Course work on the theme Female characters in Shakespeare's comedies (Portia ("The Merchant of Venice"), Rosalind


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Female characters in Shakespeare\'s comedies


EDUCATION OF THE REPUBLIC OF UZBEKISTAN
ТЕRMEZ STATE UNIVERSITY
DEPARTMENT OF PHILOLOGY AND TEACHING LANGUAGES: ENGLISH

COURSE WORK
on the theme
Female characters in Shakespeare's comedies (Portia ("The Merchant of Venice"), Rosalind ("As You Like It")




DONE BY: 4th course student of the English department of philology and teaching languages Matluba Qobilova




SUPERVISOR: Abdullaeva Nilufar





TERMEZ- 2023
FEMALE CHARACTERS IN SHAKESPEARE'S COMEDIES (PORTIA ("THE MERCHANT OF VENICE"),
ROSALIND ("AS YOU LIKE IT")
PLAN:




INTRODUCTION




I.

About female characters in Shakespeare's comedies




1.1.

Female characters in Shakespeare's comedies and its meaning




1.2.

Learning female characters in Shakespeare's comedies




II.

Female characters in Shakespeare's comedies (Portia ("The Merchant of Venice"), Rosalind ("As You Like It")




2.1.

Female characters in Shakespeare's comedies (Portia ("The Merchant of Venice")




2.2.

Female characters in Shakespeare's comedies (Rosalind ("As You Like It"))







CONCLUSION







USED LITERATURE






INTRODUCTION
This cours work aims to demonstrate the variety of ways in which sleep and dreams are employed in Shakespeare’s dramatic canon. Using a historical perspective, the work primarily examines the functions of these motifs within the design of the plays: how they contribute to the structure and unity of the works, how they assist in delineating some of the individual characters, and how they shape the atmosphere of specific dramatic situations. This kind of analysis requires an understanding of the cultural and intellectual contexts in which the fictitious representations of these phenomena were originally written and received. For this reason, the present thesis also offers a historical and cultural background, outlining the social character of the phenomena of sleep and dreams in early modern England and the history of their employment in pre-Shakespearian literature.
Where relevant, the use of these motifs in the works of Shakespeare’s contemporaries is also studied.

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