Chirchik state pedagogical university faculty of turism from the subject " "

CONCLUSION
In brief, Portrait of a Young Artist is the primary novel by Irish essayist James Joyce A contemporary-style Kunstlerroman, he follows the devout and mental awakening of the youthful Stephen Dedalus , Joyce’s nonexistent change inner self, and a reference to Dedalus, the idealize ace of Greek mythology . Stephen questions and rebels against the Catholic and Irish traditions in which he developed up, which driven to his self-deportation from Ireland to Europe. The work employments strategies more completely created by Joyce in Ulysses and The Awakening of the Finnegans. Portrait is an personal novel of 63 chapters in a practical fashion, which started its life in 1904 as Stephen Saint. After 25 chapters, Joyce surrendered Stephen Hero in 1907 and started to turn his subjects and hero into a brief five-chapter novel, revoking unbending authenticity and making broad utilize of free backhanded discourse to permit the peruser to see Stephen’s advancing awareness. . The novel by the American innovator artist Ezra Pound was distributed within the English scholarly magazine The Egoist in 1914 and 1915, and in 1916 as a book by B. V. Hubsh of New York .The distribution of a collection of short stories ,Representations and Dubliners, set Joyce at the cutting edge of scholarly innovation. Born into a middle-class family in Dublin, Ireland, James Joyce exceeded expectations scholastically, graduating from Dublin College in 1902. He moved to Paris to ponder medication, but before long surrendered. He returned to Ireland at the ask of his family since his mother had kicked the bucket of cancer. In spite of his supplications, the fiendish Joyce and his brother Stanislav denied to confess or communicate, and when he fell into a coma , he stooped down and denied to supplicate for him. After a arrangement of unsuccessful endeavors to distribute and run his claim daily paper, Joyce is locked in in educating, singing, and looking into books.


REFERENCES

1. 
   Baumann, Felix Andreas, Marianne Karabelnik-Matta, Jean Sutherland Boggs, and Tobia Bezzola (1994). Degas Portraits. London: Merrell Holberton. ISBN 1-85894-014-1
   
2. 
   Bomford, David, Jo Kirby, John Leighton, Ashok Roy, and Raymond White (1990). Impressionism. London: National Gallery. ISBN 0-300-05035-6
   
3. 
   Denvir, Bernard (1990). The Thames and Hudson Encyclopaedia of Impressionism. London: Thames and Hudson. ISBN 0-500-20239-7
   
4. 
   Distel, Anne, Michel Hoog, and Charles S. Moffett (1974). Impressionism; a centenary exhibition, the Metropolitan Museum of Art, December 12, 1974 – February 10, 1975 Archived 8 November 2018 at the Wayback Machine. New York: Metropolitan Museum of Art. ISBN 0-87099-097-7
   
5. 
   Eisenman, Stephen F (2011). "From Corot to Monet: The Ecology of Impressionism". Milan: Skira. ISBN 88-572-0706-4.
   
6. 
   Gordon, Robert; Forge, Andrew (1988). Degas. New York: Harry N. Abrams. ISBN 0-8109-1142-6
   
7. 
   Gowing, Lawrence, with Adriani, Götz; Krumrine, Mary Louise; Lewis, Mary Tompkins; Patin, Sylvie; Rewald, John (1988). Cézanne: The Early Years 1859–1872. New York: Harry N. Abrams.
   
8. 
   Jensen, Robert (1994). Marketing modernism in fin-de-siècle Europe. Princeton, N.J.: Princeton University Press. ISBN 0-691-03333-1.
   
9. 
   Moskowitz, Ira; Sérullaz, Maurice (1962). French Impressionists: A Selection of Drawings of the French 19th Century. Boston and Toronto: Little, Brown and Company. ISBN 0-316-58560-2
   
10. 
    "Dos Passos, John". Lexico UK English Dictionary. Oxford University Press. Archived from the original on 2021-03-08.
    
11. 
    "Don Passos Sees The Better Side", The Kansas City Star, Kansas City, Missouri, volume 72, number 75, December 1, 1951, page 1B.
    
12. 
    John R. Dos Passos, "The Negro Question", Vol. 12, No. 8, Yale Law Journal 467 (1903) (arguing for returning power to states governing African American voting).
    
