Лексико грамматический и художественный средство языка и стилистическая роль русских сказках.

На основе обобщения различных фольклорных источников, Пропп выявил следующие сказочные функции:
1) Отлучка кого-либо из членов семьи; 2) запрет, обращённый к герою; 3) нарушение запрета; 4) выведывание; 5) выдача; 6) подвох; 7) невольное пособничество; вредительство (или недостача); 9) посредничество; 10) начинающееся противодействие; 11) герой покидает дом; 12) даритель испытывает героя; 13) герой реагирует на действия будущего дарителя; 14) получение волшебного средства; 15) герой переносится, доставляется или приводится к месту нахождения предмета поисков; 16) герой и антагонист вступают в борьбу; 17) героя метят; 18) антагонист побеждён; 19) беда или недостача ликвидируется; 20) возвращение героя; 21) герой подвергается преследованиям; 22) герой спасается от преследования; 23) герой неузнанным прибывает домой или в другую страну; 24) ложный герой предъявляет необоснованные притязания; 25) герою предлагается трудная задача; 26) задача решается; 27) героя узнают; 28) ложный герой или антагонист изобличается; 29) герою даётся новый облик; 30) враг наказывается; 31) герой вступает в брак.


SUMMARY

Lexico is a grammatical and artistic means of the language and the stylistic role of Russian fairy tales. (Princess Frog) students 6-4RUS-19 of the undergraduate direction group: 5111300 - Native language and literature (Russian language and literature in foreign language groups)

Jo'rayeva Niginabonu Uchqun qizi
Based on the results of the study, the following conclusions can be drawn.
A fairy tale is an artistic text and performs an aesthetic function in the system of traditional folklore culture. The value of a fairy tale for culture and art is largely determined by its origin from myths and rituals and organic connection with them.
At present, much has been done in literature in the field of studying the fairy tale genre, its history, poetics, style, and features. Of all the folklore genres, the fairy tale is the most structured and, more than all other genres, subject to certain laws.
A fairy tale is always based on a metaphor. Metaphor is a type of symbolic language that has been used for centuries to teach and convey information. In literary allegories, poetic images, the works of storytellers, a metaphor is always used to express a certain thought in an indirect and, paradoxically, the most impressive form.
The essence of metaphor is allegory, allegory is the basis of a fairy tale as a literary genre. The whole tale is based on a comparison, or rather, a contrast between the words and behavior of Ivan and the miracle-yud in battle and before the battle (modesty and boastfulness, kindness and cruelty, honesty and deceit, etc.), the behavior of Ivan and his brothers, their relationship to everything around.
The lexical features of the language of the fairy tale "Ivan - the peasant son and the miracle Yudo" reflect individual words and expressions: "there lived, were, were not lazy, worked, plowed, sowed, attacked, exterminated, burned, grieved, grieved, comforted, do not grieve, fight to death, do not grieve, hold, dissuade, equip, damask swords, knapsacks, bread and salt ... ". These words, so important for folk speech and for folk tales, are capacious and full of feelings. These are simple Russian words, but how truly they convey the events that happen to the heroes. Many fragments of the text of the tale testify to the heroic deeds of Ivan, a peasant son, who surpasses his opponent in fortitude, which gives him the consciousness of a right, just cause of protecting his native land.
According to the typical plot of the fairy tale, Ivan Tsarevich is forced to marry a frog, as he finds it as a result of the ceremony (the princes shot bows at random, where the arrow would hit — there to look for the bride). The frog, unlike the wives of Ivan Tsarevich's brothers, copes perfectly with all the tasks of the tsar, his father-in-law, either with the help of witchcraft (in one version of the fairy tale), or with the help of "mamoknyank" (in another). When the tsar invites Ivan and his wife to a feast, she arrives in the guise of a beautiful girl. Ivan Tsarevich secretly burns his wife's frog skin, which forces her to leave him. Ivan goes on a search, and with the help of Baba Yaga finds her and frees her.
Based on the generalization of various folklore sources, Propp identified the following fabulous functions:
1) The absence of one of the family members; 2) a ban addressed to the hero; 3) violation of the ban; 4) prying; 5) extradition; 6) a trick; 7) involuntary complicity; sabotage (or shortage); 9) mediation; 10) incipient opposition; 11) the hero leaves the house; 12) the donor tests the hero; 13) the hero reacts to the actions of the future donor; 14) receiving a magic remedy; 15) the hero is transferred, delivered or brought to the location of the object of the search; 16) the hero and the antagonist enter into a fight; 17) the hero is marked; 18) the antagonist is defeated; 19) trouble or shortage liquidated; 20) the return of the hero; 21) the hero is persecuted; 22) the hero escapes from persecution; 23) the hero arrives home or to another country unrecognized; 24) the false hero makes unreasonable claims; 25) the hero is offered a difficult task; 26) the task is solved; 27) the hero is recognized; 28) the false hero or antagonist is exposed; 29) the hero is given a new look; 30) the enemy is punished; 31) the hero marries.
Research Supervisor: ________________ Korshunova A.V

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2^ Потебня А. А. «Из записок по теории словесности», Харьков, 1995

3^ Лазарев А. И., «Художественный метод фольклора», Иркутск, 1985

4^ Адоньева С. Б., «Волшебная сказка в контексте традиционной фольклорной культуры», Л.: ЛГУ, 1989

5^ Лазарев А. И., «Художественный метод фольклора», Иркутск, 1985

6^ Пропп В.Я. Исторические корни волшебной сказки. М, 2004

7^ . Добровольская В.Е., «Предметные реалии русской волшебной сказки», М.: МГУ, 1995

8^ Добровольская В.Е., «Предметные реалии русской волшебной сказки», М.: МГУ, 1995