Termiz state university

^ Ziegler 2007, pp. 46–47.

^ Stone 1987, pp. 267–268.

^ Hauser 1999, p. 116.

^ Jump up to:^a b c d "Hearing voices allowed Charles Dickens to create extraordinary fictional worlds". The Guardian. Archived from the original on 17 November 2018. Retrieved 7 September 2019.

^ "Oxford Dictionaries – Dickensian" Archived 26 January 2014 at the Wayback Machine. Oxford University Press.

^ "Dickensian {{|}} meaning in the Cambridge English Dictionary". Cambridge University Press. Archived from the original on 14 July 2018. Retrieved 19 February 2021.

^ Callow 2012, p. 9

^ Jump up to:^a b West, Gilian (Spring 1999). "Huffam and Son". The Dickensian. Dickens Fellowship. 95 (447): 5–18.

^ Callow 2012, p. 5

^ Forster 2006, p. 13.

^ Callow 2012, p. 7

^ Charles Dickens: Collected Papers, Vol 1, Preface to Grimaldi, p. 9

^ Jump up to:^a b Forster 2006, p. 65.

^ Slater, p. 178

^ Dolby, pp. 39–40

^ Ackroyd 1990, pp. 22–24:29–30.

^ Ackroyd 1990, p. 41.

^ Schlicke 1999, p. 158.

^ Callow 2009, p. 13

^ Ackroyd 1990, p. 76:'recklessly improvident'.

^ Pope-Hennessy 1945, p. 11.

^ Forster 2006, p. 27.

^ Ackroyd 1990, p. 76.

COMMENTS

1^ Watts, Cedric Thomas (1976). The English novel. Sussex Books. p. 55.

2^ Atkinson, Paul (1990). The Ethnographic Imagination: Textual Constructions of Reality

3^ Callow, Simon (2012). Charles Dickens and the Great Theatre of the World. Vintage.