Referat representatives of progressive Romanticism: Reflection of the women status problem in the novels of Jane Austen (1775-1817)


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Jane Austen

Conclusion
Romanticism is marked by an interconnectedness of thought and an intertextuality of expression, both of which are manifestations of circulation and interaction rather than borrowing and influence. The religious debates of the Romantic Era challenged church authority and explored modes of faith that in previous centuries would have been charged with heresy. Samuel Taylor Coleridge, William Wordsworth, Joanna Baillie, and William Blake were among the several authors who had much to say in each of the episodes of Romanticism. The romance that is conjured as Wordsworth wanders the woods with Michel Beaupuy in The Prelude frames the enchanted landscape with the historical events unfolding in France. The conceptualization of Romantic ideologies has allowed the History to claim a chronological trajectory without allowing linear chronology to relegate the Romantic Era to the past.

References

  1. Damrosch, Leopold (1985). Adventures in English Literature. Orlando, Florida: Holt McDougal. pp. 405–424. 

  2. Morrow, John (2011). "Romanticism and political thought in the early 19th century" (PDF). In Stedman Jones, Gareth; Claeys, Gregory (eds.). The Cambridge History of Nineteenth-Century Political Thought. The Cambridge History of Political Thought. Cambridge, United Kingdom: Cambridge University Press. pp. 39–76. 

  3. Coleman, Jon T. (2020). Nature Shock: Getting Lost in America. Yale University Press. p. 214. 

  4. Barnes, Barbara A. (2006). Global Extremes: Spectacles of Wilderness Adventure, Endless Frontiers, and American Dreams. Santa Cruz: University of California Press. p. 51.

  5. Hamilton, Paul (2016). The Oxford Handbook of European Romanticism. Oxford: Oxford University Press. p. 170. 

  6. Blechman, Max (1999). Revolutionary Romanticism: A Drunken Boat Anthology. San Francisco, CA: City Lights Books. pp. 84–85. 

  7. Waterhouse (1926), throughout; Smith (1924); Millen, Jessica Romantic Creativity and the Ideal of Originality: A Contextual Analysis, in Cross-sections, The Bruce Hall Academic Journal – Volume VI, 2010 PDF; Forest Pyle, The Ideology of Imagination: Subject and Society in the Discourse of Romanticism (Stanford University Press, 1995) p. 28.

  8. Schellinger, Paul (8 April 2014). "Novel and Romance: Etymologies". Encyclopedia of the Novel. Routledge. p. 942. 

  9. Darrin M. McMahon, "The Counter-Enlightenment and the Low-Life of Literature in Pre-Revolutionary France" Past and Present No. 159 (May 1998:77–112) p. 79.

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