Robert louis stevenson his life and work

3.England, and back to the United States
Stevenson had a long correspondence with fellow Scot J.M. Barrie. He invited Barrie to visit him in Samoa, but the two never met.
The canoe voyage with Simpson brought Stevenson to Grez-sur-Loing in September 1876, where he met Fanny Van de Grift Osbourne (1840–1914), born in Indianapolis. She had married at age 17 and moved to Nevada to rejoin husband Samuel after his participation in the American Civil War. Their children were Isobel (or "Belle"), Lloyd and Hervey (who died in 1875). But anger over her husband's infidelities led to a number of separations. In 1875, she had taken her children to France where she and Isobel studied art.[45] By the time Stevenson met her, Fanny was herself a magazine short-story writer of recognized ability.[46]
Stevenson returned to Britain shortly after this first meeting, but Fanny apparently remained in his thoughts, and he wrote the essay "On falling in love" for The Cornhill Magazine.[47] They met again early in 1877 and became lovers. Stevenson spent much of the following year with her and her children in France.[48] In August 1878, she returned to San Francisco and Stevenson remained in Europe, making the walking trip that formed the basis for Travels with a Donkey in the Cévennes (1879). But he set off to join her in August 1879, aged 28, against the advice of his friends and without notifying his parents. He took a second-class passage on the steamship Devonia, in part to save money but also to learn how others travelled and to increase the adventure of the journey.[49] He then travelled overland by train from New York City to California. He later wrote about the experience in The Amateur Emigrant. It was a good experience for his writing, but it broke his health.
French Hotel (now "Stevenson House"), Monterey, California, where he stayed in 1879
Family in 1893: Wife Fanny, Stevenson, his stepdaughter Isobel, and his mother Margaret Balfour
He was near death when he arrived in Monterey, California, where some local ranchers nursed him back to health. He stayed for a time at the French Hotel located at 530 Houston Street, now a museum dedicated to his memory called the "Stevenson House". While there, he often dined "on the cuff," as he said, at a nearby restaurant run by Frenchman Jules Simoneau, which stood at what is now Simoneau Plaza; several years later, he sent Simoneau an inscribed copy of his novel Strange Case of Dr Jekyll and Mr Hyde (1886), writing that it would be a stranger case still if Robert Louis Stevenson ever forgot Jules Simoneau. While in Monterey, he wrote an evocative article about "the Old Pacific Capital" of Monterey.
By December 1879, aged 29, Stevenson had recovered his health enough to continue to San Francisco where he struggled "all alone on forty-five cents a day, and sometimes less, with quantities of hard work and many heavy thoughts,"[50] in an effort to support himself through his writing. But by the end of the winter, his health was broken again and he found himself at death's door. Fanny was now divorced and recovered from her own illness, and she came to his bedside and nursed him to recovery. "After a while," he wrote, "my spirit got up again in a divine frenzy, and has since kicked and spurred my vile body forward with great emphasis and success."[51] When his father heard of his 28-year-old son's condition, he cabled him money to help him through this period.
Fanny and Robert were married in May 1880. She was 40; he was 29. Although he said that he was "a mere complication of cough and bones, much fitter for an emblem of mortality than a bridegroom."[52] He travelled with his new wife and her son Lloyd[53] north of San Francisco to Napa Valley and spent a summer honeymoon at an abandoned mining camp on Mount Saint Helena (today designated Robert Louis Stevenson State Park). He wrote about this experience in The Silverado Squatters. He met Charles Warren Stoddard, co-editor of the Overland Monthly and author of South Sea Idylls, who urged Stevenson to travel to the South Pacific, an idea which returned to him many years later. In August 1880, he sailed with Fanny and Lloyd from New York to Britain and found his parents and his friend Sidney Colvin on the wharf at Liverpool, happy to see him return home. Gradually, his wife was able to patch up differences between father and son and make herself a part of the family through her charm and wit.
