham yozgan preludium va "BACH" motivida fugue. Yana bir tanish transkripsiya bu Ave-Mariya Charlz Gounod tomonidan, birinchi prelude asosida Yaxshi Temperli Klavier. Andres Segovia o'zining akustik gitara uchun yozilgan Bax asarlarini ijro etgani bilan mashhur edi. Motsart ba'zi fuguslarni tartibga keltirdi Yaxshi Temperli Klavier torli trio uchun Arnold Shoenberg Baxning "Sankt-Anne" orkestri va E-yassi mayordagi fugue uchun dastur tayyorladi, Anton Vibern esa "Musiqali taklif" ning ashaddiy raqsini orkestrga uyushtirdi. Orkestr, mis kintetasi va saksafon kvarteti uchun "Fugue badiiy" tadbirlari mavjud.

Meros

Keyingi yillarda va vafotidan keyin Baxning bastakor sifatida obro'si pasayib ketdi. Uning asarlari paydo bo'lgan klassik uslubga nisbatan eski uslub sifatida qabul qilindi. Ammo, u hali unutilgan edi. U o'yinchi va o'qituvchi sifatida (shuningdek, albatta, bastakor sifatida) va bolalarining otasi (ayniqsa Karl Filipp Emanuel Bax) sifatida yodda qoldi. His best-appreciated compositions in this period were his keyboard works, in which field other composers continued to acknowledge his mastery.

Mozart, Beethoven, and Chopin were among his most prominent admirers. On a visit to the Thomasschule in Leipzig, Mozart heard a performance of one of the motets (BWV 225) and exclaimed, "Now, here is something one can learn from!" When he was given the parts of the