Contents introduction chapter I. George eliot as a novelist of the victorian period


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4 george eliot as a victorian novelist


CONTENTS
INTRODUCTION……………………………………………………………..….3
CHAPTER I. GEORGE ELIOT AS A NOVELIST OF THE VICTORIAN PERIOD....................................................................................................................5
1.1. Beginning of George Eliot’s literary career……………..…………..……...….5
1.2. An overview of Eliot’s most famous books.......................……………………11
CHAPTER II. George Eliot's major contribution to English novelism..................................................................................................................17
2.1. Depiction of moral issues and the life of ordinary people………………..............................................................................................17
2.2. Analysis of “The Mill on the floss” by G.Eliot.............................….……..…22
CONCLUSION ………………………………………………………………….29
BIBLIOGRAPHY……………………………………………………….……….31


INTRODUCTION
Throughout history, it has been important to learn literature. In today’s world, the demand to learn a foreign language is increasing day by day and the study of foreign languages is of great importance in strengthening international relations and diplomatic relations. The role of literature in the process of language learning is unique. Through literary texts it is possible to study not only the language, but also the culture of other countries.
The actuality of the course work. Eliot’s novels contain characters who embody a “divine” compassion as they enter into the suffering lives of others, and who are, for her, incarnational. In her novels, Eliot enfleshes but a solitary aspect of the Incarnation—God’s sharing in the suffering of humanity. After an introductory chapter tracing Eliot’s own religious journey, I address the “incarnations” in selected Eliot novels—Dinah Morris in Adam Bede, Romola (title character) and Dorthea Brooke in Middlemarch. The sixth chapter addresses the theology of the Maurice who, like Eliot, was cognizant of the Enlightenment criticisms of Christianity yet remained orthodox in his treatment of the Incarnation.

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