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ild applause . ) Answers : 1 ) Reverend . Whether they 're priests , rabbis , mi nisters or monks , they 're all `` reverend '' ( deserving reverence ) on gradua tion day . Calling them `` reverent , '' would mean that they themselves are fil led with reverence , which they probably are . But on this occasion , they 're t he ones being revered . 2 ) Lectern . A lectern is a stand that supports a speak er 's notes or books . A podium is the elevated platform on which a speaker stan ds . While , through common use ( it gets scuffed a lot ) , `` podium '' has acq uired a secondary meaning of `` lectern , '' elevated grammarians regard such us age as base . 3 ) Ceremonial . As long as we 're standing on a podium , let 's s tand on ceremony . `` Ceremonial '' refers to anything associated with a ceremon y , as in `` ceremonial offering . '' `` Ceremonious , '' which almost always re fers to people or behavior , means `` unusually formal or meticulous in manner , '' and bears a negative connotation of being a fussy and ritualistic . 4 ) Luxu riant . Strictly , `` luxuriant '' means lush or abundant ( `` a luxuriant beard '' ) , while `` luxurious '' means full of luxury or sumptuous ( `` a luxurious penthouse '' ) . It 's worth noting that respectable writers have often luxuria ted in the pleasure of using these words interchangeably . Theodore Dreiser wrot e of `` luxuriant restaurants , '' for instance , while Henry David Thoreau desc ribed `` luxurious misty timber , '' which is where our erstwhile graduation spe aker probably hit his first tee shot . 5 ) Wild applause . It 's too costly , too important , too tiring , too silly , too long or too sho rt . It 's the American Booksellers Association 's annual convention and trade e xhibit , scheduled this weekend in Los Angeles . Though retailers and publishers differ on the value of spending each Memorial Day weekend talking up fall title s , and dashing from luncheons to seminars to nightly parties , the expected att endance shows that `` The ABA '' remains a seasonal rite that book-industry play ers are loath to ignore . An estimated 1,600 publishers and other exhibitors wil l display their products in the Los Angeles Convention Center , covering 322,000 square feet , or 20 percent more space than was reserved by companies at last y ear 's show in Miami Beach . And 30,000 people are expected to pass through , wh ich would make this the second-best-attended convention since the one held in 19 91 in New York City . The drill hasn't changed : The publishers plan to romance the booksellers and try to whip up interest in new goods , and the booksellers w ill revel in the attention as they consider the size of their orders . `` The bi g publishing houses , with their sales reps around the country , are so self-ass ured that they 're there for the exercise , '' said Bernie Rath , executive dire ctor of the American Booksellers Association , whose 4,500 members consist mainl y of independently owned businesses . `` But the medium- and smaller-sized publi shers that have no sales force on the road rely on the convention to meet the bu yer . '' Michelle Sidrane , president of the Crown Publishing Group , one of the major-league publishing companies , said she hopes to detour booksellers off th e busy convention floor to quieter meeting rooms in order to present special pro motions involving fall books . Crown 's list includes titles by Larry King , Joh n Denver , Dave Barry and Martha Stewart . In addition to these brand names , Si drane said , the publisher hopes to kindle enthusiasm for Judith Rossner 's `` O livia '' and two other novels whose film rights have already been bought by Holl ywood Nina Vida 's `` Goodbye , Saigon '' and Mark Olshaker 's `` The Edge . '' On the festive side , Crown will present Barry in a night of standup comedy at T he Improv and Audrey Meadows at a party designed to showcase her fall memoir , ` ` Love , Alice : My Life as a Honeymooner . '' ( Begin optional trim ) Suppliers of CD-ROMs and other electronic media will occupy about 10,000 square feet at t he convention center vivid evidence that these companies want bookstores to offe r their products along with the latest John Grisham thriller . `` We very much b elieve that the most convenient site for the perusal of electronic media is the bookstore , '' said Morton E. David , chairman of Franklin Electronic Publishers Inc. , an exhibitor based in Mount Holly , N.J. . `` Booksellers , by and large , if they take a pass on offering some kind of electronic media , are going to regret it four or five years down the road . '' Franklin , which employs 200 peo ple and posted $ 66 million in sales last year , will be showing off various ele ctronic books , including its $ 99 Spanish Master , a pocket-sized bilingual dic tionary that can speak 250,000 words in English and Spanish by using voice-synth esized technology . ( End optional trim ) While this weekend 's ABA offers no st ar-powered extravaganza like the Putnam Publishing Group 's blast last year for Ann-Margret ( `` My Story '' ) or Alfred A . Knopf 's lavish do for Oprah Winfre y ( who ended up scuttling the autobiography she planned to deliver ) , New York publishers have planned an array of parties to promote their books . Scribners has arranged a tea for Barbara Bush , whose autobiography will be published in S eptember ; W.W. Norton & Co. will celebrate the release of Walter Mosley 's new `` Black