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Translation Studies
Lesson - V
ANNEXURE (i) Tirukkural Introduction Tirukkural is a superb poetic work by saint Thiruvalluvar embodies values that have been even unchanging and applicable. It is one of the most notable literary and ethical treatises in the Indian Languages. It’s written by using two line poems (Couplets) clarifying various aspects of life. This book is divided into three parts: Virtue, wealth and love being inclusive of 1330 couplets collected in 133 chapters explaining various aspects of human virtues or vices, the collection of 1330 kural written in metrical verses of two lines. Considered as the Bible of South India or the fifth Vedas of Tamil, the kural is easily the most popular contribution from Tamils to the storehouse of Indian Literature. The word Tirukkural is composed of two words Tiru and kural which mean ‘sacred’ and ‘couplet’ respectively. Like the Confucian, Lun Yu which is translated as “sacred sayings”, the common English rendering of Tirukkural is sacred couplets. Valluvar composed every chapter, perhaps in response to a demand or request to produce ten best couplets on a particular subject. He would bring together all his experience, the knowledge has gained in mastering other texts and all the information available as folklore in order to compose ten couplets on a particular subject, say for instance ‘Ignorance’. Tirukkural is a valuable artistic and stylistic literary value as well as instantaneous towards the art of imaging some of the precious wisdom. V.V.S. Aiyar, a Tamil scholar, the most recent translator, has produced the best English rendering hitherto. He has certainly succeeded in giving a very fine translation. The emphasis that Tiruvalluvar places on love, forgiveness, gentleness and forbearances is especially noteworthy. The poet reveals a complete mastery of his form. The first line of the couplet consists of four feet and the second of three are given. The rule governing the linking of these syllables are very strict. In addition, there must be a certain amount in initial vowel alliteration, as well as second syllable rhyming between the first and fourth feet. The uses of poetic devices of rhythm and alliteration by means of similes and other stylistic devices are given. |
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