И. В. Арнольд лексикология современного английского языка Издание

§ 6.2.4 VERBAL COLLOCATIONS OF THE ‘GIVE UP’ TYPE

The lexicological aspects of the stone wall problem have been mentioned in connection with compound words. Phrasal verbs of the give up type deserve a more detailed study from the phraseological viewpoint.

An almost unlimited number of such units may be formed by the use of the simpler, generally monosyllabic verbs combined with elements that have been variously treated as “adverbs", “preposition-like adverbs", “postpositions of adverbial origin", “postpositives” or even “postpositive prefixes”.¹

The verbs most frequent in these units are: bear, blow, break, bring, call, carry, cast, catch, come, cut, do, draw, drive, eat, fall, fly, get, give, go, hurry, hold, keep, lay, let, look, make, move, play, pull, put, ride, run, sell, set, shake, show, shut, sit, speak, stand, strike, take, throw, turn, walk, etc. To these the adverbs: about, across, along, around, away, back, by, down, forth, in, off, on, out, over, past, round, through, to, under, and the particularly frequent up are added.

The pattern is especially common with the verbs denoting motion. Some of the examples possible with the verb go are: go ahead ‘to proceed without hesitation’; go away ‘to leave’; go back ‘to return’; go by ‘to pass’; go down (a) ‘to sink’ (for a ship); (b) ‘to set’ (of the sun, moon, etc.); (c) ‘to be remembered’ (of people or events); (d) ‘to become quiet’ (of the sea, wind, etc.) and many other combinations. The list of meanings for go down could be increased. Units of this type are remarkable for their multiple meaning. Cf. bring up which may mean not only ‘to rear from childhood, educate’ but also ‘to cause to stop’, ‘to introduce to notice’, ‘to make prominent’, etc.

Only combinations forming integral wholes, the meaning of which is not readily derived from the meaning of the components, so that the lexical meaning of one of the components is strongly influenced by the presence of the other, are referred to set expressions or compounds. E. g. come off ‘to take place’, fall out ‘to quarrel’, give in ‘to surrender’, leave off ‘to cease’. Alongside with these combinations showing idiomatic

¹ The problem on the whole is a very complex one and has attracted the attention of many scholars. See, for example: Berlizon S. English Verbal Collocations. M.; L., 1964, where a complete bibliography may be found. See also: Ilyish B. The Structure of Modern English. M.; L., 1965, p.p. 153-154.

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character there are free combinations built on the same pattern and of the same elements. In these the second element may: (1) retain its adverbial properties of showing direction (come : : come back, go : : go in, turn : : turn away); (2) change the aspect of the verb (eat : : eat up, speak : : speak out, stand : : stand up; the second element then may mark the completeness or the beginning of the action); (3) intensify the meaning of the action (end : : end up, talk : : talk away).

The second elements with the exception of about and around may be modified by right, which acts as an intensifier suggesting the idea of extremity: He pushed it right down. Sometimes the second element serves to create an evaluative shade, so that a verb of motion + about means ‘move here and there’ with an implication of light-mindedness and waste of time: climb, drive, float, run, walk, etc. about.

There are also cases where the criteria of motivation serving to differentiate between compounds, free phrases and set expressions do not appear to yield definite results, because motivation is partially retained, as for instance in drop in, put on or shut up, so that the existence of boundary cases must of necessity be admitted.

The borderline between free phrases and set expressions is not always sharp and distinct. This is very natural, as set expressions originate as imaginative free phrases and only gradually become stereotyped. So this is one more instance where understanding of synchronic facts is incomplete without diachronistic additions.