Betty , '' another of his Easy Rawlins capers set in Los Angeles , with soul sounds at the Biltmore Hotel ; Warner Books ' invitation to the St. James Club urges folks `` to Get Down with Your Bad Self and Berry Gordy , '' the main stay of Motown Records , whose autobiography , `` To Be Loved , '' is scheduled for October . The list of RSVPs to Buzz 's ABA party at House of Blues shows tha t the reach of the upstart L.A. magazine extends to many top executives in New Y ork publishing . This especially pleases Eden Collinsworth , a former New York b ook publisher who is now president and chief executive officer of Buzz . Asked w hether the home of television and Hollywood is a suitable venue for purveyors of the printed word , Collinsworth said , `` I certainly brought to L.A. a condesc ending , East Coast attitude toward the city . But in the five years I 've been here , it 's certainly been made clear to me that this is a far more confident a nd cosmopolitan area than many back east assume . '' LONDON Damien Hirst is London 's leading chain-saw artist . He hacks dead lives tock in half . He split-cut a cow and a calf lengthwise and displayed them in hu ge , sealed cases of formaldehyde at the 1993 Venice Biennale , like .. . well . . . like sides of beef in a butcher shop . The Venice Biennale is , of course , one of the world 's most prestigious art events . He sawed a pig 's head in half for this month 's British edition of Esquire . The artist is shown with his cha in saw . We see the chain saw in action . Close-up photos of the halves of the s plit pig 's head are printed as the magazine 's centerfold , inside-out , as it were , very red against a flesh-toned background . No airbrush has edited out of fensive parts to protect the squeamish as the old Playboy used to do . He 's rou tinely called the `` enfant terrible '' of the British art world , the artist mo st talked about , doing the most striking work . He 's 28 and from Leeds , the o ld Yorkshire city , where he saw his first preserved specimens in a mortuary whe n he was a schoolboy . `` I was just really kind of fascinated by them , '' he s ays . He first floated into national notoriety two years ago with a toothy , 14- foot tiger shark , immersed in its own preservative tank of formaldehyde . He ca lled the piece `` The Physical Impossibility of Death in the Mind of Someone Liv ing . '' He likes an expressive title . The shark appeared at the very trendy Sa atchi Gallery and launched him into instant tabloid fame . His shark has been ca lled the most caricatured work of art since Whistler 's Mother . His latest anim al act is a lamb , all woolly and cuddly-looking , floating in a white-framed ta nk of faintly greenish-tinted formaldehyde . It 's in a show that opened this mo nth at the Serpentine Gallery . Hirst is curator , and he has chosen 15 artists who share his interests : `` fear , loss , hope , death , fantasy , '' the press release says . The work he 's chosen includes eerie and exquisite photos , by H iroshi Sugimoto , of the serial killers in Madame Tussaud 's waxworks ; a flayed , anatomical figure called Virgin Mary , sculpted in wax by Kiki Smith ; an ora nge , fiberglass cast of Rodin 's Balzac by Michael Joaquin Grey , hung upside-d own from the ceiling ; a bicycle packed with plastics and bags by Andreas Slomin ksi , leaning against the gallery wall as if abandoned by a homeless pilgrim . T he show is called `` Some Ran Away .. . Some Went Mad . '' Hirst calls his prese rved lamb `` Away From the Flock . '' `` It 's just like a shepherd 's thing , ' ' he says at the opening . He 's leaning against a doorjamb , a polite , easygoi ng , round-faced guy in a baseball hat , white T-shirt , jacket and jeans . `` T here 's an allegory that has to do with people and sheep , '' he says . `` It 's like : ` You 're just like sheep , you do what everyone else does . ' I do what I do , and it 's different . `` So you 're away from the flock in that way . Bu t then I kind of see it so tragic and dead and kind of cute , and looking out at the green grass , which I quite think is good . '' The lamb gazes out of its fo rmaldehyde tank onto the greensward of Kensington Gardens . The galley is by the Serpentine , the lake that winds between Kensington Gardens and Hyde Park . Not everybody likes it , he says . Londoners are more used to lamb on a menu than i n a museum , eating dead meat rather than looking at it . `` I 've heard a lot o f people say it 's terrible , '' he says. ` ` ` Why do you do that to a lamb ? O h my God. ' ' ' ( Begin optional trim ) One free-lance art critic went from word s to action , pouring ink into the tank of formaldehyde one recent evening . `` It went completely black , '' a gallery visitor told Dalya Alberge of The Indepe ndent . `` You could see the sheep disappear . There were a lot of visitors ther e . Everyone was bewildered and highly amused . People were laughing . '' Hirst , who already had sold the piece for $ 37,500 , spent the night draining and rin sing the animal in an attempt to wash out the ink . He had no immediate comment . He has said his work `` has just got to get people involved . The worst thing is if someone just walks in and out without seeing anything . '' He thinks that in a way he 's immortalized his lamb . `` You know it was already dead when I fo und it , '' he says . `` I found it in a knacker 's yard , where animals go when they die . I resurrected it into this situation . It would have been dog food . So I