Urganch state university the department of roman-german philology theme: jack london. Life and works. Theme and problems of the novel


CHAPTER II. ABOUT JACK LONDON'S MARTEN IDEN AND THE NORSE STORIES


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CHAPTER II. ABOUT JACK LONDON'S MARTEN IDEN AND THE NORSE STORIES.
2.1 Details about Jack London's Marten Eden and the problems it presents.
Martin Eden is a 1909 novel by American author Jack London about a young proletarian autodidact struggling to become a writer. It was first serialized in The Pacific Monthly magazine from September 1908 to September 1909 and then published in book form by Macmillan in September 1909. Eden represents writers' frustration with publishers. The central theme of Eden's developing artistic sensibilities places the novel in the tradition of the Künstlerroman, which narrates an artist's formation and development. Eden differs from London in rejecting socialism, attacking it as "slave morality" and relying on Nietzschean individualism. Nevertheless, in the copy of the novel which he inscribed for Upton Sinclair, London wrote, "One of my motifs, in this book, was an attack on individualism (in the person of the hero). I must have bungled it, for not a single reviewer has discovered it."
Plot summary - Living in Oakland at the beginning of the 20th century, Martin Eden struggles to rise above his destitute, proletarian circumstances through an intense and passionate pursuit of self-education, hoping to achieve a place among the literary elite. His principal motivation is his love for Ruth Morse. Because Eden is a rough, uneducated sailor from a working-class background and the Morses are a bourgeois family, a union between them would be impossible unless and until he reached their level of wealth and refinement. Over a period of two years, Eden promises Ruth that success will come, but just before it does, Ruth loses her patience and rejects him in a letter, saying, "if only you had settled down ... and attempted to make something of yourself". By the time Eden attains the favor of the publishers and the bourgeoisie who had shunned him, he has already developed a grudge against them and become jaded by toil and unrequited love. Instead of enjoying his success, he retreats into a quiet indifference, interrupted only to rail mentally against the gentility of bourgeois society or to donate his new wealth to working-class friends and family. He feels that people do not value him for himself or for his work but only for his fame.

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