6 Textual Sources, Sonnets, and Concepts of Style in Shakespeare's Plays


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Conclusion
It was the courtly love that enjoyed great popularity in the Renaissance. It advocated the spiritual love which was sacred and ennobling. Although the English poets did not repudiate to the sensual love totally, they took a disgust at lust. In his early works, like his contemporaries, Shakespeare expressed a similar insight of love. He also spared no pains to pursue a love with a lofty and pure nature. But in the Dark Lady poems a love for an unworthy object becomes a dominant theme. The poet‟s so-called love or uncontrollable passion for a woman he really despises pushes him into an extremely desperate situation. He knows each and every defect of the Dark Lady; he knows this kind of blind and foolish love for her is, to a great extent, similar to lust in nature; he knows he should in all senses disdain this wanton mistress; however, he just can find no way to get rid of this stupid and desperate obsession for her. Hence the tragic vision reveals itself. The conflict between the ideal of love and the sensual obsession with the contemptible Dark Lady may well offer testimony to the poet‟s change from optimism to melancholy.
In William Shakespeare’s plays, characters fight battles and face witches, lead kingdoms and hunt murderers, spend and squander money and friendship. As viewers and readers, we can relate to Shakespeare’s characters because we understand the desire for heartfelt relationships. So, too, can we identify with young lovers pursuing a forbidden relationship (Romeo and Juliet), the agony of unrequited love (Helena and Demetrius in A Midsummer Night’s Dream), and the sarcasm of an intense flirtation (Beatrice and Benedick in Much Ado about Nothing). In The Taming of the Shrew, Kate gives up her abusive and headstrong behavior and becomes a domesticated version of her former self. In As You Like It, Rosalind impersonates a man so that she can spend time with Orlando, her love interest. You’re probably familiar with the story of Romeo and Juliet, two hormonal teenagers who meet at a ball and, having known each other for only a few hours, secretly plan to marry, though their families are sworn enemies and would never approve. But their daring scheme goes awry, and a misunderstanding leads one to commit suicide by poison and the other to die by a “happy dagger.” (Incidentally, the members of their families who haven’t died of grief end up getting along.) . While Macbeth is more about a political power struggle than a romance, love for her husband does play a part in turning Lady Macbeth into a risk-taker. When Lady Macbeth finds out that Macbeth might be fated to be king, she pushes him to embrace his aggressive side and murder the current king.


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