Examples of speaking performance at cefr levels


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sts, as well as other Cambridge ESOL exams. They had also 
orm for 
vel of 

d design was employed where all the raters marked all the test takers on all the 
ssessment criteria. The decision to select 8 raters was based on advise given by Cizek & Bunch 
007: 242), and by the Council of Europe (2004). In addition, the number of observations recorded (8 
ters giving 6 marks to 28 candidates) was in agreement with the sample size required by FACETS 
and allowed for measurements to be produced with a relatively small standard error of measurement. 

aking tests (20 candidates total); 
see 

e not in the original CEF 
Raters’ Profile 
The eight raters participating in the project were chosen because of their extensive experience as 
aters for Main Suite speaking te
r
participated in previous Cambridge ESOL marking trials and had been shown to be within the n
harshness/leniency and consistency. The raters had many years of experience as speaking 
examiners ranging from 11 to over 25 years, and were based in several parts of Europe. In addition,
they had experience spanning different exams, with different task types and assessment scales, which
had enriched their experience as raters. In terms of familiarity with the CEFR, seven of the raters 
ndicted that they were familiar/very familiar with the CEFR, while one rater reported a low-le
i
familiarity with the CEFR. As will be seen in the “Instruments” section, a CEFR familiarisation activit
given prior to the marking exercise was used to ensure that all raters had an adequate level of 
familiarity with the CEFR. 
Design 
A fully-crosse
a
(2
ra
Instruments 
The raters were sent the following materials: 
 Two scales from the CEF Manual: a global scale (COE, 2001: 24, referred to as Table 5.4 in 
appendix A), and an analytic scale (COE, 2001: 28-29, referred to as Table 5.5 in Appendix A
comprising five criteria: Range, Accuracy, Fluency, Interaction, Coherence (see Appendix A);
 A DVD with 10 Main Suite spe
 A CEF familiarisation task (see Appendix B); 
 A rating form for recording the level awarded to each candidate and related comments (
Appendix B); 
 A feedback questionnaire. 
The CEF scales used were slightly adapted from the original, and levels A1+ and C1+ were added. It 
was felt that the raters needed to have a full-range of the scale available, with the possibility to awar
orderline levels at all available levels, including A1+ and C1+, which ar
b
scales. Taking into account the borderline levels, the scale used in the project had 12 steps. 


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ent detailed instructions about the marking, which are given below: 
of a 
ner 
c scales.
on the form given.
4. Start rating the candidates on the DVD. Assess each performance in the order given on the DVD. 
o make an assessment, start with the global assessment scale in order to decide approximately what level 
hange to the 
explain your choice of marks, linking your comments to the wording of the band descriptors, and giving 
les of relevant candidate output where possible. You may need to watch the performance again to cite 
les but your assessments should not be changed. Please limit the number of viewings of each 
performance to a maximum of two. 
ant 
The raters were s
Please go through the following steps
1. Read through the CEF scales to get a feel for the detail of description for the global and analytic categories
(Range, Accuracy, Fluency, Interaction, Coherence). 

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