The category of mood. The category of voice. The category of tense


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The Oblique Mood.

  • When treating Oblique Moods we can say that it is one of disputable questions in English grammar. Different authors speak of different types and number of oblique moods. Oblique moods denote unreal or problematic actions and so they can’t express objective time and do not distinguish tense-forms like the Indicative Mood. Oblique Moods denote only relative time relations, that is simultaneity and futurity as one time-plane and priority as the other time-plane.

Oblique moods have a range of forms including:

  • Synthetic forms which coincide with the forms of the indicative mood:
  • I wish he came. It’s time he were there.
  • Analytical forms which coincide with the forms of the Indicative Mood or with free word-combinations (a modal verb + an infinitive).
  • I wish he had done it. I suggest that he should do it.
  • The form of the infinitive without the particle “to”:
  • I suggest that he stay a little longer. (Subjunctive I).
  • Phone me if he be ill.

The category of voice.

  • Voice is the grammatical category of the verb which expresses an action from the subject or to it.
  • The teacher asked the pupil.
  • The teacher was asked by the pupil.
  • All the words in the second sentence are the same, the difference is only in the voice of the verb. In the first sentence the action is directed from the subject to the object, while in the second sentence the action is directed to the subject. Therefore, the category of voice shows the direction of an action from the subject or to the subject.
  • All the words in the second sentence are the same, the difference is only in the voice of the verb. In the first sentence the action is directed from the subject to the object, while in the second sentence the action is directed to the subject. Therefore, the category of voice shows the direction of an action from the subject or to the subject.
  • In Modern English there are two grammatical voices: the active voice and the passive voice. The active voice shows that the action is directed from the subject to the object and the subject itself is the doer of an action. The passive voice is used to show that the action is directed to the subject and not from it. The subject itself is not the doer of an action but is acted upon. The passive voice is not simply a parallel construction of the active voice. Very often we do not find the doer of an action in the passive constructions. This is because sometimes we do not know the doer of an action or we are not interested in it or sometimes we do not want to mention it for some reason or other.
  • This folk song was composed many years ago.
  • This machine is operated by hand, (we are not interested by whom the action is done, we are interested in the fact that the machine is operated by hand)

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