F eminist and g ender t heories
SOCIOLOGICAL THEORY IN THE CONTEMPORARY ERA
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SOCIOLOGICAL THEORY IN THE CONTEMPORARY ERA
women’s groups, in preempting a tendency for any one group to speak for others, and in defin- ing a political role for men that has some dignity and might attract widespread support. Given the spectrum of masculinity politics, we cannot expect worldwide consensus for gender equality. What is possible is that support for gender equality might become hegemonic among men. In that case it would be groups sup- porting equality that provide the agenda for public discussion about men’s lives and patterns of masculinity. . . . j udith B utler (1956– ): a B ioGraphical s ketch Judith Butler was born in 1956 in Cleveland, Ohio. She received her B.A. in philosophy from Bennington College in 1978 and her Ph.D. in philosophy from Yale University in 1984. Butler has taught at Wesleyan and Johns Hopkins universities, and is currently profes- sor of rhetoric and comparative literature at the University of California at Berkeley. Butler’s books include Subjects of Desire (1987), Gender Trouble: Feminism and the Subversion of Identity (1989), Bodies That Matter: On the Discursive Limits of “Sex” (1993), and Excitable Speech: A Politics of the Performative (1997), which analyzes name- calling as both a social injury and the way in which individuals are called into action for political purposes. B utler ’ s i ntellectual i nFluences and c ore i deas Whereas feminists committed to modern ideas about gender ask the question, “And what about women?,” postmodern feminists such as Judith Butler ask, “And what do you mean by ‘women’?” Butler (1990:145–47) rejects the very idea that “women” can be understood as a concrete category at all, construing gender identity instead as an unstable “fiction.” She criticizes modern feminists for remaining within the confines of traditional binary categories that in her view necessarily perpetuate sexism. In keeping with Foucault (see Chapter 8), Butler provides a “critical genealogy of gender categories in very different discursive domains” (1990/2006:xxxii). In short, while modern feminists, in separating (biologically determined) “sex” from (socially constructed) “gender,” had helped rupture the idea of a stable or essential self, Butler takes this rupture to an extreme by upending the alleged “bio- logical” dimensions of sexuality. Far from seeing “desire” as a biological given, Butler (ibid.:70) maintains, “which pleasures shall live and which shall die is often a matter of which serve the legitimating practices of identity formation that take place within the matrix of gender norms.” Specifically, Butler conceptualizes gendered subjectivity as a fluid identity and contends that the individual subject is never exclusively “male” or “female,” but rather is always in a state of contextually dependent flux. That is, gendered subjectivity is not something “fixed” or “essential” but a sustained set of acts, “a repetition and a ritual” (ibid.:xv). Consequently, Butler (1993) seeks to explain “the practice by which gendering occurs” (ibid.:231). Indeed, it is the sustained, continual nature of gender performance that compels Butler to use the term performativity rather than “performance.” Performativity contests the very notion of a subject. Whereas the noun “performance” implies distinct, concrete, finished events, the term “performativity” reflects “culturally sustained temporal duration.” As Butler (ibid.:xv) states, |
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