Eng426 20th century english literature

Autobiographical Narratives

Modernists believe that it is important to write fiction that is true to daily life, primary feelings, desires and experiences, and also because no knowledge or information can be accepted at face value, modernists borrow largely from their own lives and the experiences that they have undergone. Therefore, there is usually a connection between the personal experiences of the writer and characters in their works.

2. Open-Ended Conclusions

“Real life never gives full last explanations; its stories always continue…. In recognition of this continuance, of the necessity of loose ends, modern novels stay open-ended” (Matz40). Nothing is settled, nothing is final. Stories are left without conclusions but with possibilities, so that the reader continues to draw many inferences from them. Modernist writing shows this as being representative of “reality” as opposed to "closed" endings, in which matters are resolved and conclusions are drawn.

2. Complex Language:

The language of the modernist literary works is usually complex. It is no longer a transparent form through realities can be mirrored directly. Rather, language often contains nuanced constructions of realities that could have multiple meanings. The language usually includes infusion of objects, people, places and events with significant meanings (symbolism). The language may also include the use of appendage sentences, short, crisp and rhythmic language. The modernist writers also made use of vulgar expressions.

2. Time as a Symbolic Sequence:

Time in most modern writings becomes a psychological sequence. It accommodates a symbolic reality rather than a historical reality. For example, events of many years may be narrated as occurring within few years or even months. The use of fragmentation and juxtaposition make this possible.

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