6.
Formal innovations ............................................................................... 203
6.1
Canon ......................................................................................................................... 203
6.1.1
Is there a canon in this genre? - The classics ............................................................. 204
6.1.2
Towards a (new) canon in British children’s fantasy................................................. 206
6.2
Allalderslitteratur ....................................................................................................... 209
6.3
Single versus dual address.......................................................................................... 213
6.4
Crossover literature .................................................................................................... 217
6.5
Infantilisation or rejuve-maturation?.......................................................................... 219
6.6
Social criticism........................................................................................................... 221
6.6.1
Morals, values and messages of current British fantasy novels for children ............. 226
6.6.2
Theology and Ethics................................................................................................... 230
6.6.3
Theology and children’s fantasy: The modern role of God and angels ..................... 231
6.7
The current trend ........................................................................................................ 242
6.8
“Parasitical” literature ................................................................................................ 242
6.9
Parodies ...................................................................................................................... 243
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