Chapter I. Joanne k. Rowling the creator of harry potter

The actuality of course work is to revealing the importance of Harry Potter by Juanne Rowling in teaching English literature learners. English language teaching and learning is one of the most important issue in that developed world.
The aim of course work is Since the days of Independence, Uzbekistan has been gradually conducting the policy of reforming the sphere of education as a key link of the ongoing course of reforms and renewal of society, as the necessary and mandatory condition for democratic transformations in society, consistent development of economy, and the country`s integration into the world community.
The purpose of this course work is to introduce the most appropriate Harry Potter by Juanne Rowling in order to use widely in Uzbek classes.
The objectives of the course work is to show the ways of expanding Harry Potter by Juanne Rowling English literature learners.
The aim of course work is to explain English literature learners, especially the sentence and its categories.
The subjects of course work are the methods of presenting and English literature learners.
The theoretical value of course work is seen in the presentation of brief information on the ways of presenting and English literature learners, which can be concluded into the materials in teaching English.
The practical of course work is the possibility of usage of the written work at the lessons and seminars, in class out clubs and in the professional lives of the graduates of the institute.
The structure of the course paper. Introduction, two chapters, 4 parts, conclusion and the list of used references


CHAPTER I. JOANNE K. ROWLING – THE CREATOR OF HARRY POTTER
1.1. Genre of fantasy in novel Joanne Rowling «Harry Potter»
The main problems raised by the British writer justify the appeal to a teenage audience whose ideals and morals are still being formed. If Harry Potter’s book and the Sorcerer Stone are reduced to one single theme, then it should be said that this is fidelity. Through the story of searching for the Sorcerer Stone and teachers’ suspicions, the reader is imbued with the importance of friendship, mutual help, and trust. Love also plays an important role — it is the reason why the boy was saved from the hands of Professor Quirell: “Your mother died to save you… love… leaves its own mark”.
For the reader, this manifests itself as a moral lesson about which life guidelines are moral and correct, and what actions the reader should strive. Another, no less important, but not so obvious, the message of Potter’s universe is the issue of tolerance.³ In particular, the book chapters are connected by a struggle between Magicians and Muggles, and wizards whose blood is mixed between classes are considered to be of poor quality. At the same time, the world of Hogwarts is full of fantastic creatures adjacent to wizards. Rowling raises the critical issue of racism and demonstrates that the peaceful coexistence of different ethnicities is possible in the modern world.
“Harry Potter lives with his aunt, uncle and cousin because his parents died in a car-crash—or so he has been told,” it begins. “The Dursleys don’t like Harry asking questions; in fact, they don’t seem to like anything about him, especially the very odd things that keep happening around him (which Harry himself can’t explain).”
J.K. Rowling’s life is expressed in her most famous piece of art, Harry Potter. In specific, the friendship between Rowling and the characters in her novel is publicly and subtly mirrored in “Harry Potter and the Sorcerer’s Stone” in the characters and plots in the novel.
Rowling is the author of the world’s best-seller series, “Harry Potter,” an educational or creation novel where every book in the series ends in almost the same way; the fantasy of a hero meeting threats, dealing with trials, and experiencing successes and losses, defeating evil forces and reemerging triumphant. Despite the fact that she does not usually recognize her life and her work as she writes, she states that she often has to review her work in order to make sense of the origin of the stories she has input in her work.
In “Harry Potter and the Sorcerer’s Stone, the characters, Harry, Ron and Hermione all portray a significant aspect of the life of Rowling in a manner both intended and unintended. It is these similarities that bring out the emotional dimension that would otherwise not be apparent to the reader. Rowling states that she lived a life similar to that of Hermione during her childhood. She further admits that she had to achieve her goals and also had to be right all the time. According to her “By eleven, she may have been a bit Hermioneish”. Hermione is a non-pure blood Student at Hogwarts who is unaccustomed to the world of magic that is a common phenomenon to the other students whose parents are wizards and witches. For that reason, she compensates by focusing most of her energy in her studies, building her reputation for being a smart and knowledgeable girl who knew the answers to nearly every question a “know-it-all”. She indulges her bossy character on both Harry and Ron when they fail to finish their assignment, but also offers help. Her industrious nature and loyalty trait make her a likable feature. Rowling reveals a dimension to the character portrayed by Hermione by relating the positive and negative traits into the personality of Hermione.
