P rominent t ajik f igures of the
Prominent Tajik Figures of the Twentieth Century
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Prominent Tajik Figures of the Twentieth Century
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in 1951, and from the State Theater of Dramatic Arts Named After Lunacharskii in 1956. He began his movie career in such roles as Tagi in Roh (Road), for MosFilm in 1955; Sakhat in Bahori Takror Nasha- vanda (Unrepeatable Spring), also for MosFilm, 1956; Yodgor in Dokhunda, 1957); Olim in Man bo Dukhtari Vokhurdam (I Met a Girl, 1957); and Shohzodai Maftun in Nasriddin dar Khujand (Nasriddin in Khujand, 1960). He was an Assistant Director in many films. Sobirov's other contributions include Vaqti Zangirii Pisaram Rasid (Time for My Son's Wedding Is Here, 1960); Fidokoron (The Devotees, 1962); Margi Sudkhur (The Death of the Money Lender, 1968); Khionat (Treason, 1967); and others. In later years, Sobirov was attracted to the works of S. Aini. Based on Aini's Ghulomon (Slaves) and Yoddoshtho (Reminiscences), Sobirov created the first six-part color film entitled Hejbudagon Har Chiz Gardand (The Nobodies Become Somebody). From 1962 to 1966, he was Director of the Association of Cinematographers of Tajikistan. Sobirov became a People's Artist of Tajikistan in 1966, and received the Rudaki State Prize in 1980. He was the recipient of the Badge of Honor and a number of other medals. Sobirova, Malika Tajik actor and ballerina Malika Abdurahmonovna Sobirova was born into a family of musicians in Dushanbe on May 22, 1942. Between 1953 and 1961, she studied at the Leningrad Choreography Academy. Then, from 1963 to the end of her life she was a soloist artist at the Aini Theater for Opera and Ballet. She worked at the Great Soviet Theater in 1962 and 1963 under the direction of G. Ulanova and per- fected her skills. She was one of the outstanding representatives of the Russian school of classical dance. Her characters were complete and multi-dimensional. They included the loyal and hurt Odette, cunning and ravishing Odila, and coquettish and carefree Liza. She also created a series of distinct characters for the national ballet. For expanding character's horizons, she combined classical elements with traditional ones. Because of her ability to combine technique with knowledge of acting, she could perform romantic roles with ease. These roles ap- peared in Zhizel', Shurali, Romeo va Julietta, Laili va Majnun, Temur- malik, and others. |
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