N.M.Ulukov,
Chairman of the Scientific Council for
awarding scientific degrees, professor
I.U.Darveshov,
Scientific Secretary of the Scientific Council for awarding scientific degrees, Ph.D.
M.Y.Sulaymonov,
chairman of the scientific seminar
at the Scientific Council for the award
scientific degrees, candidate of philological sciences, dotsent.
INTRODUCTION (Ph.D. thesis abstract)
Purpose of the research: to study the formation, development and poetics of the takhmis genre in Uzbek literature, in particular, in the work of Alisher Navoi. To study the genesis of independent muhammas and takhmis, one of the genres of musammat in Uzbek classical poetry, theoretically similarities with other poetic genres and features, examples of takhmis in the work of Alisher Navoi, as well as a comprehensive study of the poetics of takhmis, written on the poet's gazelles, by representatives of classical and modern Uzbek literature, revealing its originality and unique features among poetic genres.
The object: of the research was the takhmises of Alisher Navoi written on the gazelles of himself, as well as on the gazelles of Lutfi and Husseini. The takhmises written in Navoi gazelles were also studied and analyzed in accordance with the requirements of the genre of representatives of classical and modern Uzbek literature.
The scientific novelty of the research is as follows:
highlights the formation of the genre of mukhammas and tahmis, which occupies a unique position in Uzbek classical and modern poetry, its historical and gradual improvement, its place in fiction;
collected and analyzed material on formal and content characteristics, history, development, the role of independent mukhamas and tahmis in the literary process of each period;
On the example of the tahmis of Navoi, the process of forming the tradition of tahmis creation in Uzbek literature, the volume of the topic, its specific aspects as an artistic and aesthetic phenomenon, aspects related to the literary process of different periods of poetics;
Conclusions are compared and analytically drawn about the genesis of tahmis in written literature, genre features of representatives of Uzbek and foreign literature, as well as examples of folk oral art.
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