Teaching English as a Foreign Language, Second Edition
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Training in listening
There is a clear parallel between the spoken and the written language. On the one hand, listening and reading with understanding are receptive (but not passive) decoding skills; on the other, speaking and writing are productive, encoding skills. But the parallel goes beyond this. The concept of intensive reading (the close study and exploitation of a text for its meaning and the language used) and extensive reading (the more leisurely perusal of a longer text where the learning goes on in a less direct, more unconscious way) is well established and discussed in Chapter 7. There is a similarly valuable and practical distinction to be made between extensive and intensive listening. Indeed, listening is often harder than reading, since it is not often taught and practised, nor is it usually possible to go over again what one hears, whereas it is simple to read and re-read a difficult page in a book. Both extensive and intensive listening practice should be part of the armoury of a language teacher. Their use will differ in relation to the aim—for example, a French teacher of English may feel that his students are not producing satisfactorily the ‘th’ sounds in ‘this’ and ‘thin’, and confusing them with /z/ and /s/, so he would perhaps, as a first step towards imitation, then production of the sounds, get them to listen carefully for the sounds in a given passage (which he has chosen because of the high incidence of these phonemes). There are various books available which provide practice of this type, e.g. Combe Martin’s Exercising Spoken English (Macmillan, 1970). Trim’s English Pronunciation Illustrated gives similar practice in quite a different format, as the extract from p. 60 shows (reproduced by permission): Listening and Speaking 67 Figure 5 Intensive listening practice (reproduced from Trim’s English Pronunciation Illustrated by permission of Cambridge University Press) Listening and Speaking 68 On the other hand, the teacher may be aware that his students cannot understand ordinary colloquial English as used by native-speakers. In this case, his aim would be rather to create a more general familiarity not only with the phonological characteristics of conversation (especially the stress, rhythm and intonation patterns), but also with the lexis and grammar typical of this style of discourse. He would then set his class to listen to a passage of natural English speech suitable to their level, e.g. D.Crystal and D.Davy, Advanced Conversational English. At intermediate level, V.J.Cook’s English Topics makes similar use of recorded material. This particular book provides a direct transcript of a spontaneous conversation recorded on tape which should be played to the class. The pupils are asked to listen and answer comprehension questions before they see the written transcript. It is an interesting exercise to ask them then to ‘edit’ this so that it represents a more normal written representation of a dialogue. The book itself provides an edited version of the same dialogue for the student to check his own efforts against and for the teacher to read from if the tape is not available. An extract from the unedited and edited version of one passage is included below. Unedited Richard Parry: Yes, I suppose I suppose that is true. I mean we I suppose it sounds very smug to say it but we do tend to perhaps er see other people rather along our own lines. And perhaps they’re not. I don’t know I mean… Vivian Cook: I remember on one of the… Richard Parry: …they’re fairly discriminating as a as a collection of people. Vivian Cook: In one of the space shows a few years back that I I happened to turn on and there was this rocket zipping across the sky with sort of smoke belching from all directions. I thought ‘Good heavens! How did they get a camera close up like that?’ And of course because they’d they’d omitted to show Listening and Speaking 69 ‘simulation’ at the bottom um er and it wasn’t for five minutes that I sort of realised you know that they hadn’t quite achieved such miracles of communication by that stage and um certainly the sort of ersatz um reality is a is a danger. Edited Richard Parry: Yes, I suppose that’s true. I suppose we do tend to see other people as ourselves. And perhaps they’re different. Vivian Cook: I happened to turn on one of those space programmes a few years ago and saw a rocket zipping across the sky with smoke pouring out of it. I thought ‘Good heavens! How did they get a camera close up like that?’ But of course they’d forgotten to show the word ‘simulation’ at the bottom. I didn’t realise for five minutes that they hadn’t quite achieved such miracles of communication yet. This kind of imitation reality is a danger. Download 0.82 Mb. Do'stlaringiz bilan baham: |
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