Kemp, J. (2001) a glossary of Literary Gothic Terms. Web

References
Attack, Richard D., Victorian People and Ideas: A Companion for the Modern Reader of Victorian Literature, Norton, 2003. 89-91.
Bloom, C. (ed) Gothic Horror: A Reader’s Guide from Poe to King and Beyond, 1998. Macmillan. 110.
Botting Fred – editor: The Gothic. Publisher: D.S. Brewer. Cambridge, England. 2001. 39, 71, 72, 156-57.
Burke, Edmund: The Works of the Right Hon. Edmund Burke: With a Biographical and Critical Introduction. New York Public Library; 1834: Vol 1. p. 40-43, 74.
Cavaliero, Glen. The Supernatural and English Fiction. Oxford: Oxford University Press, 1995. vi.
Clark Sir Kenneth. The Gothic Revival: an Essay in the History of Taste. (Revised and Enlarged Edition; London: Constable, 1962.) p.237.
Clery, E.J. (2002) ‘The Genesis of “Gothic” Fiction.’ In: Hogle, J.E. (ed.) The Cambridge Companion to Gothic Fiction. Cambridge: Cambridge Press. 34-36.
Davenport-Hines, Richard. Gothic: Four Hundred Years of Excess, Horror, Evil and Ruin. New York: North Point Press/Farrar, Straus and Giroux: 1998. 139.
Hennelly, M.M. (2001) ‘Framing the Gothic: From Pillar to Post- Structuralism’ College Literature 28(3), pp. 15-26.
Hogle, J.E. (ed) the Cambridge Companion to Gothic Fiction, 2003. Cambridge University Press: Cambridge. 243.
Kemp, J. (2001) A Glossary of Literary Gothic Terms. Web.
Kilgour, M. The Rise of the Gothic Novel, 1997. Routledge: London. 66-70.
Kristeva, Julia. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia University Press, 1982. p.61.
Punter, David. Ed. A Companion to the Gothic. Oxford and Malden, MA: Blackwell, 2000: 94–106.
Rabkin Eric. The Fantastic in Literature. Princeton, NJ.: Princeton Univ. Press, 1976. p.8.
Shelley. M., 1998, Frankenstein (1818 Text), Oxford University Press, Reading.
Stevenson, Robert Louis; Dr. Jekyll and Mr. Hyde (Signet Classics), Signet Book; Reprint edition (1994).
Victor Sage, Horror Fiction in the Protestant Tradition (Macmillan, 1988) p. 1.
Walpole, H. (1964) The Castle of Otranto; A Gothic Story. London: Oxford University Press. p7.

• The Castle of Otranto by Horace Walpole ; edited by W.S. Lewis with a new introduction and notes by E.J. Clery

• Frankenstein by Mary Shelley ; edited with introduction and notes by Marilyn Butler
• The Monk by Matthew Lewis ; edited with an introduction and notes by Christopher MacLachlan

Are you ready for fright night? Halloween is approaching and so is a fresh crop of scary movies, including a new adaptation of Hansel and Gretel, new imaginings of The Grudge and Halloween – proving the appetite for the macabre that we seem to have isn’t going away! Surprisingly, many of the elements in horror films share similar stylistic tricks to those in Gothic literature, though they can be approached very differently.