The Chinese piano prodigy takes no prisoners. She embraces Brahms and Beethoven as fiercely as she defends her right to wear what she likes

The Chinese piano prodigy takes no prisoners. She embraces Brahms and Beethoven as fiercely as she defends her right to wear what she likes

 ‘It’s about power and persuasion’ … Yuja Wang. Photograph: Ian Douglas

There are two Yuja Wangs. Or so you might think. One is the young Chinese pianist whose virtuosity and musical intelligence place her in the top echelon of performers. The other is an elfin, spiky-haired fashionista courted by Armani and Rolex, who has a zany wit and delights in appearing before concert audiences in itsy bitsy dresses and five-inch heels. This split identity is not of her making. Young classical artists are loosening up, but Wang is on a different level of visual and aural adventure that still takes people aback.

“I want to relate all life to music,” she says, cross-legged on a sofa in a borrowed Paris apartment – home is New York – looking calm, serious and slightly sleepy. Dressed in tight, cropped yoga pants and skinny vest she looks no different to the people thronging the Left Bank outside in the sun.

“I’m interested in looking good, but fashion bores me as much as checking for updates on my phone,” she says with a yawn, downing an espresso. “Rather than following textbook behaviour and doing what classical musicians have always done…” She stops mid-sentence to shape her thoughts, then giggles explosively. “This is all philosophical bullshit! I need to sleep first. I feel like a zombie.”

Wang was in Florence the night before, out late “having a few drinks”. Her current European tour covers more than a dozen cities, including London, where she gives her Royal Festival Hall solo-recital debut in the International Piano Series on 11 April. The programme consists of two monumental works: Chopin’s 24 Preludes and Brahms’s Variations and Fugue on a Theme by Handel. Schubert is also on the schedule.