501 Critical Reading Questions
Critical Reading Questions
Download 0.98 Mb. Pdf ko'rish
|
501 Critical Reading Questions
Critical Reading Questions
1 7 7 326. a. In lines 10–12 of Passage 2, the author describes how the blues came to be called the blues—thus neologism means a new word or new meaning or use of a word. 327. d. This sentence states that the blues remakes were enjoyed by all kinds of people—black and white, young and old (line 43)—and suggests why the songs were so popular by describing how the lyrics touched a common emotional chord in listeners, all of whom have had the blues from one or more of the sources listed in the sentence. 328. d. The author states that the blues was a music perfectly suited for a nation on the brink of the Civil Rights movement because it was music that had the power to cross boundaries, to heal wounds, and to offer hope to a new generation of Americans (lines 47–50). The pre- vious sentence states that the music was popular with both the black and white, young and old (line 43). Thus, the author suggests that this shared musical experience helped promote understand- ing across racial boundaries and thereby ease racial tensions. 329. b. Neither author explicitly states that Robert Johnson is the best blues guitarist of his era, although this is implied by the author of Passage 1, who states that Johnson’s impact on the world of rock and roll is indisputable (lines 3–4) and quotes Eric Clapton as say- ing Johnson is the most important blues musician who ever lived (lines 8–9). However, the author of Passage 2 simply lists John- son in the same sentence as his mentors Son House and Willie Brown (lines 33–34), without suggesting that any one of these artists was better than the other. 330. c. Passage 1 states from the beginning that there is little informa- tion about Johnson and that the information that is available is as much rumor as fact (lines 2–3). There is also no definitive answer regarding how Johnson acquired his talent (paragraph 4), and the author uses the word purportedly in lines 34–35 to further emphasize the speculative nature of the narrative. Passage 2, on the other hand, provides many specific facts in the form of names and dates to present a text that is factual and assertive. 331. a. Passage 1 describes the life and influence of one specific blues artist, while Passage 2 provides a general overview of the history of the blues. 332. c. At the end of Passage 1, the author describes the reason so many artists record Johnson’s songs: his music capture[s] the very essence of the blues, transforming our pain and suffering with the healing magic of his guitar (lines 41–42). This sentence “proves” the idea stated in Passage 2 that ‘the blues’ is something of a 501 Download 0.98 Mb. Do'stlaringiz bilan baham: |
Ma'lumotlar bazasi mualliflik huquqi bilan himoyalangan ©fayllar.org 2024
ma'muriyatiga murojaat qiling
ma'muriyatiga murojaat qiling