Some of the similarities between Rowling’s life and her work of art may have been established deliberately. However, there are traces of links that may have been established by chance. For instance, Rowling talks about how her high school friend imparted a vital role in the creation of Ron as a character. On the other hand, covert connections may be observed between Rowling and Ron, as Ron grows up in a loving and stable family as did the author. Ron is also poor, an experience that Rowling underwent as a single mother. This is observed in Ron’s homemade sandwiches and the hand-me-down clothes that have an emotional impact on Rowling’s life. In addition, the relationship between Rowling and Sean and how it is imparted to the characters illuminate some of the elements in the plot of the novel. Despite the fact that they are great friends, there is an undercurrent of some affection observed between Hermione and Ron. If Hermione is a reflection of Rowling and Ron a reflection of Sean, perhaps the affection for her friend may have had a role in influencing her decision to merge the two characters on the basis of her own experience and that of Sean. Although Harry embodies the ideologies of a classless and virtuous society, his ideal society can never exist. Human nature has and will always deny the emergence of a perfect society.⁴
The resemblance portrayed between Rowling and her characters may be the major depiction for the emotional accuracy in the novel, particularly in some aspects of the novel that are concerned with death. Rowling and Harry both share the experience of losing their beloved parents. Rowling’s mother passed away as she was working on her initial Harry Potter novel. According to her, this loss is reflected in the Mirror of Erised; the mirror that reveals the deepest desire of the viewer. Harry sees himself in the mirror, surrounded by his parents and relatives, all of who died. Rowling explains how she would have seen what Harry saw were it her before the mirror. She never disclosed to her mother about her work of art Harry Potter, and the Mirror of Erised is a clear reflection of her regret. Rowling’s intention was for the mirror to symbolize her desire for her mother as it shows Harry’s character longing for his family. Similarly, gazing in the mirror, gives Harry a glimpse of how his life would have been had his parents been alive. Here, Rowling conveys the sense of wonder as a theme in the entire series of her work.
Since Rowling has intertwined some of her personal experiences, such as her struggles, anxieties and desires in her characters, the characters bring out a three-dimensional view. The world of Harry may not be real; conventionally speaking; but the experiences portrayed by the characters are true. Rowling’s work ignites the reader’s imagination such that the reader might face life in a creative manner.
Characterization is the most approached feature highlighted in the reviews as the most successful in her work. According to critics, what stands out in her work is Rowling’s ability to establish engaging characters, a factor still strong in Rowling’s post-Potter success. The magic of the story telling feature in Harry Potter resides in the innovative and creative use of the deeply embedded story telling motifs originating from her person experiences and her past life. Her ability to bring out a humane depiction in a fictitious world is indeed a unique combination of an enigmatic world and the real world to create and original and artistic creation.
Rowling has previously revealed that her manuscript was rejected by 12 different publishing houses before Bloomsbury took a gamble on it. Obviously, this decision more than paid off.
Harry Potter lives with his aunt, uncle and cousin because his parents died in a car-crash — or so he has been told. The Dursleys don’t like Harry asking questions; in fact, they don’t seem to like anything about him, especially the very odd things that keep happening around him which Harry himself can’t explain.
The Dursleys’ greatest fear is that Harry will discover the truth about himself, so when letters start arriving for him near his eleventh birthday, he isn’t allowed to read them. However, the Dursleys aren’t dealing with an ordinary postman, and at midnight on Harry’s birthday the gigantic Rubeus Hagrid breaks down the door to make sure Harry gets to read his post at last. Ignoring the horrified Dursleys, Hagrid informs Harry that he is a wizard, and the letter he gives Harry explains that he is expected at Hogwarts School of Witchcraft and Wizardry in a month’s time.
To the Dursleys’ fury, Hagrid also reveals the truth about Harry’s past. Harry did not receive the scar on his forehead in a car-crash; it is really the mark of the great dark sorcerer Voldemort, who killed Harry’s mother and father but mysteriously couldn’t kill him, even though he was a baby at the time. Harry is famous among the witches and wizards who live in secret all over the country because Harry’s miraculous survival marked Voldemort’s downfall.
So Harry, who has never had friends or family worth the name, sets off for a new life in the wizarding world. He takes a trip to London with Hagrid to buy his Hogwarts equipment (robes, wand, cauldron, beginners’ draft and potion kit) and shortly afterwards, sets off for Hogwarts from Kings Cross Station (platform nine and three quarters) to follow in his parents’ footsteps.
