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UNE 2012 V OL 4, N O 2 poet and critical man studies the living sensation and presence and progress of Darvish from other view angle. The poem of resistance in palestin, and not in exile and always the most outstanding of resistance poetical voices are the voices of the poets that they live in their lands like refugees and they have more alive sentiments to the zealotry which occurs upon them and around them. And their poems originate from unlikeness suffering and the resistance ash which is buried in it. Mahmud Darvish by having poetical progressive information and the firm upon shining and fruitful voice in explanation of rejecting this strange and accompany with experiment of the now days poem have been able a build a bridge among the words, aims and so also between art and weaponry resistance, ezodinal monasereh believes that if mere the resistance poem is set as standard of classification of the poets, Mahmud Darvish stands in the first rank of it in the world. He as the resistance poet, by neglecting the other aspect and at least from the resistance poem quantity, he is setup in the rank of global poets such as Lorka, Nazem Hekmat and Neroda. Perhaps now somebody asks why is he considered in Arabian poets classification among these second generation poets? We must know that Mahmud Darvish is only setup as a poet in this rank but as resistance poet from the point of working he is setup in the level of global resistance poet. Darvish the Palestinian resistance poet who for heart operation was under medical cars in hospital Huston in America texts after heart operation he became entangled with heart attack again and he died on 22th of Mordad in 1387. He poetized a poem after this heart operation and at his end of life hours called the death which I conquered it at the death bed. For funeral ceremony of his death in palestin 3 days were proclaimed as public funeral ( www.radio_Alborz.com ).
One of his poems is called Qasidatolarz (ode of earth) that as one of the samples of this poet in the book called "Arabian contemporary poem pioneers, of poetizing rain to reel noise of the Rose", page 650; The one start, in this way: In March month/ in movement year/ the earth said to us its bloody mysteries (secrets)/ in March five girls passed before violet and rifle/ they stood at threshold of an elementary school/ and with Rose and dos to (Avishan) they flamed/ they became the starting point soil song/ and they took step to the back ward as well March comes to ward earth from the earth depth and of dancing of the girls/ The violet bowed a little so as the voices of the girls pass by/ the sparrows longed their beaks toward my song and heart. In other part of this ode for clarifying the depth of his disliking to Zionist enemy he poetizes in this way: I call the soil the continuum of my soul and my hands wounds borders/ the stone pebbles as the wings/ the sparrows as almond and fig/ my ribs as trees/ I pick up of the fig of chest root/ and I throw it like a stone/ and I destroy the tanks of the victorious men. In other part/ he poetizes this ode addressing to the eath: and in March, the horses wake up/ earth, lord of my lady (Dushes). After me which song will pass upon your hair? And which song will make this dew worthy? They say now temples ask about palestin prophets at the beginning of its continuum, these are horizon becoming green, and stone becoming red, this is my song and this is messiah’s out going from wound and wind. Green like a plant, this is my song, and this is going up of Arabian young fellow till dream and holiness. Among the short and beautiful poems of Mahamud Darvish, a poem exists in the name of father I am yoosef that in it while referring to the story of hazrat Yoosof and his brothers, he stresses upon his sinlessness, and sinlessness of every Palestinian follow against Zionists tyranny that they are stubborn against every law and every logical thing. As we regard , hazrat Yoosof(P.B.U.H) addresses his father honorable Yaqoob (P.B.U.H) and by ijcrb.webs.com I NTERDISCIPLINARY J OURNAL O F C ONTEMPORARY R ESEARCH I N B USINESS
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UNE 2012 V OL 4, N O 2 complaining language speaks about his brothers, o father I am Yoosof, my brothers don’t like me, they don’t want me, they tyrannize to me, by stone and word they reject me they want that I die so as they praise me, and in the final caplets by a rebelling language he says: o father, you named me Yoosof , and my brothers threw me in the well, and they accused the wolf while wolf is kinder than my brothers. Dear father! Did I commit a crime against anybody? When I said: I saw in dream that eleven stars with moon and sun prostrate to me.
