Topic: american poetry of the 1st half of 20th century. The specific features of robert frost’s poetry contents
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- References Einhorn, Lois J. The Native American Oral Tradition: Voices of the Spirit and Soul (ISBN 0-275-95790-X) ^
Conclusion
Through Frost went on to publish many more books of poetry and remained one of American’s most widely raed and admired poets until his death in 1963, this, this chapter will focus on poems of the first three volumes. It was during the brief moment from 1913 to 1916 before the emergence of a full blown modernist movement that Frost most significant impact one American poetry was to be felt. Frost’s relationship to the modernist movement in American poetry was a rather distant one, his friendship with Pound lasted only a weeks and he hardly knew Eliot or Williams, Frost ridiculed the route of modernist experimentation followed by Pound, Eliot, Williams and Cummings, preferring to adhere to more traditional forms of poetry during his stay in England. Frost’s poetry differed from that of the modernists in several respects: in its adherence to a traditional formalism in the ordinariness and rustic simplicity of its subject matter in its resolutely narrative quality and its lack of what modernists like Eliot Stevens. Robert Frost's most famous poems included “The Gift Outright,” “Stopping by Woods on a Snowy Evening,” “Birches,” “Mending Wall,” “The Road Not Taken,” and “Nothing Gold Can Stay.” References Einhorn, Lois J. The Native American Oral Tradition: Voices of the Spirit and Soul (ISBN 0-275-95790-X) ^ Cary Nelson, Repression and Recovery (University of Wisconsin Press, 1989), 9-10 Aldridge, John (1958). After the Lost Generation: A Critical Study of the Writers of Two Wars. Noonday Press. Original from the University of Michigan Digitized Mar 31, 2006. Young, Alexander. Chronicles of the First Planters of the Colony of Massachusetts Bay, 1623-1636. United States: C. C. Little and J. Brown, 1846. Jack Dempsey, ed., "New English Canaan by Thomas Morton of 'Merrymount'" and his biography "Thomas Morton: The Life & Renaissance of an Early American Poet" Scituate MA: Digital Scanning 2000 Moulton, Charles (1901). The Library of Literary Criticism of English and American Authors. The Moulton Publishing Company. Original from the New York Public Library Digitized Oct 27, 2006.Anne Bradstreet: "our earliest woman poet" Davis, Virginia (1997). The Tayloring Shop: Essays on the Poetry of Edward Taylor. University of Delaware Press. ISBN 978-0-87413-623-4. ""Samuel Danforth's Almanack Poems and Chronological Tables 1647-1649" by Samuel Danforth and Paul Royster (transcriber & editor)". Digitalcommons.unl.edu. 2006-06-27. Retrieved 2014-08-27. Williams, George (1882). History of the Negro Race in America from 1619 to 1880. G.P. Putnam's Sons. Original from Harvard University Digitized Aug 18, 2006. Gregson, Susan (2002). Phillis Wheatley. Capstone Press. ISBN 978-0-7368-1033-3. Lubbers, Klaus (1994). Born for the Shade: Stereotypes of the Native American in United States Literature and the Visual Arts, 1776–1894. Rodopi. ISBN 978-90-5183-628-8. Heymann, C. David. American Aristocracy: The Lives and Times of James Russell, Amy, and Robert Lowell. New York: Dodd, Mead & Company, 1980: "A Brief Guide to the Fireside Poets" Archived 2014-01-16 at the Wayback Machine at Poets.org. Accessed 03-22-2009 Lucy Larcom: Landscape in American Poetry (1879). Download 186.42 Kb. Do'stlaringiz bilan baham: |
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