Introduction chapter I the influence of samuel taylor coleridge as a poet

LIST OF USED LITERATURES

1. 
   Abrams MH (1999) A glossary of literary terms, 7th edn. Heinle and Heinle, Boston
   
2. 
   Bely A (1980) The magic of words. In: West TG (ed) Symbolism, an anthology. Methuen, London, pp 124–130
   
3. 
   Benziger J (1951) Organic unity: Leibniz to Coleridge. PMLA 66(2):24–48
   
4. 
   Blanchard R (ed) (2001) Drama criticism. Gale, Farmington Hills
   
5. 
   Cage J (1959) Lecture on nothing. In: Incontri musicali. Silence: lectures and writings. M.I.T press, Cambridge
   
6. 
   Coleridge Samuel Taylor. “Rime of the Ancient Mariner.” THE Norton Anthology: English Literature. 8th ed. Vol 2. New York: W.W. Norton & Company, Inc. 1990. 1616-32. 2 vols.
   
7. 
   Coleridge ST (1983) Biographia literaria. In: Bate JE (ed) The collected works of S. T. Coleridge, vol II. Routledge and Kegan Paul, London, pp 31–32
   
8. 
   Coleridge, Samuel Taylor. “Kubla Khan” The Norton Anthology: English Literature. 8th ed. Vol 2. New York: W.W. Norton & Company. Inc. 1990. 1632-34. 2 vols.
   
9. 
   Eliot TS (1994) Poetry and drama. In: Moody AD (ed) The Cambridge companion to T. S. Eliot, vol 145. Cambridge University Press, London
   
10. 
    Esterhammer A (2006) The critic. In: Newlyn L (ed) The Cambridge companion to Coleridge. Cambridge University Press, Cambridge, pp 142–155
    
11. 
    Klancher, Jon. {2009}. Concise Companion to the Romantic Age, A. Whiley. Retrieved 9 February 2012.
    
12. 
    Reidhead. Jula. ed. “Samuel Taylor Coleridge.” The Norton Anthology: English Literature. 8th ed. New York: W. W. Norton & Company. Inc. 1990. 1609-11. Print.
    
13. 
    Wellek R (2001) Masterpieces of nineteenth-century realism and naturalism. Yale University Press, New Haven
    
14. 
    Yeats WB (1980) “The symbolism of poetry”. In: West TG (ed) Symbolism: an anthology. Methuen, New York
    

1^ Klancher, Jon. {2009}. Concise Companion to the Romantic Age, A. Whiley. Retrieved 9 February 2012.

2^ Bely A (1980) The magic of words. In: West TG (ed) Symbolism, an anthology. Methuen, London, pp 124–130

3^ Eliot TS (1994) Poetry and drama. In: Moody AD (ed) The Cambridge companion to T. S. Eliot, vol 145. Cambridge University Press, London

4^ Wellek R (2001) Masterpieces of nineteenth-century realism and naturalism. Yale University Press, New Haven

5^ Abrams MH (1999) A glossary of literary terms, 7th edn. Heinle and Heinle, Boston

6^ Coleridge Samuel Taylor. “Rime of the Ancient Mariner.” THE Norton Anthology: English Literature. 8th ed. Vol 2. New York: W.W. Norton & Company, Inc. 1990. 1616-32. 2 vols.

7^ Bely A (1980) The magic of words. In: West TG (ed) Symbolism, an anthology. Methuen, London, pp 124–130

8^ Esterhammer A (2006) The critic. In: Newlyn L (ed) The Cambridge companion to Coleridge. Cambridge University Press, Cambridge, pp 142–155

9^ Reidhead. Jula. ed. “Samuel Taylor Coleridge.” The Norton Anthology: English Literature. 8th ed. New York: W. W. Norton & Company. Inc. 1990. 1609-11. Print.

10^ Yeats WB (1980) “The symbolism of poetry”. In: West TG (ed) Symbolism: an anthology. Methuen, New York

11^ Cage J (1959) Lecture on nothing. In: Incontri musicali. Silence: lectures and writings. M.I.T press, Cambridge

12^ Coleridge ST (1983) Biographia literaria. In: Bate JE (ed) The collected works of S. T. Coleridge, vol II. Routledge and Kegan Paul, London, pp 31–32