Harry makes friends with Ronald Weasley sixth in his family to go to Hogwarts and tired of having to use second-hand spell books and Hermione Granger cleverest girl in the year and the only person in the class to know all the uses of dragon’s blood.
Harry Potter. It is hard to imagine that someone had heard nothing about it. Has no idea about the book or the movie. On the contrary, this novel Joanne Kathleen Rowling filled book shelves and the hearts of the people.⁵
Statistics 1996 showed that people and especially children stopped reading. Read only books that pupils have studied or in the case of youth and adult books that are needed for work and study. After "Harry Potter and the philosopher's stone" in 1997 was published, the statistics significantly decreased, children began to read. And not only they, Harry Potter has become an epoch, adults are also fans of this fantasy - literary fairy tale. Series of novels includes seven books that have become bestseller.
The concept the fantasy genre
Genre historically established tradition certified and thus inherited the collection of certain themes and motifs that are assigned to a particular art form, connecting them to each other recognizable feelings and thoughts. The concept genre implies continuity of perception: the reader, finding work in this or that particular scene, the scene, the characters' behavior, relates it to any genre known to him, remembering old and learning a new familiar. In addition to sustainability and equity himself category genre has the opposite feature: it historically mobile, as well as the whole scale of artistic values. The boundaries separating literature from non-literature, as the boundary between the genre of genre, volatile, and the era of relative stability poetic systems alternate with periods decanonization to listeners. Any genre can borrow the specific features of other genres and significantly change its structure and appearance.
Fantasy - kind of fiction, based on the use of mythological and fairy-tale motifs. In modern form emerged in the early XX century. Great influence on shaping the face fantasy had John Ronald Ruel Tolkien, what is sometimes referred to as the Father of fantasy. Fantasy literature often resemble historical adventure novel, which takes place in a fictional world, close to real Middle Ages, whose heroes are faced with supernatural phenomena and beings. Often fantasy built on archetypal stories.
Fantasy usually include general term "fiction", there also includes science fiction and other genres and trends social science fiction, alternate history. Question the relationship between science fiction and fantasy is not resolved until now.
On the one hand, and then, and more combined into a single concept of "fiction" and is perceived as its modification. On the other hand, fantasy clearly opposed to that literature which conventionally designated "science fiction." Western researchers, and in recent years the majority of domestic and perceive fantasy as a special genre, separating it from the literature of dreams, literature horror, literary tales, mysticism.
Unlike science fiction, fantasy does not seek to explain the world in which the action occurs works, from the point of view of science. The world exists in the form of a certain assumptions often its location relative to our reality does not discussed: whether it is a parallel world, or another planet, and its physical laws may differ from the realities of our world. In such a world can be real existence of the gods, magic, mythic creatures, ghosts and any other fantastic entities. At the same time, the fundamental distinction of "miracles" fantasy from their fabulous counterparts is that they are the norm described the world and work systematically, as the laws of nature.
Nowadays fantasy - it's also a genre in film, painting, computer and board games. Such genre versatility especially distinguishes fantasy with elements of Chinese martial arts.
A world that does not exist; it has properties that are not possible in our reality. For example, the sorcerers world, created by J.K. Rowling's " Harry Potter" - school of witchcraft and wizardry "Hogwarts", " Dragon Alley"; village of wizards.
Magic and folk characters as necessary. For example, will suit almost any product of fantasy.
Medieval ambiance, although there are possible options: Ancient World GL Oldie, "The hero must be one" where the action takes place in ancient Greece, modernity or future; This feature although there often, but not determinative.
Latent opposition of technology and magic in favor of the latter.⁶
At the forefront of the characters, their actions and experiences, magical and fantastic plays a supporting, but not a secondary role.
Confrontation between good and evil as the main plot-rod "for fantasy required a struggle between good and evil - because this struggle, like a fairy tale, is epic structure." Fantasy is different from a fairy tale. Good and evil are equal in it, and in the tale good wins without a loss.
Presence the other world and its manifestations.
Complete freedom of the author: he can turn the plot in unexpected ways, as the magical world of fantasy suggests that it may all .. This last feature - one of the most important determinants. He clearly distinguishes fantasy and science fiction because science fiction describes probable, and constrained by certain limits. He is forced to explain the incredible, justify scientific or pseudoscientific which often happens.