Qaysar Aminpoor among the revolution pioneer poets and owner of works such as "morning breathing" sudden mirrors, all the flowers are sun flowers: on the second of Ordibehesht in 1338 in Gotvand (of the subs of Dezfool town in Khuzestan country), was born. He studied in elementary school of Gotvand and in high school of the Dezfool town. In 1357 (contemporary with victory of Islamic revolution) and by passing exam in Tehran university migrated from his home town for ever. After one year studying in course of medical science and annulment of this course, he arrived in course of sociology in 1358. Last years of presence in this course was at the same time with cultural revolution (59 Ordibehesht) and university holidays. in 63 He took part in concur once more, and he was accepted in literature course and till 1376 finished the course of Ph.d in this course with presenting his thesis called "tradition and innovation in the contemporary poem by guidance of Dr. Mohammad Rezasharifee Kadkani (this these was published in 1383 by the scientific and cultural publication center). In 69 – 70 he was acquainted with Lady Ziba Eshraqee one of the students of literature course in Tehran University that this acquaintance led to marriage, in the divan not wheat and not apple. He points inspirationally to this marriage: your name is light / your name is swear / your name is salt / your name is smile / smile is necessary in pronunciation of your name (sudden mirror page 46). The fruit of this marriage is a girl named Ayeh who was born in 1373, in the collection called all flowers are sunflowers. Tow beautiful qazal (lyrics) named:
addressing to his alone child:
Aye, Ayeh of me in your book, continue of my shadow, your sun,
Your sleeping smiles are my heart cradle my heart becomes impatient of the wave of your swing. Once call me childishly o father, until I say in an swering to you thousand answers (the flowers are all sunflowers pages 114 – 118). Artistic Activities: Qaysar AminPoor is of the poets had a basic role in forming and continue of poem unit activities of the artistic center. he began his artistic activities in 58 in Islamic thinking and artistic center. So also at the same era, he had responsibility of the poem page of weekly periodical called Soroosh of the teenager. In 76 he became editor of Soroosh periodical of the teenager too. But against his tendency he exiled the editorial of Sorosh in 82. The publications "artistic chapters" is considered with congregation of the friends of his literary and artistic activities. In 82 he was chosen as a member of Persian language and literature academy. He is only contemporary poet who became a member of the academy. Qaysar started teaching in university in 67 by going to Alzahra University in 69 and he was teaching in Tehran
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UNE 2012 V OL 4, N O 2 University up to the end of his life, among the literary prizes that he received during these years. Once can point to receive of Nima Yoshij prize called cristal bird (1368) and the prize of chosen poet of holly defense. Aminpoor in 78 after a terrible car accident he always suffered from different illnesses, at last after several entanglement with illness and two times of heart operation and kidney implantation, about 3 in the morning of Tuesday in Aban the 8 th in 86 died in Dey hospital. The dead body of his great poet in his hometown in Gotvand and side by side with the unknown martirs of this town was buried. (Ahmadian 1381 – 30). Due to you passing by all were as amazed as though it had been said flight, flight (Love grammar page 29). The introduction of the works: Although Qaysar AminPoor was known among the poet more for his poems collection, but he has works in the field of literary investigations , the poem of teenager, literary prose and poem pieces his works are worthy of being classified and evaluated in 3 selections: Literary / investigations: of Dr. Qaysar AminPoor two investigational.
