This written literature has as its ultimate goal the representation. Throughout all ages we think of them as the script for a play. However, today there are literary texts that are written to be adapted for film and television. Another fundamental characteristic of them is that they lack a narrator; they use only dialogues and stage directions that direct the action, space or time, or the characters themselves. But there is no narrating voice that organizes the rest of the elements.
The themes are infinite, but as it is also a succession of actions, an order is needed and they are normally divided into three acts., as if they were the introduction, the middle and the outcome of the narrative texts. However, the avant-garde and the new theater have transformed the play, so there is room for more types of dramatic creations. Currently dramatic texts are usually in prose; but throughout history these have been conceived in verse. In general, there are three basic types of these texts: comedy, tragedy, and drama.
CHUSA: Put your stuff out there. Look, that's the bathroom, there's the mattress. We have "María" planted in that pot, but it hardly grows, there is little light. (Seeing the face that Jaimito is making). She is going to stay here.
JAIMITO: Yes, on top of me. If we don't fit, aunt, we don't fit. He puts everyone he finds here. The other day to the mute, today to this one. Did you believe that this is the El Buen Pastor shelter, or what?
CHUSA: Don't be rude.
ELENA: I don't want to bother. If you do not want, I do not stay and I go.
JAIMITO: That's right, we don't want to.
(Fragment of Bajarse al moroby José Luis Alonso de Santos).
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