Low male voice repertoire in contemporary musical theatre: a studio and performance guide of selected songs 1996-2020 by

Table of Contents 
Preface ......................................................................................................................................................... iv
Table of Contents ......................................................................................................................................... vi
List of Examples ......................................................................................................................................... vii
List of Tables ............................................................................................................................................. viii
List of Appendices ....................................................................................................................................... xi
Chapter 1 : BASS VOICE ............................................................................................................................. 1
Chapter 2 : MUSICAL THEATRE, VOICE PEDAGOGY AND SCHOOLING ........................................ 7
Chapter 3 : REPERTOIRE SELECTION ................................................................................................... 13
Chapter 4 : LEGIT SONGS ........................................................................................................................ 19
Chapter 5 : ROCK/POP SONGS ................................................................................................................ 35
Chapter 6 : JAZZ SONGS .......................................................................................................................... 49
Chapter 7 : DISNEY THEATRICAL AND THE ANIMATED MUSICAL.............................................. 59
Chapter 8 : DUETS WITH LMV FEATURE ............................................................................................. 70
Chapter 9 : LMV SONGS FROM CHARACTER BARITONE ROLES ................................................... 80
Chapter 10 : CABARET SONGS ............................................................................................................... 93
Future Research Implications……………………………………………………………………………...98 
Bibliography ............................................................................................................................................. 114

---

vii