Beat generation. The main representative plan: Introduction


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BEAT GENERATION. THE MAIN REPRESENTATIVE

Conclusion
This heightened appreciation is often referred to as “digging” in the novel and becomes another important recurring theme. Take this brief quote from Dean, for example, as the gang drives through Mexico:
“‘While you’ve been sleeping I’ve been digging this road and this country, and if I could only tell you all the thought I’ve had, man!” He was sweating. His eyes were red-streaked and mad and also subdued and tender—he had found people like himself.”
Sal has slept for several hours and awakens to find Dean in a frenzy. He’s been “digging” it all so ravenously that he can hardly articulate the stimulation he felt. Rather than a mundane Mexican countryside that some might see, Dean has seen another world, another life, something that has aroused in him an ecstatic tenderness. We can’t know “all the thought” Dean’s had, and that’s precisely the point. He’s made it his own, breathed it in his own way, given himself over to it and felt it with supreme poignancy.
One gets the sense that Dean may have experienced more unspeakable thrusts of passion in those few hours of driving than some people experience in their lives. And this same attitude—this “digging”, this insatiable thirst for the diversity of life—is expressed throughout the adventures of the novel. This becomes The Point of all of the travels—to confront the endless novelty of life and absorb it to the point of bursting.
Whatever the “IT” is that Dean refers to throughout the novel, IT is found in these details, and the practice of noticing IT is what causes time to expand for the heroic outcasts of On the Road. “Digging” becomes a most appropriate metaphor: Dean and the others deepen and widen and unearth the meaning of their immediate experience with two eyes open and a tremendous hunger for life.


List of literature

  1. Sh.M.Mirziyoyev-Erkin va farovon demokratik o’zbekiston davlatini birgalikda barpo etamiz

  2. Sh.M.Mirziyoyev-Tanqidiy tahlil qatiy tartib-intizom va shaxsiy vobgarlik har bir rahbar faoliyatining kundalik qoidasi bolishi kerak

 Evans, Mike, The Beats: from Kerouac to Kesey : an illustrated journey through the Beat Generation, Running Press, Introduction
^ The Beat Generation – Literature Periods & Movements.
^ Charters, Ann (2001). Beat Down to Your Soul: What was the Beat Generation?. Penguin Books. ISBN 0141001518.
^ Charters (1992) The Portable Beat Reader.
^ Ann Charters, introduction, to Beat Down to Your Soul, Penguin Books (2001) ISBN 978-0-14100-151-7 p. xix "[...] the conclusion of the obscenity trial in San Francisco against Lawrence Ferlinghetti for publishing Ginsberg's Howl and Other Poems [...] in which Judge Clayton W. Horn concluded for the defendant that 'Howl' had what he called 'redeeming social content.'", p. xxxiii "After the successful Howl trial, outspoken and subversive literary magazines sprung up like wild mushrooms throughout the United States."
^ Ted Morgan, Literary Outlaw, New York: Avon, 1988. p. 347, trade paper edition ISBN 0-380-70882-5: "The ruling on Naked Lunch in effect marked the end of literary censorship in the United States."
^ "Beat movement (American literary and social movement) – Encyclopædia Britannica". britannica.com. Retrieved November 30, 2014.
^ "Beat to his socks, which was once the black's most total and despairing image of poverty, was transformed into a thing called the Beat Generation..." James Baldwin, "If Black English Isn't a Language, Then Tell Me, What is it?," The New York Times, July 29, 1979.
^ "The word 'beat' was primarily in use after World War II by jazz musicians and hustlers as a slang term meaning down and out, or poor and exhausted. The jazz musician Mezz Mezzrow combined it with other words, like 'dead beat' ..." Ann Charters, The Portable Beat reader, 1992, ISBN 0-670-83885-3, ISBN 978-0-670-83885-1.
^ "Hebert Huncke picked up the word [beat] from his show business friends on of Near North Side of Chicago, and in the fall of 1945 he introduced the word to William Burroughs, Allen Ginsberg, and Jack Kerouac." Steven Watson, "The Birth of the Beat Generation" (1995), p. 3, ISBN 0-375-70153-2.



1 Sh.M.Mirziyoyev-Tanqidiy tahlil qatiy tartib-intizom va shaxsiy vobgarlik har bir rahbar faoliyatining kundalik qoidasi bolishi kerak

2 Sh.M.Mirziyoyev-Erkin va farovon demokratik o’zbekiston davlatini birgalikda barpo etamiz

3  Evans, Mike, The Beats: from Kerouac to Kesey : an illustrated journey through the Beat Generation, Running Press, Introduction
^ The Beat Generation – Literature Periods & Movements.

4 ^ The Beat Generation – Literature Periods & Movements.
^ Charters, Ann (2001). Beat Down to Your Soul: What was the Beat Generation?. Penguin Books. ISBN 0141001518.
^ Charters (1992) The Portable Beat Reader.

5 ^ Ann Charters, introduction, to Beat Down to Your Soul, Penguin Books (2001) ISBN 978-0-14100-151-7 p. xix "[...] the conclusion of the obscenity trial in San Francisco against Lawrence Ferlinghetti for publishing Ginsberg's Howl and Other Poems [...] in which Judge Clayton W. Horn concluded for the defendant that 'Howl' had what he called 'redeeming social content.'", p. xxxiii "After the successful Howl trial, outspoken and subversive literary magazines sprung up like wild mushrooms throughout the United States."

6 ^ Ted Morgan, Literary Outlaw, New York: Avon, 1988. p. 347, trade paper edition ISBN 0-380-70882-5: "The ruling on Naked Lunch in effect marked the end of literary censorship in the United States."

7 ^ "Beat to his socks, which was once the black's most total and despairing image of poverty, was transformed into a thing called the Beat Generation..." James Baldwin, "If Black English Isn't a Language, Then Tell Me, What is it?," The New York Times, July 29, 1979.

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