The Stevensons shuttled back and forth between Scotland and the Continent, finally settling in 1884 in the Westbourne district of the English seaside town of Bournemouth in Dorset. They lived in a house Stevenson named 'Skerryvore' after a Scottish lighthouse built by his uncle Alan.[54]
From April 1885, 34-year-old Stevenson had the company of the novelist Henry James. They had met previously in London and had recently exchanged views in journal articles on the “art of fiction” and thereafter in a correspondence in which they expressed their admiration for each other’s work. After James had moved to Bournemouth to help support his invalid sister, Alice, he took up the invitation to pay daily visits to Skerryvore for conversation at the Stevensons' dinner table.[55]
Stevenson's "Cure Cottage" in Saranac Lake, New York Largely bedridden, Stevenson described himself as living "like a weevil in a biscuit." Yet, despite ill health, during his three years in Westbourne, Stevenson wrote the bulk of his most popular work: Treasure Island, Kidnapped, Strange Case of Dr Jekyll and Mr Hyde (which established his wider reputation), A Child's Garden of Verses and Underwoods.
Thomas Stevenson died in 1887 leaving his 36-year-old son feeling free to follow the advice of his physician to try a complete change of climate. Stevenson headed for Colorado with his widowed mother and family. But after landing in New York, they decided to spend the winter in the Adirondacks at a cure cottage now known as Stevenson Cottage at Saranac Lake, New York. During the intensely cold winter, Stevenson wrote some of his best essays, including Pulvis et Umbra. He also began The Master of Ballantrae and lightheartedly planned a cruise to the southern Pacific Ocean for the following summer Stevenson's critical essays on literature contain "few sustained analyses of style or content".[57] In "A Penny Plain and Two-pence Coloured" (1884) he suggests that his own approach owed much to the exaggerated and romantic world that, as a child, he had entered as proud owner of Skelt's Juvenile Drama—a toy set of cardboard characters who were actors in melodramatic dramas. "A Gossip on Romance" (1882) and "A Gossip on a Novel of Dumas's" (1887) imply that it is better to entertain than to instruct.
Stevenson very much saw himself in the mould of Sir Walter Scott, a storyteller with an ability to transport his readers away from themselves and their circumstances. He took issue with what he saw as the tendency in French realism to dwell on sordidness and ugliness. In "The Lantern-Bearer" (1888) he appears to take Emile Zola to task for failing to seek out nobility in his protagonists.[57]
In "A Humble Remonstrance", Stevenson answers Henry James's claim in "The Art of Fiction" (1884) that the novel competes with life. Stevenson protests that no novel can ever hope to match life's complexity; it merely abstracts from life to produce a harmonious pattern of its own.[58]
Man's one method, whether he reasons or creates, is to half-shut his eyes against the dazzle and confusion of reality...Life is monstrous, infinite, illogical, abrupt and poignant; a work of art, in comparison, is neat, finite, self-contained, rational, flowing, and emasculate...The novel, which is a work of art, exists, not by its resemblances to life, which are forced and material ... but by its immeasurable difference from life, which is designed and significant.
