brief papers, which were addressed consciously to a middle-class
audience. The periodical essa y w as the eighteenth-century
equivalent of the broadcast talk. Contact between writers and
readers was established by fam ous English essayists Joseph
Addison and Richard Steele. They started and directed several
magazines for which they wrote pamphlets and essays. In 1709
Steele issued a magazine, “The Tattler”. It was followed by others:
“The Spectator” (1 7 1 1 ), “The Guardian” (17 1 3 ), and “The
Englishman”(1 713). In the latter political problems were
d isc u sse d . P eriod ical n ew sp a p ers a lso h elp ed to spread
information among the general public.
Joseph Addiso n
Richard Steele
(1672-1719)
(1672-1729)
Drama o f the 18th century
continued traditions o f Restoration
playwrights. Sentimental tragedies were popular with the growing
audience. The interest in classical literature prompted many
classical tragedies modeled on those o f ancient Rome. The drama
o f the eighteenth century did not reach the same high level as the
novel. One had to wait late in the century for Goldsmith and
Sheridan, to find writers who made any permanent contribution to
the English stage. O f a number o f reasons which might be invented
in explanation it was at least certain that the Licensing Act o f
1737 restricted the freedom o f expression by dramatists and drove
a number o f good men out o f the theatre. Further, it was clear
also that the m iddle-class com m ercial classes were gaining
sufficient ascendancy to im pose their obtuse view s on the themes
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