Table of contents Introduction
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Narrative design and the english society
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Conclusion
The work is a gallery of various types from the time of England in the 14th century. Among the characters are pilgrims who gathered at the hotel to continue their journey together to the tomb of St. Thomas Becket. The author depicts images of knights and merchants, a student and a lawyer, a pardoner and a monk, abbess of a convent, artisans, a miller and a widow looking for her next husband. All characters tell their own stories that fit their psychological and social make-up. In The Canterbury Tales by Geoffrey Chaucer, one can find both a romantic story of a knight about love and friendship, and a comic story - a miller tells about a cuckold carpenter; there is also a shipbuilder's story about a rogue monk who paid the woman he seduced with money borrowed from her husband. Many expressive stories expressing the spirit of the times are contained in the Canterbury Tales - this is a sensitive story of a student about the virtuous Griselda, the victim of the trials of her jealous and stern husband, and other author's interpretations. In The Canterbury Tales, Chaucer manages to present in general most of the most important literary genres of his era: we are confronted with a chivalric novel (represented by a knight, and a courtly tale (told by a squire), and a fablio (transmitted by a miller, majordomo, skipper), and the so-called the “animal” epic (as recounted by the monastery chaplain), even the lives of the saints (the story of the second nun), the sermon genre (the prologue performed by the seller of indulgences), the collection of short stories contains a moral allegory, an ethical treatise (told by the priest). Need help writing your thesis? We are an exchange of professional authors (teachers and associate professors of universities). Handing over chapter by chapter. Uniqueness over 70%. We make edits for free. More The framing short story contains dramatic and characterizing moments; development is communicated to the action in it. Chaucer borrows the plots of many stories in the collection of short stories, but at the same time he manages to complicate the plot, saturate it with realistic details, combining the dynamics of action and psychological analysis. Chaucer's Canterbury Tales is one of the first literary monuments created in a single common English language. This work has outgrown the framework of the Middle Ages, it contains the clearly manifested qualities of Chaucerian humanism: the mood of love of life, interest in specific people, a description of social justice, democracy and nationality. The Canterbury Tales is based on a secular beginning, despite the given religious plot. It is secularity that allows us to talk about the pre-Renaissance in the work, because secularity acts as a criterion for the artistic culture of the Renaissance. Chaucer can be called the first and only representative of the Pre-Renaissance in England. Subsequently, the strongest influence on English literature of Chaucer's work is reflected in the development of moralistic, everyday realism. Characteristic of the mastery of Geoffrey Chaucer, the free mastery of already known material, the combination of the tragic with the comic, the base with the high, was later mastered and developed in the work of Shakespeare and Johnson. Enlightenment writers of the 18th century, as well as such well-known English writers as C. Dickens, W. Scott, etc., were also under his influence to varying degrees. After analyzing the features of the narrative poetics of Geoffrey Chaucer, we can conclude that the writer's works belong mainly to narrative poetry. Narrativity The Canterbury Tales reveals the movement of the artistic thought of Geoffrey Chaucer from the tradition of the Middle Ages to the tendencies of the Renaissance. In The Canterbury Tales, it is the narrator who can be called the main organizer in the text of the narrative. At the same time, Chaucer, as an author, is characterized by the development and complication of the figures of narrators. Literature Averintsev SS Historical mobility of the genre category. — M.: Nauka, 1986. Averintsev S.S. Preliminary Notes on the Study of Medieval Aesthetics. // Old Russian art. Foreign connections. - M., 1975. Aleksanyan E.A. Innovations of the 20th century narrative // Sat. "Traditions and innovations in society and culture". - Vienna, 2005. Alekseev M.P. "The Canterbury Tales" and "The Decameron" // Uchen. app. Leningrad. State Pedagogical Institute im. Herzen. 1941. T. 41. Alekseev M.P. Literature of Medieval England and Scotland. - M. Higher School, 1984. Anikin G.V. History of English Literature: Proc. for stud. ped. in-tov / G. V. Anikin, N. P. Mikhalskaya. 2nd ed., revised. and additional - M .: Higher. school, 1985. - 431 p. Need help writing your thesis? We are an exchange of professional authors (teachers and associate professors of universities). Handing over chapter by chapter. Uniqueness over 70%. We make edits for free . Order a diploma Bart R. Selected Works. Semiotics. Poetics. Transl. from French - M .: Progress, 1994. Bakhtin M.M. Questions of literature and aesthetics. - M .: Fiction, 1975. - 502 p. Bitsilli P. Elements of medieval culture. - St. Petersburg, 1995. Bogodarova N.A. Geoffrey Chaucer: touches to the portrait // Srednik veka. - M., 1990. Issue. 53. Bogodarova N.A. Chaucer and Boethius// The relationship of social relationships and ideology in medieval Europe. - M., 1983. Boccaccio D. Decameron. - M .: Hood. lit., 1970. - 703s. Bremon K. The Logic of Narrative Possibilities // Semiotics and Artometry. - M., 1972. Weinstein O.L. Western European medieval historiography. M.-L., 1964. Varnaite I. Lyric J. Chaucer. Plug-in lyrical verses in his poems//Literature. - Vilnius, 1979. V. Varnaite I. Problems of studying Chaucer / / Literature. - Vilnius, 1973. T. Varnaite I. Chaucer and the problem of the pre-Renaissance // Literature. - Vilnius, 1973. T. Vatchenko S.A. To the question of the specifics of the systemic unity of "The Canterbury Tales" by J. Chaucer // Consistency of the literary process. - Dnepropetrovsk, 1987. Veselovsky A.N. Historical poetics. - L .: Fiction, 1940. Gardner D. Life and time of Chaucer. - M., 1986. Download 48.35 Kb. Do'stlaringiz bilan baham: 
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