A thousand Splendid Suns

and she tells him something Babi had taught her years before about singing sand. 
  He rubs at her eyebrow, wipesgrains of sand from it. She catches a flicker of the 
band on his finger. It's identicalto hers -gold with a sort of maze patternetched all the 
way around. 
  It's true,she tellshim.It's the friction, of grain against grain. Listen. Hedoes. He 
frowns. They wait. They hear it again. A groaning sound, when the wind is soft, when it 
blows hard, a mewling, high-pitched chorus. 
  * * * Babi said theyshould take only what was absolutely necessary. They would sell 
the rest. 
  "That should hold us in Peshawar until I find work." 
 
  For the next two days, they gathered items to be sold. They put them in big piles. 
  In her room, Laila set aside old blouses, old shoes, books, toys. Looking under her bed, 
she found a tiny yellow glass cow Hasina had passed to her during recess in fifth grade. 
A miniature-soccer-ball key chain, a gift from Giti. A little wooden zebra on wheels. A 
ceramic astronaut she and Tariq had found one day in a gutter. She'd been six and he 
eight. They'd had a minor row, Laila remembered, over which one of them had found it. 
  Mammy  too  gathered  her  things. There was a reluctance in her movements, and her 
eyes had a lethargic, faraway look in them. She did away with her good plates, her nap-
kins, all her jewelry-save for her wedding band-and most of her old clothes. 
  "You're not selling this, are you?" Laila said, lifting Mammy's wedding dress. It casca-
ded open onto her lap. She touched the lace and ribbon along the neckline, the hand-
sewn seed pearls on the sleeves. 
  Mammy shrugged and took it from her. She tossed it brusquely on a pile of clothes. Li-
ke ripping off a Band-Aid in one stroke, Laila thought. 
  It was Babi who had the most painful task. 
  Laila found him standing in his study, a rueful expression on his face as he surveyed 
his shelves. He was wearing a secondhand T-shirt with a picture of San Francisco's red 
bridge on it. Thick fog rose from the whitecapped waters and engulfed the bridge's to-
wers. 
 
  "You know the old bit," he said. "You're on a deserted island. You can have five bo-
oks. Which do you choose? I never thought I'd actually have to." 
  "We'll have to start you a new collection, Babi." 
  "Mm." He smiled sadly. "I can't believe I'm leaving Kabul. I went to school here, got 
my first job here, became a father in this town. It's strange to think that I'll be sleeping 
beneath another city's skies soon." 
  "It's strange for me too." 
  "All day, this poem about Kabul has been bouncing around in my head. Saib-e-Tabrizi 
wrote it back in the seventeenth century, I think. I used to know the whole poem, but all 
I can remember now is two lines: 
  "One could not count the moons that shimmer on her roofs, Or the thousand splendid 
suns that hide behind her -walls." 
  Laila looked up, saw he was weeping. She put an arm around his waist. "Oh, Babi. 
We'll come back. When this war is over. We'll come back to Kabul,inshallah. You'll 
see." 
 

---

* * * 
 
  On the third morning, Laila began moving the piles of things to the yard and deposi-
ting them by the front door. They would fetch a taxi then and take it all to a pawnshop. 
 
  Laila kept shuffling between the house and the yard, back and forth, carrying stacks of 
clothes and dishes and box after box of Babi's books. She should have been exhausted 
by noon, when the mound of belongings by the front door had grown waist high. But, 
with each trip, she knew that she was that much closer to seeing Tariq again, and, with 
each trip, her legs became more sprightly, her arms more tireless. 
  "We're going to need a big taxi." 
  Laila looked up. It was Mammy calling down from her bedroom upstairs. She was le-
aning out the window, resting her elbows on the sill. The sun, bright and warm, caught 
in her graying hair, shone on her drawn, thin face. Mammy was wearing the same cobalt 
blue dress she had worn the day of the lunch party four months earlier, a youthful dress 
meant for a young woman, but, for a moment, Mammy looked to Laila like an old wo-
man. An old woman with stringy arms and sunken temples and slow eyes rimmed by 
darkened circles of weariness, an altogether different creature from the plump, round-fa-
ced woman beaming radiantly from those grainy wedding photos. 
  "Two big taxis," Laila said. 
  She could see Babi too, in the living room stacking boxes of books atop each other. 
  "Come up when you're done with those," Mammy said. "We'll sit down for lunch. Bo-
iled eggs and leftover beans." 
  "My favorite," Laila said. 
 
  She thought suddenly of her dream. She and Tariq on a quilt. The ocean. The wind. 
The dunes. 
  What had it sounded like, she wondered now, the singing sands? 
  Laila stopped. She saw a gray lizard crawl out of a crack in the ground. Its head shot 
side to side. It blinked. Darted under a rock. 
  Laila pictured the beach again. Except now the singing was all around. And growing. 
Louder and louder by the moment, higher and higher. It flooded her ears. Drowned 
everything else out. The gulls were feathered mimes now, opening and closing their be-
aks noiselessly, and the waves were crashing with foam and spray but no roar. The 
sands sang on. Screaming now. A sound like…a tinkling? 
  Not a tinkling. No. A whistling. 
  Laila dropped the books at her feet. She looked up to the sky. Shielded her eyes with 
one hand. 
  Then a giant roar. 
  Behind her, a flash of white. 
  The ground lurched beneath her feet. 
  Something hot and powerful slammed into her from behind. It knocked her out of her 
sandals. Lifted her up. And now she was flying, twisting and rotating in the air, seeing 
sky, then earth, then sky, then earth. A big burning chunk of wood whipped by. So did a 
thousand shards of glass, and it seemed to Laila that she could see each individual one 
flying all around her, flipping slowly end over end, the sunlight catching in each. Tiny, 
beautiful rainbows. 
  Then Laila struck the wall. Crashed to the ground. On her face and arms, a shower of 
dirt and pebbles and glass. The last thing she was aware of was seeing something thud 

---

to the ground nearby. A bloody chunk of something. On it, the tip of a red bridge po-
king through thick fog. 
 
* * * 
 
  Shapes moving about. A fluorescent light shines from the ceiling above. A woman's 
face appears, hovers over hers. 
  Laila fades back to the dark. 
 
* * * 
 
  Another face. This time a man's. His features seem broad and droopy. His lips move 
but make no sound. All Laila hears is ringing. 
  The man waves his hand at her. Frowns. His lips move again. 
 
  It hurts. It hurts to breathe. It hurts everywhere. 
  A glass of water. A pink pill. 
  Back to the darkness. 
 
* * * 
 
  The woman again. Long face, narrow-set eyes. She says something. Laila can't hear 
anything but the ringing. But she can see the words, like thick black syrup, spilling out 
of the woman's mouth. 
  Her chest hurts. Her arms and legs hurt. 
  All around, shapes moving. 
  Where is Tariq? 
  Why isn't he here? 
  Darkness. A flock of stars. 
 
  Babi and she, perched somewhere high up. He is pointing to a field of barley. A gene-
rator comes to life. 
  The long-faced woman is standing over her looking down. 
  It hurts to breathe. 
  Somewhere, an accordion playing. 
  Mercifully, the pink pill again. Then a deep hush. A deephush falls over everything.