Жиззах давлат педагогика университети ҳузуридаги илмий даражалар берувчи phD

A.E.Mamatov 
Chairman of Scientific Council 
on awarding scientific degrees, 
Doctor of philological sciences, professor 
F.E.Ibragimova 
Scientific secretary of Scientific 
Council on awarding scientific degrees, 
Candidate of philological Sciences, assistant professor 
U.А.Jumanazarov 
Chairman of the Scientific seminar under the 
Scientific Council on awarding scientific degrees, 
Doctor of philological sciences, professor 

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INTRODUCTION (abstract of the PhD dissertation) 
The aim of the research is to reveal the originality of the writer's talent and 
personality, his artistic skills, the creation of his works, creative and stylistic 
development, and the processes of reflecting the reality of life in images. 
The tasks of the research are: 
Togay Murad's creativity, to study the vital, spiritual and spiritual roots in the 
formation of his literary-aesthetic concept, as well as his literary talent, as well as 
the process of creation of his mature works, to show their place and importance in 
the development of artistic-aesthetic thinking of their time, today; 
Togay Murad's creative laboratory, the process of creating short stories, 
novels, the writer's biography, and the reflection of the creator's personality in 
them; 
proving that the writer's personality, creative courage, skill, creative process, 
moments of inspiration are manifested in turning the historical and life reality into 
an artistic reality; 
creation of writer's works and images on the basis of national artistic-aesthetic 
thinking traditions, justification of changes in their publication; 
to study the artistic perception of the three worlds of man, nature, and the 
world of the writer as a whole in the context of folklore, classics, and world 
literature based on literary tradition and originality, to determine the process of the 
plot, composition, and methodical improvement of the works in the form of the 
gradual integrity of the writer's creativity and thinking; 
to show that a biased critical approach to the literary work, non-objective 
views are related to the dominant ideology of that time.