Samarkand state institute of foreign languages the faculty of english language chair of the phonetics of the english language

Conclusion
An actress who is tall and slim would be the most appropriate, because it will show feminine power, it would be best if she were also beautiful so we could believe that this women could successfully manipulate a man. Facial features would best include visible cheekbones, which give the notion of power. At first her face should not look plain; make-up should be used to bring colour to her lips and cheeks (building on her sexual power), but also to make her eyes dark so she appears mysterious. Though sometimes overused in the portrayal of evil the costumes should revolve around black and red. Black and red being synonymous with evil, darkness etc. i.e. the characteristics we want to bring out. I would use the costume to emphasise a change in Lady Macbeth from before she conjures the evil spirits to after. Prior to doing so she should wear all black, but then she should incorporate red, the audience will be able to identify with the colours. In between I do not believe that the colours will play a lot of significance. However, for the last scene where she goes mad I would dress her in white, not because she is innocent but because she is vulnerable and the audience will notice the change in her costume as a complement to that in her attributes. Removing the colour from her face would also help emphasise this.
Conclusion
William Shakespeare has become the most famous and influential author in English literature. Only active as a writer for a quarter century, he wrote thirty-eight plays, one hundred fifty-four sonnets and two epic poems that reinvented and defined the English language to such a degree that his works are required study all over the world. Shakespeare was an astute businessman as well as an artist. He recognized that he could broaden his audience by using characters and language that would appeal to both the noble and the lower classes. He mixed both bawdy and sophisticated humour to appeal to his larger audience. He also wrote about the human experience with universal themes of love, ambition and envy that are still felt and loved by modern audiences.
The plays are often categorized as tragedies, comedies or histories. Tragedies featured sympathetic protagonists who were doomed by their flaws. Comedies tended to be more upbeat, with happy endings that often led to a marriage. The historical plays were frequently politically motivated to appeal to the Elizabethan court and featured British and Scottish kings.
As an actor, Shakespeare was present during the production of his plays and therefore wrote them with very little stage direction. Dialogue was written in blank verse and iambic pentameter, meaning that each line of speech is ten syllables long and unrhymed. In his early works, lines were often stressed at the end. As his writing developed, Shakespeare gained an understanding that a more lyrical style of writing would hold the audiences interest and be more pleasing to the ear. He developed a characteristic cadence to his dialogue, stressing his lines in the second syllable to provide a rhythmic pattern to his speeches.
Shakespeare's writing developed and evolved throughout his career. Scholars often divide his work into periods based on different aspects of his writing style.