2 chapter I language of poetry and poetic language

CONTENTS
INTRODUCTION.............................................................................................2
CHAPTER I LANGUAGE OF POETRY AND POETIC LANGUAGE….4
1.1. Importance of language in poetry………………………………………….4
1.2. Features of poetic language………………………………………………..9
CHAPTER II JIM MORRISON AND HIS POETIC STYLE…………….13
2.1. Writer's contribution to American poetry………………………………….13
2.2. Morrison's poetry and writings………………………………………..…...20
CONCLUSION…………………………………………………………………25
THE LIST OF USED LITERATURE……………………………………….…27
INTERNET SOURCES…………………………………………………..…….28

INTRODUCTION
“Poetic language” is used through way of everyone, which includes you and your three-year ancient brother. It’s now now not overstating the case to say that poetry is a section of language itself and that poems are virtually the most centered expressions of language’s inherent poetry. Poets are higher mindful of the poetry already in language and greater deliberate in their use of it. Poems heighten or intensify advantageous regular ways of the use of language. We might say that poems put the emphasis on unique elements of language—including the language we name figurative. But they nevertheless don’t do anything that we don’t already do every day when we speak.
And but poems don’t generally experience like daily language. Everyday language is generally convenient to understand. And poems frequently are not. Everyday language tends to say precisely what it means—or at least tries to. Poems don’t show up to do that. We come returned once more to a question we addressed in chapter one: Why don’t poems actually say what they mean? We started out to reply this question when we referred to that poems are no longer only attempting to say something.
Language poetry is an avant-garde motion that places emphasis on the reader’s role in growing meaning. It started out in the Nineteen Seventies as a response to extra fashionable poetic forms.
The poets related with this movement sought to involve the reader in their text. They believed that language dictated which skill as an alternative than form or other literary devices. By breaking their language up, they require the reader to put in greater effort and creativity to determine out what the poem is about or determine for themselves (from their personal perspective) what the poem is about. Language poems are normally longer, non-narrative, and regularly resemble prose extra than normal verse.
Language poetry is writing that seeks to encompass the reader in the poet’s advent of meaning. Elements of language poems encompass fragmented images, a juxtaposition between the acquainted and the absurd, and the use of lines of a variety of lengths.
These poems have been all written in free verse with an emphasis on the reader’s experience, even greater so than the content material of the poems themselves. Language poets desired readers to explore all feasible meanings and experience inspired by means of the distinct techniques their snap photographs have to come together. Unlike most writers, Language poets did no longer select to create one precise trip for a reader.