13. 
    The Continuum Encyclopedia of American Literature, edited by Steven R. Serafin, Alfred Bendixen, A&C Black, 2005, page 288
    
14. 
    Gold, Michael (1933). "The Education of John Dos Passos". The English Journal. 22 (2): 87–97. 10.2307/804561. JSTOR 804561.
    
15. 
    Diggins, John Patrick, "'Organization is Death': John Dos Passos", and "Visions of Order: Dos Passos", in Up From Communism, 1975, Columbia University Press, then Harper & Row, pages 74–117, 233–268.
    
16. 
    Lynde, Lowell Frederic (1967). John Dos Passos: The Theme Is Freedom. Louisiana State University Digital Commons.
    
17. 
    Bernhard Wenzl, "An American in Allied-occupied Austria: John Dos Passos reports on 'The Vienna Frontier'" in Austria and America: 20th-Century Cross-Cultural Encounters Ed. Joshua Parker and Ralph J. Poole, 2017, Lit Verlag, pages 73–80.ISBN 3643908121
    

1^ Baumann, Felix Andreas, Marianne Karabelnik-Matta, Jean Sutherland Boggs, and Tobia Bezzola (1994). Degas Portraits. London: Merrell Holberton. ISBN 1-85894-014-1

2^ Bomford, David, Jo Kirby, John Leighton, Ashok Roy, and Raymond White (1990). Impressionism. London: National Gallery. ISBN 0-300-05035-6

3^ Denvir, Bernard (1990). The Thames and Hudson Encyclopaedia of Impressionism. London: Thames and Hudson. ISBN 0-500-20239-7

4^ Distel, Anne, Michel Hoog, and Charles S. Moffett (1974). Impressionism; a centenary exhibition, the Metropolitan Museum of Art, December 12, 1974 – February 10, 1975 Archived 8 November 2018 at the Wayback Machine. New York: Metropolitan Museum of Art. ISBN 0-87099-097-7

5^ Eisenman, Stephen F (2011). "From Corot to Monet: The Ecology of Impressionism". Milan: Skira. ISBN 88-572-0706-4.

6^ Gordon, Robert; Forge, Andrew (1988). Degas. New York: Harry N. Abrams. ISBN 0-8109-1142-6

7^ Gowing, Lawrence, with Adriani, Götz; Krumrine, Mary Louise; Lewis, Mary Tompkins; Patin, Sylvie; Rewald, John (1988). Cézanne: The Early Years 1859–1872. New York: Harry N. Abrams.

8^ Jensen, Robert (1994). Marketing modernism in fin-de-siècle Europe. Princeton, N.J.: Princeton University Press. ISBN 0-691-03333-1.

9^ Moskowitz, Ira; Sérullaz, Maurice (1962). French Impressionists: A Selection of Drawings of the French 19th Century. Boston and Toronto: Little, Brown and Company. ISBN 0-316-58560-2

10^ "Dos Passos, John". Lexico UK English Dictionary. Oxford University Press. Archived from the original on 2021-03-08.

11^ "Don Passos Sees The Better Side", The Kansas City Star, Kansas City, Missouri, volume 72, number 75, December 1, 1951, page 1B.

12^ John R. Dos Passos, "The Negro Question", Vol. 12, No. 8, Yale Law Journal 467 (1903) (arguing for returning power to states governing African American voting).

13^ The Continuum Encyclopedia of American Literature, edited by Steven R. Serafin, Alfred Bendixen, A&C Black, 2005, page 288

14^ Gold, Michael (1933). "The Education of John Dos Passos". The English Journal. 22 (2): 87–97. 10.2307/804561. JSTOR 804561.

15^ Diggins, John Patrick, "'Organization is Death': John Dos Passos", and "Visions of Order: Dos Passos", in Up From Communism, 1975, Columbia University Press, then Harper & Row, pages 74–117, 233–268.

16^ Lynde, Lowell Frederic (1967). John Dos Passos: The Theme Is Freedom. Louisiana State University Digital Commons.

17^Bernhard Wenzl, "An American in Allied-occupied Austria: John Dos Passos reports on 'The Vienna Frontier'" in Austria and America: 20th-Century Cross-Cultural Encounters Ed. Joshua Parker and Ralph J. Poole, 2017, Lit Verlag, pages 73–80.ISBN 3643908121