The Principle of Philology and Philological Analysis of the Word
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545-Article Text-1093-1-10-20220816
International Journal of Social
Science Research and Review Volume 5, Issue 8 August, 2022 aesthetic center of the poem. In other cases, keywords, repeated in the text, also play an important compositional role directly, serving as a constructive support for the linguistic structure of the work, such as the form I take in the poem by A.A. Blok “Oh, spring without end and without edge”. This is the semantic leitmotif of the poems, supported by contextual synonyms: I greet, I meet, I will not throw a shield, my greetings to you. Thus, the whole poem, its entire structure is permeated with the general semantics of “acceptance of the world” [4]. Students make up a dictionary – the most important indicator of the “inner world” of a poetic text. “Having compiled a dictionary of a particular poem, we get – albeit rough and approximate – outlines of what makes up the world from the point of view of this poet” (Lotman). That is why the role of each word, each repetition in the semantic organization of the poetic text is so great. The selection of objects, realities, concepts, signs, actions in a poetic text is specific and determined by the laws of the genre and the peculiarities of the individual author’s manner. The second level of reading involves addressing the deep connections of words in the text and identifying individual authorial connections between phenomena and objects. This level is focused on the content and subtext information in the literary text, so it is important to refer to various kinds of tropes and stylistic figures that individualize the author’s text. The selection of synonyms, the comparison of a word or expression with their variants helps to evaluate the author’s word usage, which ultimately leads to an understanding of what purpose this or that word or expression is used for expression. The third level of reading is called the deep level, since the result of deep reading and understanding of the text is an exit to the author’s idea, i.e. an appeal to the content and conceptual information of the text. Thus, according to the fair remark of V.V.Vinogradov, “in the context of the whole work, words and expressions, being in the closest interaction, acquire various additional semantic shades, are perceived in a complex and deep perspective of the whole” [2]. The belonging of a particular text to one or another generic type (epic – lyric – drama) determines the originality of verbal imagery, and consequently, the specifics of mastering the word in a work of fiction. Philological analysis is characterized by: - comprehensive consideration of a literary text from the side of its ideological content, images and language; - a concrete historical approach to the interpretation of a literary work, the differentiation in the text of normative facts peculiar to modern word usage, and various deviations from the norm (outdated forms, meanings, individual author’s uses); - understanding of poetic language as a special form of aesthetic mastering of reality, as an active means of creating artistic generalization; - the presence of different approaches to the interpretation of the text, different analysis options. The nature of the interpretation of the text is determined, first of all, by the principle of methodological expediency. Philological analysis teaches us to understand the meaning of the text correctly, to interpret not only the meanings of the words that make up the artistic text, but the artistic meaning of the entire text. The Principle of Philology and Philological Analysis of the Word 169 Download 0.94 Mb. Do'stlaringiz bilan baham: |
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