1- Tradition and innovation in contemporary poem this work that it is more plotted in literary critics failed, it was published in 83 by scientific and cultural publication center. 2- Poem and Childhood, Morvarid publication 86 summer. In this work Qaysar AminPoor considers poem as a kind of returning to childhood. he after comparing likeness between a child’s thinking and poet’s fantasy, he explains this retuning by giving poetical numerous testimonies. (B) Prose and literary pieces (that his spoken fellows are teenagers range): 1- To fly without any wings (1370) (2).Storm in parenthesis (1365). (j). poem: the most activities in literary of Qaysar AminPoor and his most outstanding work, is collection of poems. The simple language, Hoch attitudes, portraits and thinking which are deep caused so as he is considered of contemporary literature poets. His workers collection is as following 1- in the sun lane (rubiat and copulets) (1363) (2- morning breathing) (modern poem and lyrics) (1363). 3- divan of the 10 th noon (modern poem) teenager range 1365. 4- like source, like river, according to saying of Parastoo(Chahar pareh, Modern poem, Masnav ,1368). 6- Sudden Mirrors in two books (modern poem, witness, lyrics, cuples,masnavi) 1372. 7- Flowers are all sun flowers(modern poem, lyrics, rubaiat, couplet) love grammar (Ahmadian 29 – 31). Qaysar AminPoor, poet of words and etymology. Melody: In analyzing and studying poems of Qaysar Amin Poor, one can count the most important literary and language traits. The most important style in Amin Poor’s works, “modern poem” and it is after that lyrics, of course Qaysar like men in styles such as Rubaiat and cuplet tried histalent. One must consider Qaysar one of the most standing pioneers of special using about these two styles and revivers of styles of Rubaiat and cuplet. As it was mentioned, the poets of the present time have paid attention to these styles creativities and literary capacities. ijcrb.webs.com I NTERDISCIPLINARY J OURNAL O F C ONTEMPORARY R ESEARCH I N B USINESS
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UNE 2012 V OL 4, N O 2 One of the most important traits of rubaiat and cuplet is short, fast explanation of thinking and sentiment. Qaysar has used very well in his poem and especially in short and fast explanation of war and martyrdom concepts in these two styles. Symbolism especially in poems with concepts of revolution and freedom, portrait of despotism situation before revolution and summary and saying the chosen point, one of the most factors of summary in Qaysar poem »omission of the letters or parts of the sentences such as verb, and case of nouns. Exactness in choosing words and usage of the pronunciation and mental arrays is in a form that his poem in replacement axis. Has firmness and high unification. Paying attention to meanings and different etymologies of a word or expression. Usage of metaphors and assimilation in poetry portrait, in Qaysar’s poem “metaphor” many assimilations have been used that have caused summary in his poetic portraits. of the most kinds of metaphors in Qaysar’s poems one can point to the sub metaphors (metaphors in verb an dad subjective) and arrays. Wordiness structure and new comment such as, nafgarich, salam of khis tar skhordeh, Cheshmvareh (Ahmadian 161-163). A poem for poem poetize by Qaysar Amin Poor, is one of the everlasting poems in the field of war literature during the eight inpositive years. This poem perhaps is for a generation which has not seen war but has only heard a wrong narration of it. It is full of poems and empty from summary. But for the old fellows of this domain who are sincere and study the pager of war literature. It is a shining work and at its own time it is harshly counter stereotype. War has had and has always two narrators in every place of the world: One of them are people and the other are governmental medias. Qaysar in this work with a hidden sacristy to the wrong medias-here there are always many news! Of “chest inside”. People in Dezfool that is he informed about Iranians at the first line of war as well with gross symbols and painful cases of ugliness of enemy’s aggression and for waking up the walls that tried in capital of war till they present chanting miniatures! We postpone many important things in this field to other positions. Poem for war: I wanted/to poetize a poem for war/I understood it is impossible/any more the language pen is not of my heart/I said: we must put the pens on the ground/any more speaking weapon is not effective/ one must take off a sharper weapon/we must for war/ I read of tube and rifle/ with bullet word/I wanted/to poetize for war a poem/a poem for my own city-Dezfool/I found out that bad rocket pronunciation must be used/but/rocket used to decrease the beauty of my speaking, I said that in complete house of my poem/is not better than city houses/ let my poem as well/ just as the bricky houses of the people/ which is ruin/ and bloody/ I must say angry poem/ resistance poem/ the clear crying poem/ although in complete/ I said/ in our city/ the walls are again full with photos of tulips/ here. The position danger doesn’t end/ a girisred which groans/ alone in silence of nights/ one the incomplete sleep of dead bodies/ the wild bats of foe/ even they dislike the light of crafts/ any more even the stars/ are not trustee/ perhaps the stars/ are the spies of our enemy/ here/ even/ they are not in wonder of moon explosion!