It is not clear, however, that in this there was any real basis for disagreement with James.[55] Stevenson had presented James with a copy of Kidnapped, but it was Treasure Island that James favoured. Written as a story for boys, Stevenson had thought it in “no need of psychology or fine writing", but its success is credited with liberating children's writing from the "chains of Victorian didacticism".[59]
During his college years, Stevenson briefly identified himself as a "red-hot socialist". But already by age 26 he was writing of looking back on this time "with something like regret. ... Now I know that in thus turning Conservative with years, I am going through the normal cycle of change and travelling in the common orbit of men's opinions."[60] His cousin and biographer Sir Graham Balfour claimed that Stevenson "probably throughout life would, if compelled to vote, have always supported the Conservative candidate."[61] In 1866, then 15-year-old Stevenson did vote for Benjamin Disraeli, the Tory democrat and future Conservative Prime Minister of the United Kingdom, for the Lord Rectorship of the University of Edinburgh. But this was against a markedly illiberal challenger, the historian Thomas Carlyle.[62] Carlyle was notorious for his anti-democratic and pro-slavery views.[63][64]
In "The Day after Tomorrow", appearing in The Contemporary Review (April 1887),[65][66] Stevenson suggested: "we are all becoming Socialists without knowing it". Legislation "grows authoritative, grows philanthropical, bristles with new duties and new penalties, and casts a spawn of inspectors, who now begin, note-book in hand, to darken the face of England".[67] He is referring to the steady growth in social legislation in Britain since the first of the Conservative-sponsored Factory Acts (which, in 1833, established a professional Factory Inspectorate). Stevenson cautioned that this "new waggon-load of laws" points to a future in which our grandchildren might "taste the pleasures of existence in something far liker an ant-heap that any previous human polity".[68] Yet in reproducing the essay his latter-day libertarian admirers omit his express understanding for the abandonment of Whiggish, classical-liberal notions of laissez faire. "Liberty", Stevenson wrote, "has served us a long while" but like all other virtues "she has taken wages".
[Liberty] has dutifully served Mammon; so that many things we were accustomed to admire as the benefits of freedom and common to all, were truly benefits of wealth, and took their value from our neighbour's poverty...Freedom to be desirable, involves kindness, wisdom, and all the virtues of the free; but the free man as we have seen him in action has been, as of yore, only the master of many helots; and the slaves are still ill-fed, ill-clad, ill-taught, ill-housed, insolently entreated, and driven to their mines and workshops by the lash of famine.[69]
In January 1888, aged 37, in response to American press coverage of the Land War in Ireland, Stevenson penned a political essay (rejected by Scribner's magazine and never published in his lifetime) that advanced a broadly conservative theme: the necessity of "staying internal violence by rigid law". Notwithstanding his title, "Confessions of a Unionist", Stevenson defends neither the union with Britain (she had "majestically demonstrated her incapacity to rule Ireland") nor "landlordism" (scarcely more defensible in Ireland than, as he had witnessed it, in the goldfields of California). Rather he protests the readiness to pass "lightly" over crimes—"unmanly murders and the harshest extremes of boycotting"—where these are deemed "political". This he argues is to "defeat law" (which is ever a "compromise") and to invite "anarchy": it is "the sentimentalist preparing the pathway for the brute".[70]
In June 1888, Stevenson chartered the yacht Casco and set sail with his family from San Francisco. The vessel "plowed her path of snow across the empty deep, far from all track of commerce, far from any hand of help."[71] The sea air and thrill of adventure for a time restored his health, and for nearly three years he wandered the eastern and central Pacific, stopping for extended stays at the Hawaiian Islands, where he became a good friend of King Kalākaua. He befriended the king's niece Princess Victoria Kaiulani, who also had Scottish heritage. He spent time at the Gilbert Islands, Tahiti, New Zealand and the Samoan Islands. During this period, he completed The Master of Ballantrae, composed two ballads based on the legends of the islanders, and wrote The Bottle Imp. He preserved the experience of these years in his various letters and in his In the South Seas (which was published posthumously).[72] He made a voyage in 1889 with Lloyd on the trading schooner Equator, visiting Butaritari, Mariki, Apaiang and Abemama in the Gilbert Islands.[73] They spent several months on Abemama with tyrant-chief Tem Binoka, whom Stevenson described in In the South Seas.[73]
Stevenson left Sydney, Australia, on the Janet Nicoll in April 1890 for his third and final voyage among the South Seas islands.[74] He intended to produce another book of travel writing to follow his earlier book In the South Seas, but it was his wife who eventually published her journal of their third voyage. (Fanny misnames the ship in her account The Cruise of the Janet Nichol.)[75] A fellow passenger was Jack Buckland, whose stories of life as an island trader became the inspiration for the character of Tommy Hadden in The Wrecker (1892), which Stevenson and Lloyd Osbourne wrote together.[76][77] Buckland visited the Stevensons at Vailima in 1894.