501 Critical Reading Questions
Critical Reading Questions
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501 Critical Reading Questions
Critical Reading Questions
misnomer. This is the only sentence from Passage 2 that fits the focus of Passage 1; the others concern the development or defining characteristics of the blues. 333. a. The passage is a neutral narration of Mozart’s childhood and the beginnings of his musical career. Choices c, d, and e can be eliminated because the author does not take a side or try to prove a point. Choice b is incorrect because the author does not make any generalizations about the classical music “scene.” 334. c. The passage clearly states that Wolfgang took an interest in the clavier when his sister was learning the instrument. 335. c. The passage states (lines 18–19) that Wolfgang’s first public appearance was at Linz and that after this concert word of his genius traveled to Vienna. The passage states earlier that Vienna was the capital of the Hapsburg Empire. 336. b. The author’s tone toward Leopold is mild—neither strongly approving nor disapproving. In a few places, however, the author conveys some disappointment, especially lines 34–36 in which she states that Leopold set an exhausting schedule for Wolfgang. 337. c. Lavish means expended or produced in abundance. Both waste- ful and extravagant are synonyms for lavish, but, because it is modifying palace, extravagant is the more logical choice. 338. d. The author’s language emphasizes Mozart’s imagination. The phrase engrossed in the intricacies of his make-believe court suggests a child with a lively imagination. None of the other choices is directly supported by the text. 339. e. The text directly states that the pattern established in his childhood would be the template for the rest of his short life. Choice d could be misleading as the text states that Mozart was buried in an unmarked grave. However, it also states that this was customary at the time so one cannot infer that he died an anonymous pau- per. 340. b. Lauded means praised or blessed. The meaning of the word can be inferred from the structure of the paragraph. The paragraph begins by summing up Mozart’s childhood, and then describes how the features of his childhood were mirrored in his adult life. In his childhood Mozart played for, and amazed, the heads of the British and French royal families and likewise as an adult he was lauded for his genius. From the structure, one can infer that to be lauded is something positive. Of the positive choices, praised makes more sense in the sentence than coveted. 1 7 8 501 Download 0.98 Mb. Do'stlaringiz bilan baham: |
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