/ here/ only stars/ see from distance towers/ that how much might is a disliked time/ but if the star had language/ he would poetize about might badness a lot/ better speaker than I who am tongwless/ yes/ might is a bad time/ every night well/ see by staring eyes/ the death eefrit/ the familiar dad dream of night in children’s poem/ every night it wear the reality clothes/ morning/ the ash of a darling of somebody/ took with itself/ here even for staying there is a little air/ here there are many news/ the news of parts of mud and stone/ on the ijcrb.webs.com I NTERDISCIPLINARY J OURNAL O F C ONTEMPORARY R ESEARCH I N B USINESS
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UNE 2012 V OL 4, N O 2 small hearts/ in tight graves/ of bloody houses/ of story of bloody dolls/ of explosion of brain of a small head/ with bolster that is full with dreams/ the sweet childish dreams/ of that black night/ that night which in dust/ a man on the brook of street/ bowed with red and fear ful eyes. He search to find his other hand/ believe/ believe/ I saw by my staring eyes/ that a child was running due to his fear against danger. But he had not ahead/ he rolled on the earth a moment later/ and at another hour/ a hurry back bowed man/ on the back of his bicycle/ took the head/ toward the grave of his child/ a thing was lost in his chest/ but/ these dusty shoulders/ very simple and patient/ it was trembling at the time of ?? happening/ they/ although/ their kneels and loins were broken/ they are standing victorious and without any tiredness/ without any house and family/ in their ears is the word of Imam/ resistance and self sacrifice order/ upon their shoulders there is the flag of movement/ yea/ these speaking of my heart deep sadness/ the walls could not hear them/ can you hear them/ wall?/ the wall of the moving cold stone?/ is it worthy that you stay dead/ in jail of being alive/ no!/ we must our mother’s throat/ of ode voice, we burn/ until the time when river has not dried yet/ among other works of Qaysar Amin Poor’s work is the lane of sun. this work belongs to the poetize styles. Rubaiat and cuplet Amin Poor is of the persons who had a basic role in riving these two poetic styles and modernization of it. Some of the concepts of rubaiat and cuplets of this collection are consisted of war, martirs, Imam (p.b.u.h). The rite and religious concepts such as pray and description of religious personalities such as Hazrat Imam Ali (P.B.U.H) (Ahmadian-31) And now some samples of such a poem: the war story: The bang city music is “rodarud”. Singing is fire, once and smoke/ upon the ruined soil, read the story of war/ to rough the eyes of a doll which is bloody/ point/ that bird which flies toward roof and friend’s roof/ it will be headed by the dagger of friend/ this point has been written on the love book/ whoever has love for friend, he doesn’t like his head/ in the lane of sun/ a tone night I found a meteor/ in dance of mirage, I found water/ and this book full with song/ I found in the lane of sun (rubaiat and duplet book the first edition 1363). The ode of the earth and a poem for war: the ode of the earth of Mahmud Darvish. Stars with entefazeh and speaks about blood, and rifle. Amin Poor starts his poem with words such as war, rifle and rocket as well. 2) spirit of self sacrifice and hope in future in poems of Mahmud Darvish and including this ode are modulated a lot. Like these parts: Amin Poor in his poem and in a poem and firmness of the people, in the way of aim by noticing the commandments of their Imam and leader he speaks: these persons although their kneels and backs have be broken, they are standing victorious and without becoming tired, without any house and family, the speaking of Imam exist in their ears, resistance and self satisfied order. The flag of movement is on their shoulders (Hosseini 117). Qaysar in his poem has described tyranny, unmanliness, and ugly deeds of enemy by portraiting the harsh and deadly scenes such as: every night silently we said to our selves, perhaps, this night is our last night, to night in our dusty and soily house, the crying of which mother is a waken, that it is shutted in throat without appearing, or the soil and stone of the bloody Iron, when we cut by our nail and grasp, under the muds we see, the woman on the sewing machine has become silent for ever (Hosseini 114-115). Both of the poets in using wordiness arrays and especially similitude metaphors and recognition have been striver and lucky such as essmi al hassi ajeneha/ esmi alasafir losa vatin/ esmi zoloee shajar (Assvar 652).
The similitude of pebbles as wings and sparrows to almond fig and ribs of tree and in month Azar in the year entefazeh, the earth said to us its secrets “recognition” (Assvar 662), upon in |