kind of saved it from that , in a way . And I quite like that . It 's trag ic , but cute . '' And despite an undeniable macabre element to his work , he 's not interested in similarly preserving a human being . `` Not really , '' he sa ys . `` I don't think you get metaphor with people . It 's too direct . You get metaphor with animals , but you don't with people . '' ( End optional trim ) His work will last , he thinks . `` I 've seen pieces that are 200 years old , '' h e says . `` As long as they don't get out of the liquid , they 'll stay like tha t . '' Which is a good thing , because from here , the show goes to Finland , Ge rmany and Chicago . The Serpentine show , incidentally , is sponsored by Haagen- Dazs . The company passed out chocolate-covered ice cream on a stick . A panic attack consists of spontaneous jolts of intense fear or discomfort acco mpanied by at least four of the following symptoms : Shortness of breath or smot hering sensations . Dizziness , unsteady feelings or faintness . Accelerated hea rt rate or palpitations . Trembling or shaking . Sweating . Choking . Nausea or abdominal pain . Depersonalization the feeling you 're removed from your own exp erience . Numbness or tingling sensations . Hot or cold flashes . Fear of dying . Fear of going crazy or losing control . Source : American Psychiatric Associat ion Michael Artinian 's ear infections began within weeks of his birth . Every few weeks , says his mother , Chris , the baby would fret and fuss with the pain of a new infection . His pediatrician tried antibiotics for months . The milder one s did nothing and infections even flared up when Michael was taking the stronges t antibiotics . Finally , when Michael was 8 months old , the doctor suggested a surgical procedure called a tympanostomy in which ear tubes are inserted to dra in fluid from the middle ear and clear up infection . The Artinians agreed . Par ents often wonder if they are doing the right thing by choosing surgery to heal chronic ear infections , which generally occur as a result of a cold , sore thro at or other respiratory infection . Their doubts stem from disagreements in the medical community about whether the procedure is overdone . `` It 's never easy to put your child through surgery , '' says Artinian . `` But , as a parent , yo u have to get hooked up with the right doctor a doctor you are in sync with . '' But now parents may have more to rely on than just their doctors . An article i n last month 's Journal of the American Medical Association suggested a set of g uidelines for tympanostomy ( while noting that as many as one-fourth of all ear- tube surgeries now performed may be unnecessary ) . And , this summer , the fede ral Agency for Health Care Policy and Research will release guidelines for docto rs and parents on the treatment of childhood middle ear infection , or otitis me dia . Otitis media is the most common reason for doctor visits in children under 6 , accounting for about 30 million visits a year . Yet there are no clear-cut guidelines to help doctors and parents know which of several treatment options a ntibiotics , surgery to insert ear tubes or doing nothing work best and with the least risk to the child . `` The reason we suggest certain disorders for the gu idelines is that there is substantial variation in care , '' says Rose Findley , an agency spokeswoman . `` One doctor treats it one way and across town there i s a completely different type of treatment pattern . There isn't much consensus . And , ( the nation ) is spending a lot of money on it , but we don't know what the best or most appropriate treatment might be . '' The guidelines are highly anticipated , not only because of the magnitude of the problem but because of th e contentiousness that has arisen among doctors on how to treat otitis media . T he experts who contributed to the new federal report , joked one doctor , `` wil l then enter the government 's Witness Protection Program . '' `` I think there is a fair amount of data , but I think it 's confusing and difficult to synthesi ze , '' says Dr. Lawrence C. Kleinman , a Harvard physician and author of the JA MA report . In that study , a panel of doctors reviewed research on tympanostomi es to develop criteria on when the surgery should be considered . Using the pane l 's criteria , the study found that of the 670,000 tympanostomies performed eac h year , 41 percent were appropriate , 32 percent had equivocal indications and 27 percent were found to be inappropriate . An appropriate reason to choose surg ery , the article states , would be for a child who has fluid trapped in the mid dle ear behind the eardrum ( called otitis media with effusion ) that does not c lear up despite treatment with antibiotics . The tiny tube inserted in the eardr um during surgery allows the fluid to drain and restores a child 's hearing , wh ich can be muffled when fluid has collected . The tubes remain in the ear for se veral months to a year and fall out on their own . Surgery is considered inappro priate , for example , if a child had fewer than four ear infections a year or h ad not been treated sufficiently with antibiotics . But , Kleinman says , it is impossible to predict how any individual child will fare . ( Optional add end ) The guidelines might divert surgeries that take place out of frustration , Klein man adds . Recurrent ear infections can cause misery for families , causing the child a lot of discomfort and parents many sleepless nights . Moreover , doctors and parents worry about the small chance that ear infections will cause hearing loss and speech delay . `` Sometimes the level of frustration with ear infectio ns can lead to hasty actions that are not well considered , '' Kleinman says . N o guidelines should revoke the right of doctors and parents to individualize the ir decisions , says Dr. David Bergman , a Stanford University physician who work ed on the federal guidelines . `` The bottom line , to me , is that you have to take each case individually and not use expert consensus as a way of driving you r decision one way or another , '' he says . It 's an old story television 's ultimate blacklisting or brownlisting . Black sitcoms appear indelibly affixed to prime time , yet getting a family drama abou t blacks , or Asian-Americans or Latinos , on the air remains the hardest of har d sells . Take the case of current prime-time ratings champ CBS . It has vowed t o widen its audience beyond Norman Rockwell folk to include more of the nation ' s urban young , but in picking new series to open the 1994-95 season , the netwo rk omitted the worthy `` Under One Roof , '' a weekly drama that was developed b y its own production arm and may lack only one prerequisite for prime time . Whi teness . `` We haven't passed on it , '' said CBS spokeswoman Susan Tick . `` I 'm very pessimistic , '' said executive producer Thomas Carter ( `` Equal Justic e '' ) . Television 's minstrels appear in multiple shades , and Fox 's new fall lineup includes an action show , `` M.A.N.T.I.S. , '' whose hero is black . Whe n it comes to drama , however , TV seeks to seduce a rainbow of Americans with m ostly a single color . Implicit here is that most programmers are ethnocentric , believing that non-whites will be riveted to whites in non-comedic situations , but not vice versa . Black families have been nearly invisible in family drama , a situation `` Under One Roof '' could help remedy . Its protagonists are the Langstons , a middle-of-the-middle-class black family living in Seattle . No dru gs , no violence , no gangs , not even an absentee father . No major dysfunction , just a highly appealing family . Although not faultless , the pilot for `` Un der One Roof '' ripples with more promise than 90 percent of what presently pass es for drama in prime time . Its humor is unforced , its conflicts between gener ations are genuine , and its interesting , endearing characters relate in ways t hat likely would earn them the empathy of real-life families . Plus , the cast i s first-rate . Joe Morton is Ron Langston , a former career military man trying his hand at business . Vanessa Bell Calloway is his wife , Maggie , who resumed school to get a nursing degree . James Earl Jones is Ron 's father , Neb , a cop who lives downstairs with a street youth he and his late wife took in . Joe and Maggie have two kids of their own , and Ron 's younger sister is also part of t his likable extended brood . Written by Martha Williamson , Michael Henry Brown and Paul Aaron ( the latter two wrote HBO 's `` Laurel Avenue '' ) , the pilot ' s teleplay has an edge while also projecting the kind of warmth and even teary p oignancy that usually has network programmers bawling all the way to the bank . If ever a contemporary black family drama was going to make the schedule in the '90s , you 'd think this would be it . `` Under One Roof '' is not only absent f rom the fall lineup , however , it also received no backup order from CBS , said Carter , making it questionable even for mid-season emergence . But CBS has not written all of its 1994- '95 backup orders , and `` Under One Roof '' could sti ll get one , spokeswoman Tick said . `` It 's still in play here , '' she said . `` I think their first concern is about the characters being black , '' said Ca rter , who directed the pilot . `` I think they 're also concerned that this is a very honest show . They 're a slave to gimmicks . We would have had a better c hance to get it on the air if we had a tragedy that brings the family together . '' Carter said it was CBS Entertainment President Peter Tortorici who ( when st ill the division 's No. 2 executive ) approached him about doing a `` black show he would have accepted a comedy with a strong male figure '' for CBS Production s . Carter said when `` Under One Roof '' was screened for CBS executives in Los Angeles , `` they loved it and thought the show was a slam dunk . '' But when t he pilot was viewed by network management in New York , he said , the attitude c hanged and `` everything went askew . '' Equally askew is an industry that rarel y finds room for blacks who live in the real world and don't speak the language of one-liners . -0- FOOD FOR THOUGHT : `` Mmmm , I love garlic , '' Katie Couric said last Wednesday morning , starting a cooking segment for NBC 's traveling ` ` Today '' program at a Boston seafood restaurant . For Couric and `` Today , '' the grotesquely sadistic act that followed was just a big laugher . Inadvertent ly , though , they provided an educational service by erasing the abstraction an d graphically showing the process by which some of the animals we eat arrive on our plate . The fare was lobster . No , not a lobster boiled alive in a pot of w ater , but something even yummier and rather more exotic . After heating the gar lic in a pan and adding some crushed red pepper , the chef picked up the entree Download 9.93 Mb. 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